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Frame is a project started on 1992 from Eugenio Vatta and Andrea Benedetti with the idea to re-create the atmosphere of a movie theater in a musical show. As happened during the days of silent films with orchestras playing in real time during the movies, the Frame project had the aim to follow with electronic instruments, the evolution of a movie, specifically assembled for the show. This happened in real time following few guidelines and with a lot of improvisation in order to donate to the ele…
These companion pieces have similar orbits as they were not only both composed in Middletown, CT (where Alvin and Jordan lived for a number of years), but are about Middletown, at least from a starting point. Alvin’s piece — a homage to the location of the house in which he recorded “I am sitting in a room” back in 1969 — continues his study into slow-moving glissandi and carefully crafted beating patters by interweaving three string players within a minor third (voiced by two vibraphonists). Th…
**Limited Edition of 199 copies.** Akifumi Nakajima was probably best known for his work under the name Aube, which was one of the more prolific and most interesting noise acts from Japan. He had an impeccable and marvelous sense of design and appreciation for the materials, taking packaging beyond just using regular old paper with his wonderful and unique label G.R.O.S.S., dedicated to releasing experimental music and noise, in addition to his own recordings as Aube. Hiroshi Hasegawa formed the…
** Edition of 200 copies.** Lasse Marhaug and Jon Wesseltoft have collaborated in a variety of projects over the years, but started the Tongues of Mount Meru duo back in 2008 as a collaboration to pursue their shared interest in sustained and closely calibrated sounds, and the phenomenological impact they have on the act of listening. They started recording a session each year from 2008 to 2011 in Oslo utilising harmoniums, organs, shruti boxes, oscillators, and computers and accumulated a large…
Richard Fearless follows his critically acclaimed psycho-geographical techno masterpiece ‘Deep Rave Memory’ with its companion album ‘Future Rave Memory’. Across titanium kosmische, industrial ambience, weightless acid and dark drone, this new record is an instrument of evocative wonder and heavy emotion. A dystopian ambient album and work of modernist meditation set firmly in an era when humanity is reckoning with its outsized place in the natural world, a process which may evoke humility, defi…
*300 coipes limited edition* Since 2014 Gary Mundy of Ramleh has been releasing most of his solo work through Fourth Dimension Records. 'In the Guts of a Year' is his sixth such album for the label (not including a reissue of 2009's 'The Return' album, originally released as an LP by USA's Noiseville, and the reissues of the Broken Flag LPs 'Mobility' and 'Do Not' that are also presently in production) and brings together another six lengthy new cuts. Keeping in line with where his work has been…
"Du Y Moroedd" (Welsh - the black of the sea) is the album of abyssal dark ambient - environmental soundscapes and atmospheres from above by Llyn Y Cwn (Ben Powell), below and beside the ocean; field recordings made onboard vessels at sea; sounds from submerged recording devices deep underwater; recordings from the coasts of North Wales to Greenland and the Arctic Ocean. The tracks were created onboard the RV Prince Madog whilst conducting research using multibeam sonar to locate, survey and ide…
The Vanishing is the long-awaited return of abstract electronic duo Oren Ambarchi & Martin Ng, in a remarkable collaboration with the acclaimed new music group Ensemble Offspring. Working together with the ensemble in 2013 for a series of concerts & recording sessions, Ambarchi & Ng developed a suite of pieces that build on the distinctive sonic language established by their three previous duo albums - released between 2000 & 2006 - of ringing bell-like tones & sustained hums with a new palette …
* 2022 stock. Edition of 150* A Still From The Film is a sort of sister release of 2012’s ‘Detachment’. So you can expect warm and dark drones, mostly guitarbased. But this album is at the same time more abstract, and more accessible. The a-side is one sidelong track. Whereas many artists start out with a melody that degenerates into chaos, Karina ESP builds a subtle melody out of what starts as a vague mix of hiss, crackles and guitarsounds. The b-side of the record is more straightforward, wit…
* 2022 stock. Edition of 150* It’s fair to say that despite his long history and reputation, Karina ESP hasen’t been the most productive act around. Gowers started working on this record a few years ago, but things did not fall into the right place. Until late 2011, returning from a short Benelux-tour. Gowers travelled to Scotland, where Fraser McGowan of Caught in the Wake Forever and Small Town Boredom managed to record the album in a matter of days. And that’s what Detachment sounds like: thi…
This album is about trauma and PTSD. The music portrays the emotional loop... the continuous reminiscing about the traumatic event the never-ending anxiety and paralyzing panic attacks... ... from which a traumatized person simply cannot escape. I call this state the daemon trance (and, unfortunately, I know it far too well...)
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer Béla Bartók and his own surname. 'Insubstantial As Ghosts' is Barton’s debut album and contains fourteen highly atmospheric soundscapes. Taking the title from a William Gibson novel that was also used in a citation about Sleeping Sickness (‘they neith…
Contains the full Opium Cabaret album plus an additional 40 minutes previously unreleased studio material. Housed in deluxe full colour digipack with new art by Santini.
Trippin’ Musik’ is Nurse With Wound’s most significant new dose in a while, collecting 3 epic discs of steeply psychedelic sonics that may well alter your breathing and heart rates and mental state. No tracklisting provided, play however tf you like.
Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.Although trained as a guitarist, Thompson has worked primarily with live …
Simon Shreeve’s doomiest moniker Mønic follows those killer Burial and Regis reworks from a few years back and adds to his Downwards stripes with a necessary vinyl edition packing both volumes of his recent ‘Trawler Tapes’ series originally issued digitally with his Osiris Music UK label, highly recommended to disciples of Kevin Drumm’s ‘Imperial Distortion’, The Conet Project, Thomas Köner or SAW II. Made on the English south coast and first issued into the strange high summer of 2020 lockdown…
**2022 stock. 100 copies limited edition** Söll is Jorge Pandeirada, musician and composer from Portugal. Interested in the concepts of randomness and what many regard as musical error. Pandeirada has a degree in Music Production and Electronic Music at ESART, and right now he's a master student in Sound Design at FEUP. This album is Söll's debut in electronic music, a field which he ingeniously explores. In doing so he produces a sound that is rich, detailed, fine-grained, hypnotizing and well,…
**2022 stock. 200 copies limited edition** The album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more. Francisco López is internationally recognized as one of the…
**2022 stock. 100 copies limited edition** On this album Daniel Vujanic tried to create a musical system with moods, dynamics and melodic ramifications through non-musical approaches, components and source material. Or simply put: to alter and to transform identifiable synthesizer, piano, guitar, cello or field recording sounds/motifs into something less musical, more obscured and clandestine. He was looking for a way to build coagulated atmospheres, dissolving states of mind, realms of the hypn…