Folk /
Space Echo - The Mystery Behind The Cosmic Sound Of Cabo Verde Finally Revealed
In a calm morning in March 1968, a shipment carrying the latest Korgs, Moogs and Hammond organs set off from Baltimore harbour, heading for an exhibition in Rio de Janeiro. The sea was steady, the containers safely attached. And yet later that same day, the ship would inexplicably vanish.
A few months later, it finally reappeared. Somehow, the ship had been marooned on the São Nicolau island of Cabo Verde (now Cape Verde, but then a Portuguese territory 350 miles off the west coast of Africa). T…
Tusona: Tracings in the Sand
It is a long time since Zimbabwe gave us some of the giants of African music but, in the mighty Mokoomba, there is finally a convincing successor … Lead singer Mathias Muzaza naturally grabs the attention with his stunning, piercing vocals [...] the band’s magic quality is the perfect gelling of guitar, bass, keyboard and African drums ... [and] impressive arrangements. - The Independent
Afro Exotique 2 - Further Adventures In The Leftfield, Africa 1975-87
After "Afro Exotique - Adventures In The Leftfield, Africa 1972-88" was enthusiastically embraced by heads, collectors and core Africa Seven enthusiasts alike, we dived back down into the vaults, and hope we've come up with another volume of listenable esoterica from roughly the same period. "The Quest", courtesy of fleeting 1978 leftfield supergroup Afro Cult Foundation (featuring Joni Haastrup, Remi Kabaka and friends) sets the tone-bar high and sideways, with 4.50 mins of atmospheric, effecte…
Psyché
Drop a needle on Psyché's debut double-sider and you'll see visions, or rather Mediterranean visions, be they of waves of heat shimmering above dunes of sand, or of women dancing around a bonfire on a rocky plain, or of bushy cliffs overlooking emerald-green and turquoise sea. The name Psyché is of course ancient Greek for 'soul' or 'mind', signifying the band's love of psychedelic funk, but also the wide range of Mediterranean influences – from Southern Europe to the Balkan Peninsula, and from …
L'Orchestre National Mauritanien
Lost recordings that defined the modern sound of the Sahara.This album contains the first recordings of modern music from the Sahara and mark the birth of the genre that is known in the West as "Desert Blues" or "Desert Rock". Ahl Nana changed the folk music of the Sahara to modern, cosmopolitan music by using Western instruments like the electric guitar. They paved the way for artists like Ali Farka Touré, Tinariwen, Mdou Moctar or Bombino. Although the group is still active today, they only re…
The Berlin Session
Tears are in the eyes of Xabiib Sharaabi, nicknamed the Somali King of Pop when he entered the stage of Berlin’s HKW. It is a mix of nostalghia, pain and joy. Like many Somalis he had been deprived overnight of both glamour and friends, the war in his homeland had sent him into exile. The glamorous discos and beachfront stages Mogadishu had once been famous for, had disappeared as the city was bombed to the ground. The King of Somali pop found himself stranded in Sweden, others like the members …
Twenty-One Sabar Rhythms
Tip! *In process of stocking.* Magnificent Wolof drum music, performed by an extended griot family over seven consecutive days, in the mystical setting of Lac Rose, outside Dakar.
Doudou Ndiaye Rose — who died in 2015 — is a key drummer in the musical history of the world. He developed a system of five hundred original drumming patterns, ancient and new. Amongst the modern rhythms here is Bench Mi — 'under the Baobab tree,' a spot where where problems get solved. Also Hibar Yi — 'passing on inf…
Night Spirit Masters
Remastered vinyl reissue of this 1990 Bill Laswell / Richard Horowitz production of local Gnawa musicians, recorded in the Medina of Marrakesh. According to Allmusic.com "a must for fans of both African and Middle Eastern music” and voted one of the "10 essential Gnawa albums” by Songlines. The Gnawa are an ethnic minorityin today’s Morocco, descendents of slaves from West Africa who were brought to Morocco in the 16th century and who (although they quickly converted to Islam) nevertheless broug…
Cutting Branches For A Temporary Shelter
WRWTFWW & MEG Museum (Geneva) are very happy to announce a new album by famed Japanese percussionist Midori Takada, Cutting Branches For A Temporary Shelter, her very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe. Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum.
Liner notes include: An interview by Midori Takada A point of view by Zimbabwean scholar, musician and act…
Zar: Songs For The Spirits
Zar: Songs for the spirits is the second production of independent micro-label JuJu Sounds. The project focuses on building bridges between musicians from marginalised communities and niche audiences from around the world. The mission of JuJu Sounds is to revive valuable musical ecosystems, not just to sell exotic products.
Mono Egypt
Tip! * 250 copies limited reissue** Mono Egypt is a compilation of field recordings of various musical cultures from contemporary Egypt. It is the result of several years of work with musicians from the Eastern Desert, Nubia, the Nile Delta, Cairo and the port cities of the Suez Canal. This album is the fruit of dozens of recording sessions conducted in private homes and gardens, on riverbanks and rooftops, at the back of bars, in the desert, and in many other unusual places. Professional artist…
Seke Molenga & Kalo Kawongolo
Over the years, they would come to say that the Africans just appeared one day in Jamaica. That two Congo men somehow materialized on the streets of Kingston sometime in 1977, almost as if by magic, speaking not a word of English or patwa. The duo, they say, were musicians brought in by a Jamaican promoter – a woman who ditched them, leaving them to fend for themselves, stranded in a strange land.
What really happened is harder to fully divine. The two young Africans – Molenga Mosukola (aka Seke…