We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the Superior Viaduct catalogue until stocks last!

Experimental /

Lime
2010 release ** "Mugstar's third album (and second on Important Records) maintains the power and heaviness of the sonic assaults laid out in their previous releases while extending musical maneuvers and textures into new territories. Sunburnt Impedance Machine moves through driving riff passages with soaring guitars and a voice recalling touches of early Pink Floyd before locking into a repetitive keyboard and drum driven outro. Serra is an extended voyage through a shimmering Krautrock landscap…
Batimarxo (CDr)
2001 release ** Limited edition of 100 copies. "Solo project of Devis Granziera. Batimarxo ("Beat-march") is a Venetian folklore festival. At the eve of March people gather together with drums, rattles and whatever else for making noise in order to awake the sprigtime. Track 1 is an unprocessed field-recording of the 2010 Batimarxo-feast celebrated in Zugliano. Other tracks have been created using that field-recording as sole and exclusive sound source."
Onid + Isil
2003 release ** "The eleven short pieces are called ‘Jam 0’, ‘Jam 1’ up to ‘Jam 10’. Madness strikes here at full force. Distorted rhythms and casio synths, filled up with some distorted singing. I was reminded by some of the stuff by XBXRX or their many off-shoots. Quite raw and punk, but quite nice. Short and sweetly raw. Quite nice."
Touch
2012 release ** "Touch is the new sound work by Tiziano Milani. Published in CDR digipak by Setola di Maiale, Touch confirms Tiziano’s status as one of the best and most appreciated Italian experimental and research composers, especially since, for this new work, he was able to avail himself of the collaboration of musicians of the caliber of Koji Nishio on piano, Hiromi Makaino on objects/electronic percussion/rhythms, Lars Musiikki on double bass/acoustic guitar, Cristian Corsi on tenor sax an…
Lust (1)
Farming, often associated with toil and drudgery, can also be a surprisingly sensual and playful activity. The rhythm of the seasons, the tactile experience of working the land, and the shared sense of accomplishment can all contribute to a heightened sense of intimacy and pleasure. Consider the act of planting seeds. The gentle touch of fingers on delicate seedlings, the anticipation of growth, and the nurturing care required can create a deeply satisfying and sensual experience. Harvesting, to…
Everything Depends On Us: Zebulon L.A. Live Recording Vol. 1
Imagined by Zebulon and made possible by the artists who answered our call for support during the extended period when our doors were shut due to Covid, this compilation captures just a handful of the many magic moments that have occurred on our stage over the years. All of the tracks featured on this album were recorded live at Zebulon LA between 2018 and 2020 – with the exception of the title track by Jonas Mekas, which was recorded at Zebulon Brooklyn in 2009. Jonas is posthumously with us in…
Matta
2007 release ** "In April 2007, Ramuntcho Matta went to Tokyo to play with Mama Milk, a Japanese duo, and came back with hours of live recording done by Romain de Gueltzl. From this meeting of three different instruments, accordion, double-bass and guitar, above which Ramuntcho sometimes sings, a unique music was born, mixing jazz, tango and the new music in a movement which is both Zen and sincerely contemporary. SometimeStudio decided to publish these recordings in order to share these moments…
All At Once At Any Time
1994 release ** "Recorded live in May 1994 at the Festival International de Musique Actuelle de Victoriaville, All at Once at Any Time features two members of the Dense Band, drummer David Moss and guitarist John King, and an experimental DJ largely unknown at the time: Otomo Yoshihide. In the course of the next six or seven years, the first two names became less and less heard, while Yoshihide arose as a leading creative force in avant-garde music. The trio's music is made of fragmented bits of…
My Right Of Frost
2012 release ** My Right of Frost draws sound signs from electronic circuits rewired and made unstable up to the feedback’s critical point. The sequences proposed are totally improvised from the point of view of the musical value of the sounds, and tonally unrepeatable. Across and beyond the concept of circuit bending, My Right of Frost operates constantly on the verge of oscillators and filter’s collapse, extemporizing electronic paths that diverge to form a macro-sign, i.e. the artwork.
Million Ways To Spend Your Time
2006 release ** "This compilation is dedicated to the 5th birthday of Ukrainian indie-label Quasi Pop. CD feautures absolutely new & exclusive tracks from the main label-mates (Andreas Brandal, Biblioteka Prospero, Peel Off The Bass, Jørgen Knudsen) and a lot of "special birthday stuff" from labels's old & new friends from different countries. Enjoy our surrealistic blend of weird pop, organic noise, neo-psychedelic, electro-acoustic, garage folk & processed field recordings!" (label info) Great…
Euterpe Sequence
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
Komu Mam To Powiedzieć?
2006 release ** "The Krakow band Bordo, celebrating their tenth anniversary, has given us the album 'Komu mam to pomaga?'. Post-rock, psychedelic, sometimes dark - this is the music of the Bordo group. The term space-rock fits it perfectly. When recording the album 'Komu mam to pomaga?', the artists chose twelve songs from the fifty prepared ones, which gave an hour of material. The crazy music is accompanied by equally psychedelic lyrics, or rather phrases repeated over and over again, such as …
The Haunting Triptych
2010 release ** "Truly intriguing is the fusion of intent between Pietro Riparbelli (K11, Radical Matters) and Philippe Petit (Bip_HOp, Strings of Consciousness) who develop three pieces of menacing and dense dark ambient that bring to mind the best releases by Lustmord and Nurse With Wound. As mentioned, "The Haunting Triptych" is divided into three parts and each of them appears as a work plan interlocked with the others but arranged on a different angle. "Residual Spookiness" has the merit of…
Chroma
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
Music For Stanford
2004 release ** "Dexter George Morrill (1938-2019) was a composer, trumpet player, and professor of music best known for his collaboration with jazz saxophonist, Stan Getz during the premiere of 'Getz Variations for tenor saxophone and tape' (1984); a Morrill composition which merged jazz improvisation with computer-generated sounds. In his early years, he studied trumpet with Dizzy Gillespie at the Lenox School of Jazz, and later composition with Leonard Ratner and orchestration with Leland Smi…
#freakinmeout
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
Composition No. 12.5 (Compilation II For Improvisers, Jazz Ensemble And Electronics)
1999 release ** "An outstanding record that demands a place in any comprehensive collection... some of the most vivid and creative improvisation/composition fusions in recent times... wholly individual mixtures of realtime improvisation and writing that cheerfully filches from all post-bop and compositional areas, yet which depends as much on the colour and intensity of the individual improvisations"
Dō Ya Sa´ Di Dō
1992 release (RARE) ** "Anna Homler (Los Angeles, 1948) is a performance artist, vocalist and composer whose vocal acrobatics fall halfway between Meredith Monk and Laurie Anderson. She started out in 1980 with performance art and around 1985 began to focus on the human voice and invented a language of her own.  Her first triumph was the phantasmagoric album Do Ya Sa' Di Do (AMF, 1992), featuring Ethan James, Steve Moshier, David Moss and Bernard Sauser-Hall. She fully revealed her surreal perso…
III
1992 release - hand-numbered edition of 500 copies with fabric cover ** "A curiosity from Portugal. 9 pieces pursuing unusual sound and odd structural arrangement. Half minimal, half beyond it. Unusual packaging. Very Limited."-Chris Cutler
1 2 3 4 5 6 7 12 22 42 46