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Angel Rada, pioneer of experimental electronic music in Venezuela, has always been a restless mind, an experimentalist with his feet firmly planted on the ground of the art, his particular mix of sound design, cultural avant-garde attitude and spiritual inquiry led him to explore an impressively rich sound universe throughout his more than 20 productions (one of the most extensive in his country) making him the cult musician he is today.El Palmas Music, an independent record label in Barcelona, …
Ross Alexander first came to our attention with Memorias Vol.1 - Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of visited sites considered sacred within the Bugandan kingdom and session recordings with Ugandan musicians Albert Sempeke and the Nilotika Collective layered with his own original composition using the Yamaha DX7 and programmed FM synthesis. The result being a unique reconfiguration of new age vocabulary…
**250 copies on white vinyl, 2019 stock** NNA is thrilled to present The Hole In the Landscape, the latest full-length album by Tsembla. Based in Turku, Finland, Tsembla is the solo alias of musician Marja Ahti, a frequent collaborator of the Kemialliset Ystävät musical collective and one half of the electro-acoustic duo Ahti & Ahti. As Tsembla, Ahti creates vivid, imaginative compositions of sound and rhythm using electronics and treated samples of recorded acoustic instruments, objects, voices…
Beautiful new album by Andrew Chalk and Timo Van Luyk (with Daisuke Suzuki on percussions and Ian Middleton on "accidental sounds"). Andrew Chalk is one of the most appreciate musician in this category floating between drone and ambient music, and his meeting with Timo Van Luijk has created an amazing disc, able to emphasize the slow, limited gestures, movements elegiac elegance, but still so heavily controlled. Each faint seems to have a gesture meaning. Here you can hear a flute (connected to …
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…