Beyond All Defects: Mount Meru Anthology Series Vol. 1
Clear vinyl; Edition of 500.
Although Sir Richard Bishop (SRB) and W. David Oliphant (WDO) worked together periodically in the '80s through Sun City Girls and Maybe Mental,
they never set out to simply work together as a duo. Fast forward to
2011, SRB, feeling the need to temporarily step out of his solo guitar
zone, approached WDO with the idea of this joint collaboration... Beyond All Defects was composed and recorded live in the studio in Phoenix, Arizona in December of 2011 (remastered …
Antipodean Anomalies
For musicians inhabiting the Antipodean countries of Australia and New Zealand during the 70’s and 80’s, it was a geographically and culturally isolating environment. Boutique shops, community radio and mail order exchanges championed independent and contemporary music from across the globe. It was, however, this isolation that caused a number of small community-focused scenes to evolve, creating their own unique interpretation and reappropriation of outside influences. Through both these scenes…
Turn On, Tune In
Charming first instalment in a series of compilations exploring the ambient sound and vision of Melbourne, Australia’s Lullabies For Insomniacs radio show-turned-label: containing sweet treats in Georgia’s lilting polyrhythmic daydream, Mist ∞ Skat, and the avant-classical elegance of The Magic Carpathians’ Thalassa.
Mexico Magico Cosmico, en el ombligo de la Luna
**CD Version. Official audiophile reissue. Replica original artwork, including the insert with listening instructions, in Spanish and English** Originally recorded in Mexico, 1981, it offers a mescaline-sharp vision of deep grooving "cosmic ethnography" combining pre-Colombian percussion and wind instruments with electric guitar, tape delay and synths in free-roaming and extended suites. Luis Pérez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the r…
Messages and Portraits
Classic work. Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre. In the realm of 'My life in the Bush of Ghosts' but far more accomplished and developed.