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Works by Vladimir Ussachevsky, Otto Luening, Pril Smiley, Bülent Arel, Mario Davidovsky, Alice Shields . In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he dev…
The spread of electro-acoustic music in Hungary was hindered for a long time by the lack of a studio of adequate technical standard. At first Zoltán Pongrácz has his own studio, then a few years later, in 1972, a modestly equipped workshop was established with the guidance of Iván Patachich. After two years' experimental work, the Hungarian Radio electro-acoustic music studio came into being in 1975 as part of the Hungarian Film Producing Company. During the 1970s the circle of composers began t…
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…
Sixth volume in the Acousmatrix series. Features: Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, György Ligeti, Giselher Wolfgang Klebe, Herbert Brün