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Five superb "meta-musical" compositions from the 1960's for various combinations of actors, orchestra, instruments and tape, by the extremely original Greek composer, released by Edition RZ in 1992. With insert.
Rare 1985 album with amazing compositions respectively for voice and ensemble, computer and "plucked orchestra" spanning from 1961 to 1981 released on Amadeo's "Österreichische Musik Der Gegenwart" contemporary music series. With insert.
Unusual package originally including a kinetik sculpture (not included here) presenting the Swiss composer's strange 1968 electronic / musique concrète composition paired with Haydn's 101st Symphony, privately released in the late 1960's / early 1970's.
The British composer's powerful 1972 orchestral composition backed with his fantastic 1971 electronic piece in collaboration with Peter Zinovieff, released on Argo's "Calouste Gulbenkian Foundation Series" contemporary music series in 1975.
Great electro-acoustic split LP with a 1976 piece for singing cellists and live-electronics by the British composer backed with a 1974 piece piano and synthesizer and a 1971 piece for trombone and orchestra, released on Bärenreiter-Musicaphon's "Basler Komponisten / New Music From Basle" contemporary music series in 1978.
"La Vera Storia di una Macchina Inventata" is a conceptual album built as a surreal sonic narrative. Conceived as a continuous journey rather than a collection of tracks, the album tells the story of an “useless machine” and its inventors, moving through exhibition halls, highways, rest stops and imaginary radio stations. The project was born from an intense period of collective research by Metameccanici, a trio formed by Angelo Trabace, Alessandro Trabace and Sebastiano De Gennaro. Working betw…
*100 copies limited edition* Salix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly. The EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where…
Four classic compositions spanning from 1931 to to 1973 for percussion ensemble performed by the La Scala theatre precussionists, released on the tiny Italian label I Dischi Dell'Ippopotamo in 1979.
2LP set including some of the most important compositions for percussion ensemble of the 20th century, performed by Les Percussions De Strasbourg and released by Philips in 1983.
Three pieces for percussion ensemble composed in the 1960's and performed by Les Percussions de Strasbourg, released on Philips outstanding "Prospective 21e Siècle" experimental music series in 1975.
*200 copies limited edition* 'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression. Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cov…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
*50 copies limited edition* Somewhere at the edge of Waziers, Bruno Duplant listens deeply. His recordings collect the soft turbulence of vacant parcels of land, the drift of wires that hum, the weathering of surfaces that remember more than they reveal. In these materials he finds the beginnings of new fictions. Not narrative fictions, but the kind that arise when memory, chance, and close attention begin to overlap. Duplant describes himself as a discreet witness. The act of recording is not e…
On Tectonic, Simon Berz turns drums, electronics and electronically manipulated Icelandic basalt into a roaming, 15‑year travelogue: club‑pressured rhythms, gamelan echoes and cavernous ambience formed with stones as both instrument and co‑author.
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.
At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…
*150 copies limited edition* After 8 years since their last release, Becoming Forest is the fifth full-length record by Amuleto. It comes from an encounter between the group’s core duo, Francesco Dillon and Riccardo Wanke, and multi-instrumentalist performer and composer Stefano Pilia (Mike Watt, Rokia Traoré, 3/4HadBeenElminated, Massimo Volume, Afterhours, Zaire). This meeting — developed from long-term parallel collaborations and converging musical paths — produced a set of tracks that combin…