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Good things come to those who wait, and boy have you been patient. We have taken our sweet time in bringing you the brand-new issue of Moonbuilding, but we’ve been busy. Moonbuilding Weekly busy. Not seen it? moonbuilding.substack.com - the pick of t…
*2024 stock* Is there ever a final version of anything? By recombining the aliquot of an album does something new appear? Rather than simply asking questions The Mistys went in search of answers. Using only the master tapes of the ‘Detached Engagemen…
The Endless Echo is the fifth album on Ghost Box for the highly prolific Martin Jenkins. Pye Corner Audio cinematic electronica shifts effortlessly between brooding ambience and menacing dance floor grooves. It evokes awe-inspiring vistas and moments…
Cor. Issue Four. There’s some parenting wisdom that says after you’ve had three children you might as well have a few more as it makes no odds. Four to six is the sweet spot, apparently. Less stress they say. So here’s to our fourth. Check back in on…
In 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel i…
In 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel i…
On Synthetic: Season 2, Halifax pop artist and composer Rich Aucoin continues his journey through the history of synthesizers. The second entry in his quadruple LP series once again features an armada of the world’s most rare, historic, and highly so…
Tip! Tip! Tip! Having successfully navigated the difficult second issue, Moonbuilding returns with a dazzling Issue 3. Edited by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label the new …
Frog Bones is the original Frogman music that Dean sent to his mate, Supreme Vagabond Craftsman, over which to write a story over in 2015. It was predominantly composed with an EMS Synthi AKS and an Oberheim Two Voice synthesizer, plus some crunky Wa…
The first issue of Moonbuilding, which touched down back in May, was one of those finger in the wind, run it up the flagpole and see who salutes sort of projects. The A5, 48-page full-colour title, put together by former Electronic Sound commissionin…
Tip! "Bloody spooky though. I hope the place don't fill up with goggle eyed weirdos now, wandering around and muttering."In 2015 I edited various pieces of music I had written on an EMS Synthi and a tape echo, into one hour long piece. I didn't know …
Following a nuclear catastrophe, the Earth has become an immense desert. Day time is short, and sunlight has red and purple glares. Living beings went through mutations due to the radiations, social order has come apart and humans live in what is lef…
Rich Aucoin is announcing his next album entitled Synthetic. The record is a rare Quadruple Album with its 4 seasons/LPs being staggered in 6 month intervals over the next 2 years. The album, which began at The National Music Centre in Calgary, Alber…
Colin Morrison's Castles In Space label has launched a new publishing venture in the shape of Moonbuilding mag. The A5, 48-page full-colour title is fronted by former Electronic Sound commissioning editor Neil Mason and comes with a 13-track sampler …
Edition of 250. CD in 4-panel digipak CD with 12-page booklet. ** Electronic musician Hawksmoor, aka James McKeown, releases ‘Head Coach’; a beautifully immersive instrumental album inspired by the druidic, Solstice referencing layout of Milton Keyne…
Tip! Benjamin Ian Powell has been recording music since 1998. Influenced by nature and maths, his music is computer based combining field recordings with real and virtual instruments. As Llyn Y Cwn he has an extensive back catalogue of dark ambient/e…
Using analogue synths & field recordings, Field Lines Cartographer creates often dark, occasionally bucolic soundscapes, described in The Wire magazine as “shimmering and unsettling” and “The sound of big, strange worlds” - Electronic Sound magazine