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On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.
The next installment in Dirk Serries’ “” cycle. As with the previous chapter, the musician recorded material using electric guitar coupled with numerous effects. He recorded four more longer compositions that further develop Dirk’s direction, constructing his signature ambient style. Organic, somber, and eerie. The entire piece was also recorded live, in a single space, resulting in music that reveals the artist’s penchant for minimalism and slow, repetitive sound clusters, thus drawing on his r…
*300 copies limited edition* Margareth Kammerer is a singer and composer from South Tyrol, in northern Italy. Since she moved to Berlin in 1994, she has developed her own highly original composition and singing styles while working frequently with many leading improvisers. She released her debut album, "To Be an Animal of Real Flesh" (Charhizma), in 2004, and "Why Is the Sea So Blue" (Mikrotone) in 2013. In 2005, Kammerer formed The Magic I.D. together with Michael Thieke, Kai Fagaschinski and C…
*300 copies limited edition* The incomparable voice performer Tenko has been performing energetically inside and outside Japan since the 1980s. Satoko Fujii has been engaged in successful activities as a jazz pianist, composer and big band leader since the 1990s. Toshimaru Nakamura, who was a central figure of the so-called Onkyo movement on the cutting edge of the improvised music scene from the end of the 1990s to the early 2000s, is the pioneer of mixer feedback noise performance. Ten-Toh-Mar…
*200 copies limited edition* Born in Tokyo in 1959, shibatetsu has been active as a piano and melodica player since the 1980s. In recent years he has also been engaged in performances using electronics. Masamichi Kinoshita, born in Ono, Fukui Prefecture in 1969, is a Tokyo-based composer of contemporary classical music who also regularly performs high-volume electronic noise improvisation.
Over the past few years, shibatetsu has presented a concert series featuring electronics, titled "shibatets…
Three excellent compositions spanning from 1968 to 1978 respectively for string trio and for for 2 electric guitars, 2 ondes Martenot, 2 electric organs and synthesisers, released on Sapphos's "Musique Française d'Aujourd'hui" series in 1978.
Composed by Christina Vantzou between 2023 and 2025 after being commissioned by INA GRM, The Reintegration of the Ear defines listening as a radical, embodied act of attention: a slower kind of presence rooted in care, intimacy, and reflection.
*150 copies limited edition* For the last 30 years Margarida Garcia and Manuel Mota have shared a common space of listening, risk, and reinvention. A singular language born from the absolute necessity of the moment. Following Domestic Scene (2024, Feeding Tube Records), The Figure in the Carpet confirms a body of work that continues to expand with rigor, subtlety, and an originality rarely encountered.
Here, sound is not merely gesture or melody; it is also fragment, remainder, residue — noise t…
First and only vinyl edition as a double-LP set of the impressive and massive meditation music for electronic and concrete sounds realized at the WDR studios in 1972/73 and released by Erato in 1979.
First and only vinyl edition as a double-LP set of the impressive and massive meditation music for electronic and concrete sounds realized at the WDR studios in 1972/73 and released by Erato in 1979.
Impressive and massive 1978 electro-acoustic / musique concrète work realized at the NHK studios in Tokyo and released on Adès' "Le Verbe Et La Musique" series in 1979 as a double-LP set.
Two pivotal classic pieces from the 60's, respectively for piano and tape and for realistic sounds, released on Wergo's "Studio Reihe Neuer Musik" contemporary and electronic music series in 1969. Beautiful and essential.
Excellent LP on INA's "Collection GRM" with four beautiful electro-acoustic pieces realized between 1969 and 1977 at Bell Laboratories and IRCAM by computer music pioneer, released in 1978.
Very rare LP of very beautiful electro-acoustic music for Carolyn Carlson's ballet and Petrika Ionesco's theatre production, released on Schwarz's own Celia Records in 1980.
Very rare and much sought-after LP of very beautiful rhythmic electronic music for Pierre Sala's theatre production, released on Schwarz's own Celia Records in 1980.
Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species.
The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …
*2025 stock* "In experimental music, artists are often praised for taking risks, yet it's seldom that the conditions that inspire and enable their plunges into yet-unknown realms are discussed. The powerful music found on Hopeful Monster, the partnership between acclaimed Toronto-based pianist Eve Egoyan and Costa Rican-born, British composer-musician Mauricio Pauly (who now lives and works in Vancouver), is a testament to the vitality of these very conditions. Their collaboration began in 2018 …
*50 copies limited edition* The object of listening emerges from within the fragmentation. Wilful and artificial abstractions are merging with the world in which we perceive, from the outside, with regard to what those sensible materialities seek to listen within us. From a global perspective, this composition is the semantic complexity of a voyage. Micro-level of emotional transactions between the perceived and the perceptive; commentary of sonificated sieves of embedded experiences. To formula…
Many will know the name Alan Bloor from such projects as Knurl or Pholde, but this go around known as Level Of Existence brings his energy to a violin. Those familiar with his work will hear what Bloor brings out: unrelenting sound emanating from the unexpected. Prepare to embark on a harrowing journey of spatial sounds.