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Electronic /

Sunda School
Tapes & Nikolaienko get comfortable behind an organ. These two manage to sneak along some shit of their own though – a bag of sharp rocks to cut perfect tape loops & round ones to play the keys with. The four vignettes on this 7” paint a picture both blissful & threatening. Take “Countryside Emergency” with its loosely galloping rhythm-loop & alarming arpeggiated keys. All this might end with someone getting thrown into a fire. If it wasn't for “Jaaksoni Tamm” to smooth the situation with an inv…
2021
**Edition of 60** Ikuisuus presents 2021 by Boom Edan. "On the 1st of October 2020 I had a dream I was part of something. A late night open mic jam at an under-water jazz cellar, literally a flooded space underground. I set to recreate that experience Home Alone, with what sounds that looked like it. By November I had completed building a version of a machine for accessing the dream. The Dream Machine, however, solved nothing as a bigger parallel problem had simultaneously revealed it to me that…
Tau Tau
Multidisciplinary Portuguese artists Calhau! return with a new album and their first release on Discrepant. It’s quite possible you’ve never heard about them. They’re not that famous in Portugal or anywhere. Calhau! is formed by couple Alves von Calhau and Marta von Calhau, not their real names, but they’re their real names in the artistic reality Calhau! have been working in the last 15 years. But now that you’ve read their name, you must dig in. They’re one of a kind.They’re not musicians, pai…
Independent Electronic Music Composer
Now that the Creel-Pone series has reached its teens, its time for an irreverent late-60s blast of heavy Synth-Freakout / Tape-Psych weirdness from this Cicero, Illinois based composer Edward M. Zajda, about whom i can’t find a single bit of information - other than that he has a piece included in a 1964 radio program called “Electronic Music in America” that’s archived in the Brandeis library. Originally issued in the late 60s on the regional Ars Nova / Ars Antiqua” label, “Independent” star…
Pinhead in Fantasia
Esoteric synths and classical harmonies from The Skaters mastermind. Pinheads in Fantasia is probably Spencer Clark's most out-there endeavor. At some point his records became more than just trippy music with crazy artwork and his use of symbols and poetry started to take a more central part in the releases. He even stopped calling them albums, preferring the term soundvisions instead. Fourth World Magazine Vol. II is the culmination of these tendencies, sounding like the creation myth for …
Trax Test
Trax Test’ is the first ever survey of Italy’s pioneering, visionary and influential label and mail art collective Trax, which ran from 1981 - 1987 as a network for the creation of collaborative projects. The collective included a pre-NWW Colin Potter and some of the earliest work from Masami Akita aka Merzbow, but also had deep connections with the art world; a few trax members went on to become famous designers and artists - Ettore Sottsass of hugely influential Memphis Group even guests on vo…
After Guernica
Once again the “boxes from Reykjavik” have started arriving on Thursday mornings like clockwork; let’s start up again not with an outright explosion of lost Tape-Psych damage - to give us all time to recover - but with a rather remarkable set of subtle, Lo-Fi Electronic compositions composed throughout the 60s & originally released in the early 70s on the private-press “Golden Crest Records, Inc.” label. Of the past Creel Pones, this one has the most in common with the George Engler “Inside of…
The Inside of the Outside, or The Outside of the Inside
"Who Are They? Where Do They Come From? Why are They Here?" After a short beauty res(e)t, Creel Pone returns borne anew with this pristine nugget, a reproduction of this 1965 Serenus-label lp by one George Engler - with one piece credited to “Heinz Karl Gruber” attributed to “The Inside of the Outside /or The Outside of the Inside." One can glean all sorts of hypochondroid vibes from the title & liners alone, even before the music itself hits your ears - a fine mist of space-age paranoic Lo-Fi …
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