Successful Utilization of Elements
"[...]Since each of the 19 pieces is a duo, Tungu gives his guests a chance to stretch out, often quietly, the combination often restrained yet mysterious. Starting out with experimental vocalist Sainko Namchylak, we hear her whispered voice surrounded by eerie electronics, subtle yet effective. It sounds like Tungu had each musician send him a short solo piece which he added to with acoustic bass, samples, field recordings or voice. Tungu obviously listened closely to add sounds which enhance w…
An Inscrutable Bodily Discomforting Thing
*Hand-numbered edition of 300. Digipak in resealable poly-bag*
Jacob Felix Heule - DrumsTeté Leguía - BassDanishta Rivero - Voice And ElectronicsMartín Escalante - Saxophone
Recorded, Mixed, And Mastered By Jacob Felix HeuleSeptember 18, 2021 In Oakland, CaliforniaArtwork By Teté LeguíaLayout By Gerrit Hatcher
Toxic Colour
This collection of pieces originates from environmental sounds recorded using 3D ambisonic microphones. The recordings have been deconstructed, processed, and composed into abstract musical journeys that no longer transport the listener to the original recording locations. Instead, they tell stories— partly of human-made dystopias and partly in search of a melancholic beauty in what the future may hold.“Natasha Barrett’s insightful attention to the spatial and durational character of real-world …
The Wind That Had Not Touched Land
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…
Aunes
Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country…
Responses II
"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute).
Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…
Almost Something
‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…
Blue braki place along
New alias from Alexander Holm. A strangely private sounding document of humming voice, midi harp, feedback and ghostly field recordings. Truly unclassifiable music.
Spilledåse serenader
Strange and beautiful debut cassette from another great friend of the label. One hour of slowly dissolving Music box / tape Music. Ghostly melodies weaving in an out of each other until the tape runs out.
For Translucence
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
New World, Lonely Ride
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
Peace and Pleasure
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
New Relics II
*100 copies limited edition*
Savvas Metaxas played guitar & effectsRecorded between January-February 2024
Mastered by Giuseppe IelasiDesign & Artwork by Yorgos Vourlidas
Tournures Cessent / Tournures Cessent Orchestrales
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
Papotier
Pancrace’s latest double LP “Papotier” is the third panel of a tryptic after “Pancrace” (2017) and “Fluid Hammer” (2019). The ensemble knew at some point from their previous LP they would have to go back to church and repent confronting a Silbermann 18th century baroque organ with their custom made modular midi pipe organ : the “Organous”. After nearly 18 months of lockdown the quintet finally met in Bouxwiller Alsace a few miles away from Dangolsheim where Pancrace first formed in 2015. During …
Transportées
300 copies. Marie Guérin (aka Marie de la Nuit, meaning Marie of the Night) is a sound artist. Since 2001, she has been manipulating field recordings, radio archives, traces left on the airwaves by "hertzian ghosts". A mixture of voices, textures, grains, anecdotal sounds, her work questions the sound heritage, its supports and the traces left on these supports; her music passes from radiophonic grammar to music. --- "Transportées is an electroacoustic work. From archaic to electronic trance, a …
Music Belongs To The Universe
For Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, to be released April 4th on Leaving Records, is a searching collection of improvisatory, open-ended piano and keyboard experimentation. Threading the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured. Recorded between 2021 and 2023, Music …
Borrowed Out Of Time
*150 copies limited release* "Borrowed Out Of Time is the latest album by Kaurna Country artist and writer, Tristan Louth-Robins. It follows a steadily paced run of releases for labels like 3LEAVES (2013’s The Path Described) and his own Studio Maurilia which share an inquisitive spirit, informed by, but different from, influences such as Alvin Lucier and Rolf Julius. While Tristan’s compositions might be neatly situated somewhere adjacent to both sound art and acoustic ecology, they aren’t beho…
Eventual
*Lathe Cut, Limited Edition, 66 copies. clear, 180g vinyl* 'Eventual' is the first album by double bass player Gonçalo Almeida and 'knob twidler' Rutger Zuydervelt. It's not exactly their first collaboration though, having released two EPs, 'Doze Ruinas' and 'Jangadas', and being colleagues in Hydra Ensemble (with cellists Lucija Gregov and Nina Hitz). When film maker Lex Reitsma commissioned Rutger Zuydervelt for the soundtrack of his documentary about photographer Koos Breukel, Zuydervelt prop…
Watering paper flowers and snakes
Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The first CD is a re-edition of the double mini-cd “Watering a Paper Flower” where an echoed piano goes through delicate and enchanted sound tapestries, remembering a river slowly flowing to the sea. The second CD, with the participation of a third musici…