Experimental / Electroacoustic

What happens over the lifecycle of a commodity? Where do its components come from? How are they extracted, processed and put together? Where does it travel? How is it used, thrown away, re-used, broken apart and reconstituted? These are the questions at the heart of Rubbish Music’s Symphony of Waste. Over four years as Rubbish Music our practice has intervened in modest ways in the lives of discarded commodities. Packaging has lived on as instruments, tin cans have been re-purposed as tools for …

Michel Doneda on soprano saxophone, eRikm on samplers and scratches, Jean-Marc Montera on guitar and electronics, recorded in Metz and Lons-le-Saunier in May 1999. Liner notes by Thurston Moore.

UK multi-reed master Evan Parker brings an all-star electroacoustic septet to the 2014 Victoriaville Festival for the massive and wonderfully detailed two part composition "Seven", performed with Peter Evans, Okkyung Lee, George Lewis, Ikue Mori, Sam Pluta, and Ned Rothenberg.

Pierre-Luc Senécal's Growlers Choir, fourteen metal vocalists, live at FIMAV in May 2021 with poet Fortner Anderson: growls and throat-singing-like improvisation over electric guitar tapes, between metal, noise and drone.

Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profound investigation into the ecology of sound, understood not as mere phenomenological documentation but as a radical experience through which identity is rediscovered. The work’s genesis is deeply rooted in the composer’s biographical memory and in th…

John Clyde-Evans played in that formidable band called Hood in the early 90s. In the years that followed, he was one of the most adventurous figures in the incredibly diverse British underground scene. His productions from that era ranged from blissful tape loops of string instruments to bizarre, mind-numbing noise experiments—created using, among other things, traditional Indian instruments from the time he spent living there... Then, for nearly twenty years, he completely fell off the radar...…

Renowned saxophonist, woodwind player, bandleader and composer Tamar Osborn stands at the heart of the UK’s forward-thinking music movement. A multi-instrumentalist whose genre-slipping creativity has made her the go-to voice for artists within the new wave of jazz and improvised music, Osborn now unveils her most ambitious and exploratory project to date. Well known and highly regarded as a bandleader and featured player across a wide number of groups - most notably her modal ensemble Collocuto…

Oruma is a trio formed by Ola Rzepka (drums, zither, percussion), Artur Rumiński (electric guitar) and Mat Barski (electric guitar). At its foundation is the musical dialogue previously developed by Rumiński and Barski as a guitar duo and documented on the albums “On the Margin” and “At the Junction”. Their encounter with Ola Rzepka during Kraków’s Kakofonie series opened this music to a new sense of dynamics, pulse and collective form. Oruma’s music exists at the intersection of free improvisat…

Jessica Roch is a London based, award winning composer, multi instrumentalist, sound designer, and improviser. Her solo work moves fluidly across genres, weaving ambient and electronic textures with elements of minimalism, jazz, folk, and experimental music. A classically trained violinist and pianist, Jessica creates music for film, games, and contemporary media, while also collaborating as a session musician with artists including Super Furry Animals. In 2025, she received a Composer Spotlight…

"In the fall of 2016, after many years away from making music, I started Tyresta as a creative outlet to help process everything I was going through at the time. It took me a few years to find my voice as an artist, but I feel like the project truly came into its own around 2019–2020 with the recording and release of All We Have on PITP. After releasing All We Have and its follow-up, Small Hours (2023)—albums centered on grief, loss, and healing—I found myself wanting to write music that reflect…

Is art artificial, is it a rhythm, or is it an algorithm—this is the question Ulf Herold poses, and the answer sounds rather affirmative: the two are not necessarily to be understood as opposites, but as dynamic counter-poles—this becomes evident in Herold’s four-track EP Hyper Possibility. The first track, “self generating piano,” offers an image in which the piano is played without “the master”, playing by itself. This sound is “artificial” insofar as no classical melodies can be found within …

*250 copies limited edition* Venus is a new LP by Swedish group Organ of Corti and marks their fifth release on Dead Mind Records. For the occasion, Chinese-American vocalist and musician Audrey Chen enters the magnetic world of Mattias Gustafsson, Dan Johansson and Joachim Nordwall. While tape turns and circuits hum, these six pieces slowly unfold. Familiar fragments are repeated until they lose their origin. Synthesizer tones drift through layers of magnetic residue, while Chen's voice appears…

*100 copies limited edition* Corpse Magnetism is a collaborative project between Rudolf Eb.er and Johnny van de Koolwijk. Rooted in ritualistic sound practices and primitive outsider aesthetics, the duo creates immersive pieces built from organic drones, handmade instruments, decayed textures, primitive percussion and improvised field recordings. Rudolf Eb.er aka Runzelstirn & Gurgelstøck is widely known for founding the radical outsider art project Schimpfluch-Gruppe in 1987, as well as being i…

Eat The Rich is an eclectic intersection of two serial collaborators: Giffoni (No Fun Fest / No Fun Productions) continues to explore new dimensions in sound, primarily using modular / synths (with recent full lengths on Ideologic Organ and Room40), paired here with the instinctually abstract percussion of Corsano (known from working with everyone from Bill Orcutt to Richard Bishop to Bjork but with literally 100's of appearances under his belt since the turn of the century). Produced by David S…

Silvia Bolognesi - Upright Bass, Voice, Poetry, PercussionDudú Kouate - Percussion, Voice, Ngoni, KalimbaGriffin Rodriguez - Electronics, Voice Recorded, Mixed, and Mastered by Griffin RodriguezRecorded December 14-16, 2021 at Shape Shoppe Paradiso - Siena, Italy

*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…

*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…

This is the sound of dream Texas, the cinematic Texas conjured in film and 20th century literary and art myth… big dark blueing horizons swallowing the infinite distance, a lonely poetry of sound, but also a stock taker of the iconoclastic, psychedelic, art rebel side of Texas… the cracked rock music side of Texas, the avant-garde in concrete cracks, the recklessly used, mind expanding drugs Texas, the dripping eastern swamps, the Houston house parties with the sounds of records blasting down th…

*300 copies limited edition* In 2023, Kraków-based composer Martyna Basta and Los Angeles-based sound artist claire rousay were invited to Poland by Unsound for a short residency, where they spent a few days trading ideas and concepts, and brainstorming their first collaboration. Initially motivated to create lengthy, expansive pieces together, they also ended up experimenting with shorter vignettes, and 'hotel room' expresses these two extremes, featuring three long-form tracks and three brief,…

Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…

Big tip! Forty years of cassette releases, pressed for the first time on vinyl. First of two instalments exploring the previously unreleased sonic archives of one of Poland’s most enigmatic living artists - with its first volume focused on his deep listening practice and spiritual reverie (recorded 1990–2013). The last time Andrzej Dudek-Dürer took a banknote bearing the face of the Polish anarchist Jarosław Dąbrowski from his pocket to trade it for a pair of shoes was in 1969. He bought them fo…

*100 copies limited edition* A surprise archival LP collecting scattered recordings from across Juho Toivonen’s recent work. Following Kuun Sininen Rinki, Sekalaisia Äänityksiä brings together pieces previously released on small-run compilations, rare physical editions and limited formats to another limited release presented by New Zealand imprint What Lies Beneath.  Side A includes much loved “Peura”, originally released on the Kashual Plastik’s A Mistake By Mistakes compilation, “Kanava 5” fro…

Big Tip! These three previously unreleased tracks reflect the cultural influences of a very young Riccardo Sinigaglia. In particular, the Anti-psychiatry movement founded by Ronald David Laing, author of the influential books The Politics of Experience and The Bird of Paradise. As well as Jung's theory of archetypes, a subject explored in depth in the writings of Elémire Zolla. The compositional processes of concrete music are fundamental, while the extensive use of fragments from other cultures…

A spontaneous musical transmission exploring healing, unity, laughter, and limitless possibility.

Tip! Vincent Grimaldi’s "Amorce De Champ" is a sonic exploration of studio and field recording. Driven by a particular focus on the technical modalities of sound recording and reproduction, the work delves into recurring motifs across various electroacoustic setups: exaggerated artefacts of analog media, reel-to-reel manipulations, "hors-champ" studio takes, reverberant spaces, feedback, fidelity, phonography, and cut-ups from dusty sound effects records. Sounds are either reworked using analog …

Ylang Ylang’s Will to Love suggests both a challenge and a determination simultaneously. What does it actually take to love? Amidst the inherent contradictions of the self and the world around us, how do we come back to the foundation of love? The songs on this album sit in that place of friction: stillness and action, fear and desire, poison and medicine, reluctance and momentum, the pull to protect and the pull to stay open. You can look at the process Catherine Debard undertook in recording W…

*200 copies limited release* After Le jardin perdu (2023) and Depuis les cimes (2025), Antoine Bellanger takes another new turn with La flûte, an album that continues along his singular path between song, poetry, illustration, and documentary storytelling. “In middle school, my music teacher told me I would never make music. Later, when studying drawing proved out of reach, I decided to turn to music instead. Thirty years later, here is La Flûte, an album full of flutes and poetry, in which I al…

Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late '50s, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also music…

*50 copies limited edition* 1. The Habu (2020). The Habu is a pit viper endemic to the Ryukyu Islands. The violence done to these islands reverberates through. The Habu is venomous, mostly nocturnal. Spectral. From the dense vegetation it morphs into the island’s mind. The Habu is less a subject than a presence. In fragmented recordings, the work moves like the snake itself. 2. The Frog (2026). Like a frog, this work jumps and jumps. Until it just sits there and evaporates. Ribbit! 3. A Transcri…

*300 copies limited edition* Tara Cunningham’s guitar glitch miniatures draw patterns in negative space on new mini-album Warm Ground. Operating predominantly within improvisational and experimental music, guitarist Tara Cunningham has developed a discrete sonic language that reveals the full textural and timbral range of her instrument. Marking a new chapter for Cunningham that builds on her solo debut, Almost – Not Exactly, released on Non Classical in 2025, Warm Ground unfolds across seven co…

*300 copies limited edition* Spring Back, Ball Forward is the Soda Gong debut from Jung dj, nom de plume of shapeshifting multi-instrumentalist Randy Riback. Following a series of uniformly great self-releases and cassettes on the dearly missed Lillerne Tapes, this collection observes the spacious and angular dynamics of 1990s Midwestern post-rock through the lens of the bedroom electronic music producer. Perhaps surprisingly, amp worship lies at the center of the album: a fascination with the …

DINGGGDONGGGDINGGGzzzzzzz!!!!!!! In the newest record by the iconoclastic Brooklyn-born composer Charlemagne Palestine (b. 1947), find two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century. On side A, a new piece recorded at the artist’s studio in Belgium—a high-ceiling, stuffed-animal-packed paradise he calls Charleworld—among friends and “divinities,” his name for the thousands of plush toys he’s amassed since the ’60s. On the flip side, Blank Forms…

Animal Sociale is three people’s exploration into the beauty of chaos and the chaos of beauty. It pulls out pieces of time, shuffles them, assembles them anew. Lyricality bordering on the baroque mingles with dionysian iconoclasm of a level truly scarce. This is the human condition crystallised. Featuring members of Ruusuriimu, Animal Sociale’s debut album Jesus Magazine offers a dose of avant-garde experimentation, intimate electroacoustics and a haunting post-industrial atmosphere. LP out now …

Pierre Bastien’s "Tools" pays tribute to the Meccano screwdriver, the origin of his mechanical instruments. Using self-made devices, Bastien explores sound’s raw materiality, embracing chance and discovery, and inviting listeners to experience new musical worlds.

Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces had not already been pub…

*200 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…

*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…

Tip! Comprising 10 tracks of creative expression, veteran experimentalists, Ben Vida and Lea Bertucci, deliver “Murmurations”, their first release as a duo, incorporating live tape manipulation, modular synthesis, sampling, and real-time instrumental and vocal improvisation, into a joyous tapestry of playful, boundary blurring sound. Longstanding figures in New York City experimental music scene - both noted for pushing electroacoustic music into highly individualized realms - Ben Vida and Lea B…

By the end of the 1960s, Charles Lloyd was one of the biggest names in jazz. His quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette reached far beyond the usual jazz audience, while Forest Flower became one of the first jazz recordings to sell a million copies. In 1970, at the height of his career, Lloyd disbanded the quartet and withdrew to Big Sur. He continued to make records from time to time, but largely disappeared from the jazz scene while following a more inward and spiritual pa…

Eleven pieces built on Prophet and Oberheim synthesizers tuned to an eighteenth century temperament of Rameau's, with Julia Holter singing. Wada grew up in the Fluxus co-op building in Soho, with Simone Forti next door and Nam June Paik one floor up, and studied with James Tenney.