Richiamare
"Richiamare" is an attempt to create a bridge to the past, a connection between absence and precariousness as a vivid action of the present. The French Suite No. 3 by J.S. Bach is a piece that accompanied me for many years during my growth and studies as a musician. It made me confront the difficulties of the instrument, the need for dedication and the tendency to reach a higher stage of awareness. Many years later, that same piece resonates in my memory in a different way. It has created its ow…
Transmutancia
Transmutancia presents music caught in the act of becoming.
Raw, luminous, and alive.
Where to From
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately reflective pieces for strings and choir—drawn from years of voice memos and melodic fragments—where minimalist restraint meets moments of luminous warmth. The album’s texture hovers between Scandinavian melancholy, sacred choral atmosphere, and a me…
Untitled
Tip! Tip! Tip! Florence-based composer Marco Baldini has quietly emerged as one of the most compelling voices in contemporary composition, and this cassette compilation for The Trilogy Tapes offers the perfect entry point into his world. Known for his stunning releases on Another Timbre – the chamber works of Maniera performed by Apartment House and the historically-engaged Vesperi – Baldini here curates a personal sonic journey that reveals his wide-ranging influences and aesthetic sensibilitie…
Riparian
Riparian by Eyvind Kang is a two-part, 37-minute suite for viola and ensemble that meditates on the meeting point of water and land. Produced by Randall Dunn for Kou Records, the album explores blurred musical boundaries and organic flow, using Kang’s signature blend of experimental chamber forms and subtle, textural improvisation to evoke riparian landscapes.
Langue of Tongue
Lénok’s 'Langue of Tongue' is a descent. An unhinged pinballing down a realm of incomprehension and lunacy, a darkly psychedelic ego-death-spiral into a world of pure, deranged disquiet. It is, and this cannot be emphasised enough, a truly fucked up place. It comes complete with clearly marked borders delineated by its opening and closing tracks '(Entrance' and 'Exit)’. The message is clear: this is less album than zone. There's no comfort to be found here. It’s like the inner monologue of some …
Dark Lights
Acclaimed composer, producer, DJ, and founder of Nonclassical, Gabriel Prokofiev, unveils his long-awaited album Dark Lights, marking his first personal release on the label in over a decade. Known for his distinctive fusion of genres, Prokofiev bridges the worlds of orchestral music and electronic production with an intensity that feels uniquely his own.
Dark Lights represents a bold step forward in Prokofiev’s sonic journey. Drawing on his background as a producer of hip-hop, grime, and elec…
Songs for Eventide
*100 copies limited edition* Soundtracks for the edge of day. Visible Light use their instruments to open portals of seasonal consciousness through site-specific recording and real-time composition. Over the past two years, Amy McNally and Matthew Hiram have developed a collaborative practice rooted in earthly attunement, intuitive structure, and place-based sound. Their outdoor listening events have quietly established them as distinct voices in a growing conversation around nature-based music.…
From Scratch New Discantus Quintet
"From Scratch New Discantus Quintet is a 60 minute long piece for two horns (Soprano and Tenor sax), double bass, a percussion set (bongo-drum kit), one electronic instrument (analog synth) and piano. Depart from the subharmonic scale, present through 10 stable sustained tones that act as a Cantus firmus, in the way composers Pérotin or Léonin worked in the XII century, initiating what is technically considered ‘counterpoint’, yet in this case, from scratch.
This Cantus firmus acts as a context …
For Jack
For Jack was written in 2024 for pianist Jack Yarbrough. I was inspired by Jack’s many performances of my music; how he approaches my soundworld with a beauty of touch and an attention to pacing. This piece is approximately 50 minutes long and, with a few exceptions, it is extremely quiet and spacious. Many thanks to Jack for asking me to write this piece and for playing it so beautifully.
Jack Yarbrough is a pianist working in the fields of contemporary and experimental music. Largely devoted t…
Melos
Melos is an ongoing series of site-specific works for organ and electronics. By merging sampled organ tones with sustained chords, it creates evolving, immersive textures unique to each venue. Each piece explores and expands the organ’s expressive limits through electronic means.
Idylla
Idylla is the third of part of a trilogy of nature-based recordings that Polish composer Michał Jacaszek has recorded for Touch. The first, Catalogue des Arbres (Touch TO:94), was a collaboration with Kwartludium that celebrated the earlier inspiration of French composer Olivier Messiaen's Catalogue des Oiseaux (1958). Gardenia (Touch TO:117) was a response to a field recording workshop organised by Francisco Lopez in Limpopo province in South Africa, on the border with Botswana, the participant…
Seven Hats For John Cage
2012 release ** Featuring Bernard Clarke, Stella Luncke & Josef Maria Schäfers, Chris Mann, Goran Vejvoda, Armeno Alberts, Laurent Estoppey & Anne Gillot, Peter Graham.
Aura
*2025 stock* “Words cannot describe everything we feel. How can one accurately verbalise the sensation we feel when we’re a newborn and our mother holds us in her arms, and we feel her skin on our cheek. We clearly feel her warmth and humidity, some feeling of love from her, but it’s tough to verbalise it perfectly. Music is a language that can translate that sensation, feeling, the memory of love.” - Hatis Noit
Anthony Philip Heinrich, Syracuse Symphony Orchestra, Christopher Keene, Louis Moreau Gottschalk, Anthony Und Joseph Paratore
The Ornithological Combat of Kings/Night in the TropicsHere are two extremely entertaining concoctions by two nineteenth-century American Romantics who wrote music on a grand scale. After a broadly lyrical first movement in the grand tradition of his friend and mentor Hector Berlioz, Gottschalk introduces, appropriately enough, a Cuban rumba into the second and final movement of his breezy south-of-the-border excursion, Night in the Tropics. The sources of Heinrich's musical style are in Haydn and to some extent Beethoven, but with the ornateness of…
Morning And Evening At The Museum
"Morning and Evening at the Museum" consists of 9 tracks that were composed from the recordings of musical instruments found in the archives of Lithuanian Museum of Theater, Music and Cinema in the year 2009.These tracks were presented live in the museum's concert venue during the two concerts - one was held in the morning, another in the evening of the same day. The CD consists of both live and studio recordings. - Arturas Bumsteinas
Collines / Racines
Tip! Rarely has the term "soundscapes" seemed as appropriate as for 'Collines' and 'Racines,' these two long, captivating pieces for cello and Loopstation, respectively inspired by the landscapes of Gaume and the Forêt de Soignes. Gwen Sainte-Rose superimposes the sound layers of her compositions and sculpts the sound material. This CD nestled in a wooden box which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and the graphic designer Cor…
Organ Safari Lituanica
We are happy to introduce you Arturas Bumšteinas, a composer from Lithuania! This is our second collaboration with him since he participated in the making of our first release Wozzeck "Act III: Comics". A new Arturas’ solo release continues his series of organ works. During Summer 2015 he has visited 20 Lithuanian cities with Gailė Griciūtė who improvised on a church organ. Arturas has written 3 compositions based on the recorded material where he researched sound details and specificities of di…
My Own Private Bayreuth
All 8 tracks were composed by Arturas Bumšteinas from audio material recorded during open rehearsal sessions at Kunstvlaai contemporary art fair in Amsterdam, May 2010. All instrumental and vocal recordings that appear on this CD originate from fragments of various scores by Richard Wagner.
Their Internal Diapasons
The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…