Roads
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise. Ted primarily works in ad hoc improvisational settings, but has long standing improvisational groups including duos with Jeff Parker, Chris Cooper, Charlie Mumma, Sam McKinlay, William Hutson, and a trio with Jacob Wick and Michael Foster…
Níjar
Less than a year after the release of the album Rade, Paolo Angeli surprises with the sounds of his orchestral guitar, putting them at the service of a classic of Spanish literature: Bodas de Sangre, by Federico García Lorca. Níjar - recorded for the most part in the same studio session as the previous album and completed in February 2023 - goes back to the roots, that is, to the chronicle event that inspired the poet to write the work and that, in fact, took place in Níjar, in Andalusia. The Sa…
erosion and growth
*Limited Edition Handmade CDR in Cardboard String Sleeve with Liner Notes and album art.*
"In loving memory of Kathryn Eagle.
This piece uses a record (a data structure) resulting from a field recording. It began with a waterfall in Washington (Little Mashel Falls) near my parents’ home, which I recorded in my mother’s final months of life. A brain cancer slowly took away her abilities, beginning with her speech. A loquacious person her entire life before this, I had to learn to hear and underst…
La Tempesta Colorata
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's …
Farewell to Faraway Friends (Wurlitzer Improvisations 2021-23)
Stunning recordings from Norwegian pianist Anja Lauvdal, who follows-up last year’s Laurel Halo-produced ‘From a Story Now Lost’ with an album of improvisations made on a Wurlitzer electric piano, featuring the great Lasse Marhaug on mastering duties.
The Sacrificial Code
2023 repress Slow, methodical organ recordings on this major new work from Kali Malone; a quietly subversive double album featuring almost two hours of concentrated, creeping organ pieces governed by a strict acoustic and compositional code with ultimately profound emotional resonance. Featuring additional organ pieces performed by Ellen Arkbro and mastering by Rashad Becker, you’re gonna wanna spent time with this one. ‘The Sacrificial Code’ takes a more surgical approach to the methods first…
A Practice In Taking Up Space
*Limited Edition Handmade CDR* "All of the following are improvisations and workings-outs, captured at the time by whatever recording device I had at hand. I don’t know what they are: does the act of recording change the nature of a thing?" - Lottie Sadd
Limited Edition CDR in Cardboard String Sleeve with Liner Notes and album art.
Six Studies
*Limited Edition Handmade CDR* The pieces in this collection are studies, of a sort, and all written in 2021 or 2022. Along with most other things I’ve produced in thesame period, there’s an unintended, relentless sentimentality to them – inevitable, I suppose, if working with diatonic clusters.They’re all very simple, and, with the exception of Piano and Accompaniment, aren’t really “compositions” so much as demonstrations of what instruments are busy doing while we might be busy thinking about…
Rotta
It's hard to believe that it's been roughly two years since Blume Edition's last LP, but thankfully the waiting game has come to an end with the delivery of Valentina Magaletti’s “Rotta”, the first in a coming series of stunning releases from the label. Widely celebrated for her work in Tomaga, Holy Tongue, and Vanishing Twin, the album encounters the Italian born, London based percussionist and composer embarking into the territory of the solo performer, sculpting a remarkable sense of emotive …
Solos and More at Studio 304
*2023 stock* "Railing backstage at his musicians between sets, drummer and big band leader Buddy Rich once declared, “There’s no sound in flutes. All I hear is noise!” It’s unclear if Alex Riva ever listened to these covertly made recordings of Rich chewing out his band. But if he had, Rich’s words certainly could have been the rallying cry on Riva’s new solo CD, Solos and More, recorded in Bangalore, India in 2019. Riva plays a wide variety of plastic recorders, the bane of many parents worldwi…
Hermit Music
*In process of stocking* “Hermit Music is a collection of spontaneously composed pieces for the double bass and bow. From 2017-2019 I played a series of solo concerts in the US and Europe and wanted to capture the music I was creating at the time, so I planned to record in the Spring of 2020. Just before the Covid-19 pandemic began, my life had undergone some major changes and losses, but when New York shut down in March of 2020, I became deeply depressed and couldn’t bear to play my instrument …
Cinq Chants d'Athènes
After studying composition at the Marseille Conservatory, Emmanuel Cremer, while writing for the theatre and the cinema, began improvising, notably alongside Barre Phillips, then Raymond Boni, with whom he recorded in 2003 ("Terronès, Suite andalouse", Blue Marge 1007 - with Foussat!), Joe McPhee, Jean-Marc Montera and other musicians from the region. In Athens in 2019, in the middle of the ancient ruins, but in fact in the studio, he recorded five solo pieces, five improvisations undoubtedly we…
Unaccompanied Barre
Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Hollan…
Look Like
*In process of stocking* Look Like is the first complete solo release from bassist and vocalist Kelsey Mines. A series of improvised solo-duets, Look Like explores how listening to our on-going internal dialogue helps us conjure honest, outward expressions.
A Coiled Form
'A Coiled Form' by UK-based composer Bryn Harrison. The piece was originally composed as a shorter solo in 2020, and then revised and expanded in collaboration with violinist Sarah Saviet, who gives an astonishing virtuosic performance, to become a 50-minute solo work. It was released on CD by Another Timbre in November 2022.
Loud Object
Loud Object is the second solo release from artist Billy Steiger, following his self released 'Recordings, drawings and photographs from in and around Frîdd Newydd' in 2016. Both a visual artist and a musician, Steiger’s Loud Object plays as a two sided experiment in markmarking and sound, as a kind of writing by ear - metallic, brushed, wooden - lines imprinted and pressed circular.
The record takes its name from the discarded title of the several-hundred-page draft of Clarice Lispector’s ev…
In the Moment
In the Moment is a retrospective of the solo, multi-phonic guitar work of underground rock and experimental musician Benjamin Miller. Utilizing extended techniques, prepared objects and implements, and an array of processing, his approach to the electric guitar on In the Moment is almost like a polyphonic sound generator, fully apart from the tradition of Chuck Berry, Clapton and company. Alien tongues, ambient soundscapes, the sounds of mechanization and technology breaking down all emerge in t…
Abstersion
Dinzu Artefacts presents Abstersion by Lorenzo Abattoir. An exquisite collage exploring the internal sound-world of an upright piano. The piano here has shed its traditional use as a musical instrument to emerge as a wonderfully sonorous body in itself. Incidental sounds which are typically relegated to the periphery are moved towards the center of attention in a kaleidoscopic unity which privileges no sound over any other, opening up a whole world of noise, tone, and every shade between.
39 / Part I – III
The piece consists, as the title suggests, of three parts. Each of these parts contains a so-called large form. These consist of 39 tracks each and are played on deadwood, a drum, and on 39 pine cones, respectively. The note values, the corresponding rests, as well as the tempi are rolled. In part, the durations of the individual sequences are also determined with the dice according to a strict concept. Besides the mentioned sound sources, stones, water, footsteps, church bells, etc. also appear…
Ghost Caravan
*In process of stocking. 2022 stock.* The venerable composer and keyboardist Ståle Storløkken follows up his previous Hubro release (and solo debut recording), The Haze of Sleeplessness, with a second solo album performed entirely on pipe organ and recorded at Steinkjer Church by Stian Westerhus.
While the Norwegian Grammy-nominated 'The Haze of Sleeplessness' used a whole keyboard-museum’s worth of antique synths and contemporary digital software to create its vast array of sounds, everything o…