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** 300 copies ** Back in 2017 the unassuming Los Angeles-based multi-instrumentalist and producer Josiah Steinbrick released his first collection of solo pieces and we’ve been listening to it compulsively since then. Given that its initial release was only in North America, both on cassette with Leaving Records and in an extremely limited vinyl self-release via Banana Editions, we felt that this meticulously crafted, essential work righteously deserved to get a proper spin in Europe too! "Meetin…
**300 copies in special packaging** EEEOOOSSS is the encounter between three instruments, each one tuned according to a different tuning system. This meeting was conceived and designed over a period of years but only once took place in the Church of S. Giusto, Volterra, Italy, during the night of the 12th of August, 2018, in the nave, the transepts and the choir. Each of the three temperaments embodies specific characteristics, amplified by the instrument assigned to play it. The dark (almost pu…
For musicians inhabiting the Antipodean countries of Australia and New Zealand during the 70’s and 80’s, it was a geographically and culturally isolating environment. Boutique shops, community radio and mail order exchanges championed independent and contemporary music from across the globe. It was, however, this isolation that caused a number of small community-focused scenes to evolve, creating their own unique interpretation and reappropriation of outside influences. Through both these scenes…
** 300 copies 180gr vinyl, with booklet ** Musiques Electroniques Actuelles presents a due reissue of NSRD founder's timeless work released for the first time in 2000 in Latvia. Hardijs Ledinš's timeless solo effort, "Tiny Crabs of Deep Waters" - originally a CD only release put out by Seque and Alises Ieraksti - saw him offering his own deep and transcendent take on the ambient genre, with an immersive and esoteric offering complete with jazz bass, found sounds, neo-classical flourishes and wel…
Benjamin Lew was an enlightened amateur, in the noble and almost Renaissance-like sense of the word: he dabbled with equal grace in photography, writing, visual arts ... and worked part-time as a cocktail mixer in a tropical bar which was one of the favourite watering holes of Brussels’ thriving artistic community of the early ‘80s. Tuxedomoon had just moved to Brussels, and Steven Brown was among the many musicians, designers & artists who patronized the bar. Benjamin had a secret passion: he w…
Deaf Center's second album Owl Splinters from 2011 gets a lavish re-packaging as a gatefold, double-LP. It includes the Svarte Greiner re-interpretation album, Twin, as well as new cover art with photos by cinematographer Joshua Zucker-Pluda. Owl Splinters was originally released six years after DC's debut, Pale Ravine. In contrast to their previous work, it was recorded in a studio setting (Nils Frahm's Durton studio, to be exact), and the lo-fidelity, haphazard techniques of their early record…
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4'33"" which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed …
A beautiful drone like a line shaping in time, from silence to silence. Clara de Asís is an electroacoustic music composer and experimental guitarist, born in 1988 in Spain and based in France. Her musical practice is held away from any formal academicism, aiming to transcend conventional instrumental approaches. She works mainly on prepared electric guitar, focuses on exploring the specificities of her instrument, and develops them both in live situations and throughout electroacoustic composit…
**260 copies** Walser, the new album by Robert Piotrowicz, is a reiteration of the artist’s composition for the namesake film by Zbigniew Libera where a fictitious Concheli tribe enacts its ritual gestures through music and performance. Rather than following a traditional soundtrack format where music is written after the film is cut to illustrate the cinematic form, Piotrowicz treats the film music as a point of departure to create an autonomous sound work altogether. While its aesthetic narrat…
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
**370 copies, white vinyl** Originally intended as a part of an audio book, When Snakeboy Is Dying shines of its own (dim) lights, marking the first time for Robert Piotrowicz to augment the compositional palette with instruments beyond synthesizers and computers. His decision of tackling them without external aid is not the fruit of bullheadedness, but a conscious attempt to rigorously focus on the properties of those sounds that he deemed necessary for the music’s constitutional narrative to u…
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consisted of well over 100 hours of listening on my part along side DXArts technical wizard Michael McCrea who himself has between 150 and 200 hours of listening and editing in this multifaceted project. In the process of both performing and recording as a member of DLB I found myself exclaiming,…
In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established…
Much of Frances White's music is inspired by her love of nature, and her electronic works frequently include natural sound recorded near her home in central New Jersey. This is the first complete disc of White's electroacoustic works, both with or without instruments. This disc is titled Centre Bridge because it has inspired two of the works contained on it. But beyond this, it is because the role that the bridge has played in White's work is so characteristic of her music. Her music is about li…
First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same recording period, original artwork + accompanying texts by Tietchens. This — the only 2CD in the series — feat. his very first album Nachtstücke from 1980 (incl. 4 bonus tracks) + a 2nd CD with archive material recorded with his long time friend Okko Bekke…
Important reissue of two historic minimalist albums, originally released on LP via the Advance label and out of print for decades now. Mastered from original tapes according to the composers original specifications. Packaged with informative liner notes by Kyle Gann, including an overview discography for seminal works within the field of minimalism. This timely CD reissue combines two LPs from the Advance label-Richard Maxfield’s Electronic Music and Harold Budd’s The Oak of the Golden Dreams-bo…
A series of three pieces/suites; 'Leapday Night', 'A Traveler's Dream Journal', and 'Interspecies Smalltalk' involving Rhys Chatham/Ben Neill (on trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and David Behrman himself on electronics. Behrman creates thickly layered liquid sounds utilizing this complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off their improvisations with its own synthesized reactions. The system consists o…
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when they are played, activate electronic pitch-sensing circuits connected to the "interrupt" line and input ports of a microcomputer, Kim-1. The microcomputer can sense the order and timing in which the six pitches are played and can react by sending harmony-changing messages to two handmade music synthesizers. The relationship between the two musicians and the computer is an interactive…