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Outside Ludlow / Desert Disco is the first major solo release from Australian performer-composer Sam Dunscombe, now based in Berlin after residing for the past decade in San Diego and Tokyo. A virtuoso clarinettist who has performed in composed and improvised settings with artists such as Klaus Lang and Taku Sugimoto, their practice also embraces computer music, lo-fi electronics and field recordings, in addition to their long-term commitment to archiving, studying and performing the work of Rom…
** Edition of 100 ** SummerTales is basically the sonic history of a friendship, a long-term and ongoing friendship. Guido Broglio and I grew up in the same town, Castelvetrano, in the most southeast part of the southeastern region of Italy, Sicily. We started to make music, playing guitars and percussion together, shouting Beatles tunes at the campfires we used to have in the summertime, on the wonderful beach of our beloved holiday place, Selinunte. There were really magical moments, which are…
Samuli Tanner is known for his work in Siihhi, World Bank, Tiiu Helinä and Myttys to name a few. Music for 1-Year-Old Samuli Tanner is the first album released under his own name and was previously released in USA by Sun Ark Recordings in CD format. Now the album is finally released on vinyl and digital format by Fonal Records, Ikuisuus and Peace Files. Music For 1-Year Old Samuli Tanner consists of playful improvised sci-fi compositions and “beats” made with self-built samplers, old tape machin…
A quick, spontané voyage to the French Riviera ca. 1968, good times long before things went south, Organi’s “Parlez-vous Français?” is a woozy, tripping, soothing sojourn: DIY dream pop, hazy psychedelia, blurred-but-steady beats dripping down the golden boulevard, complete with mystical chants, a dash of half-remembered Franglais that goes down like some vintage eau-de-vie. There’s a fine massage waiting behind those venetian blinds. Pay half an hour, you’ll be relaxed and revived after 22 mi…
Black Truffle is delighted to offer up a rare serving of unheard works by legendary Swiss artist Anton Bruhin. Active as a visual artist, poet, and musician since the 1960s, Bruhin has created important work in forms as varied as concrete poetry and landscape painting, imbuing everything he does with wit, humility, and absurdist humour. A recognised master of the jew’s harp (or Trümpi, as this ancient folk instrument is known in Swiss German), Bruhin’s sound work also encompasses tape collage, s…
* 2021 Stock. Language: English * The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic strips. The typography consciously frees itself, in parallel to a liberal…
* Italian Language Only * Stefano Gilardino is one of Italy's leading music journalists, rock writers, and longtime Soundohm collaborator. He has written among others, the books: La storia del punk (Hoepli, 2017), with Fabrizio Gilardino Il quaderno punk 1979-1981 (Goodfellas, 2018) and with Roberto Caselli La storia del rock in Italia (Hoepli, 2019). There was a time, in the early eighties, when Italian music found itself magically in tune with what was happening in the rest of the world. On th…
'Seconds Mark III' is the third iteration of a unique work within the sprawling discography of Alastair Galbraith: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground.
"Commencing his collaborative musical activities in the early 1980s as part of Flying Nun outfit The Rip (with Jeff Harford and Robbie Muir), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throu…
**Edition of 300, one-off pressing**first ever reissue of this sought-after punk-funk / no wave / electro post-punk 45 from 1979 by post-Wayne County Electric Chairs, produced by David Cunningam (Flying Lizards), now expanded to 12” In 1979, Wayne County & The Electric Chairs – the legendary punk-rock band - recorded their third album, Things Your Mother Never Told You, in London. It was produced by David Cunningham of the Flying Lizards, famous also for his work with This Heat, Michael Nyman, e…
**Edition of 300, one-off pressing** Basking Sharks are one of the unsung heroes of the original minimal / synth–pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home–made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played "live" without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performanc…
Stunning debut release from Confuso Editions, a new label operating out of NYC/Rio de Janeiro here venturing into the furthest realms of outsider pop with the first ever public airing of recordings by John Zieman, a student of electronic synthesis at Hampshire College and collaborator with Nam June Paik, John Sanborn, and Dara Birnbaum. Distilling 80s midtown sleaze (digi-saxophones, drum machines, listless ballads), we’re once again reminded of the sheer volume and wealth of outsider brilliance…
* Edition of 300 * In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous…
* Edition of 500 * In the short but tumultuous life of the East Berlin Impro-Punk band Klick & Aus, they played an amalgamation of Proto-Punk and Post-Punk influenced by acts from both East and West including The Galloping Coroners, Captain Beefheart and Cabaret Voltaire. The Klick & Aus sound breathed restlessness and petulance, like a company of soldiers always simmering for battle, but refusing to march in step. During the Christmas season of the waning Orwellian year 1984 the band recorded t…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's 'All Corpses Smell The Same'. Originally released on the band's own Ver…
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a f…
**few copies available** Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex -- a name chosen for the ease and speed with which it could be spray-painted onto a wall -- have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration. All Corpses Smell The Same, The Ex's first single, marks the beginning of this DIY odyssey -- appearing in June 1980 on Hé Records, a precursor to th…
**Shipping the next week. Limited edition translucent orange vinyl**"When I say 1980 was a kind of dead zone in the Cleveland music scene, I can hear a collective, 'Isn't every year a dead zone in Cleveland?' Go ahead, take your Johnny Carson-era jokes and see what they buy you. Puff your chest about NYC in '75 or London in '76 or L.A. in '77 to some 27-something today. Allow me to save you face and remind you to add in late '70s Cleveland. Because when you revisit this comp of struggling, strag…
**Limited edition translucent red vinyl** New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New…
Limited to 50 copies. From liner notes: "All cuts recorded on the Sun City Girls North American tour 1992 by Scott Colburn. Originally released by Abduction in 1992."
**Limited edition clear vinyl with color sleeve (a nod to the original release's hand-colored covers), in process of stocking** Post-punk, rising like a phoenix during the second half of the 1970s, was a movement that few could have anticipated or foreseen. Sophisticated, and impossible to nail down, bands like Wire, P.I.L., The Pop Group, The Fall, A Certain Ratio, Pere Ubu, Throbbing Gristle, and dozens of others, wedded forward thinking radicalism and the focused energy of punk, with revitali…