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The "Environmental Percussion" series finds Akita exploring the rhythmic potential of non-traditional sound sources - objects, spaces, and acoustic phenomena pressed into service as percussion instruments. These experiments anticipate the more overtl…
De-Soundtrack inverts conventional film music logic - rather than supporting images, these sounds demand visualization, compelling listeners to construct hallucinatory cinema in their minds. The "De-" prefix suggests removal, negation, reversal: this…
Jinrinkinmouzui exemplifies the dense, layered constructions that defined Merzbow's late-80s output - recordings so thick with information they seem to exceed human perception. Each listen reveals new details buried within the sonic sediment: texture…
The "Batztoutai" period represents a significant evolution in Merzbow's methodology - a turning point that would influence countless subsequent artists. Moving beyond the collage-heavy approach of earlier years, Akita began incorporating record scrat…
Named for the toxic metallic element with a long history in alchemy and medicine, Antimony embodies the corrosive, transformative power of Merzbow's mid-80s work. Throughout history, antimony has occupied a liminal position: useful in small doses, de…
Agni Hotra" references the ancient Vedic fire ritual - one of Hinduism's oldest ceremonies, performed at sunrise and sunset to purify the environment and establish cosmic harmony. By invoking this concept, Akita suggests that Merzbow's harsh frequenc…
By the mid-1980s, Merzbow had established itself as a defining voice in the emerging global noise underground. International cassette-trading networks carried Akita's recordings across borders, connecting Tokyo's experimental scene with kindred spiri…
The French subtitle - "Blood and Rose" - evokes the surrealist and decadent literary traditions that have long influenced Masami Akita's aesthetic sensibility. From its inception, Merzbow has drawn on European avant-garde movements: Dadaism, Surreali…
The evocative title hints at Merzbow's engagement with visual media- Masami Akita has consistently maintained interests in film, photography, and visual art alongside his sonic practice. Musick For Screen suggests soundtracks for films that may never…
Expanded Musik (2) reflects the duo's growing ambition to push beyond conventional noise parameters into territories where sound becomes sculptural, architectural, almost tactile. The title references Gene Youngblood's concept of "Expanded Cinema"—th…
Yantra Material Action stands among the most significant documents of early Merzbow. Recorded during 1981—a watershed year that also produced Collection 010—this album captures the project at a moment of intense creative ferment. The "Yantra" concept…
The "Collection" series holds legendary status in Merzbow historiography—a cornerstone of the project's early catalog that established methodologies Akita would refine for decades. Between 1981 and 1982, he released ten volumes on his own Lowest Musi…
Another excavation from Merzbow's formative period, Telecom Live preserves the raw energy and experimental spirit that characterized the duo's earliest explorations. The "Telecom" title suggests communication systems—appropriate for recordings that d…
Cretin Merz emerges from the earliest Merzbow sessions, when the project existed as an improvisational duo exploring the boundaries between music, noise, and performance art. The provocative title—merging "cretin" with "Merz" (the Dadaist concept dev…
The second chapter documents Merzbow's genesis—the formative years when Masami Akita and Kiyoshi Mizutani were developing the sonic language that would reshape global underground music.
The first chapter documents Merzbow's genesis—the formative years when Masami Akita and Kiyoshi Mizutani were developing the sonic language that would reshape global underground music.
The companion volume to Sparrow Color 1 continues Merzbow's exploration of keyboard-driven synthesis, pushing the methodology established in its predecessor into bolder territory. Where the first installment introduced the parameters of this unusual …
The title Kaerutope fuses "kaeru" (frog) with "biotope," creating a neologism meaning "frog habitat"—a characteristically poetic gesture from an artist whose veganism and animal rights advocacy have profoundly shaped his work since 2003. For Masami A…
Sparrow Color 1 marks a significant departure in Merzbow's methodology - a rare instance of Masami Akita returning to keyboard-controlled synthesis after decades of predominantly laptop-based and analog noise production. Here, he employs a carefully …
Celebrating four decades of uncompromising sonic exploration, Merzbow marks the 40th anniversary of his artistic journey with Indigo Dada—released simultaneously with its companion piece Kaerutope in 2019. This twin release strategy itself constitute…