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"Blood Blood Song continues East of the Valley Blues’ streak of sublime, future-forward acoustic fantasias. For years, the Toronto-based duo, comprised of brothers Kevin and Patrick Cahill, has excelled at an earthy and pensive brand of instrumental music inspired by notions of folk music as a global, rather than regional, idiom.While the duo’s elegant and unassuming virtuosity easily distinguishes East of the Valley Blues from its contemporaries of would-be Bashos and fledgling Faheys, it is th…
*323 copies limited edition* "Joseph Allred makes music that manages to feel sacred and at the same time is filled with sweat and muscle that's fully rooted to this physical realm. Uplifting and dare I say, ass kicking. The man can put a stringed instrument through its paces." — John Schoen
"The impetus for this album came while I was sitting in a cave near my house, ruminating on very old things. The title has to do with my own interest in history and rootedness, but it also acknowledges a futi…
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…
Sir Richard Bishop returns for a new spontaneous six-string meshing of people’s music, recollections and psychic intentions. Are y’all ready for some Hillbilly Erotica?
If the blues represents "the expression of a dissatisfied mind" then this EP can be considered a blues EP. If not sonically then in attitude and intention. A mind dissatisfied enough to travel three hours west to the middle of nowhere Pennsylvania to a town called Dushore at the tail end of summer to escape society, if only for a couple of days. I won't use words to tell you what transpired during my time in Dushore and I won't tell you if you asked. What I will do is leave you with this EP …
*300 copies limited edition* "Turner Williams Jr.'s music unfolds like a crossroads, where ancient and modern traditions intersect and attract each other. We hear American Primitive Guitar (Robbie Basho, John Fahey, Sandy Bull), the trance of Indian ragas, melancholy of Celtic ballads, the most experimental side of French folk revival (René Zosso, Rémy Couvez, Pierre-Jean Croset, Valentin Clastrier), while allowing the memory of even more ancient music to filter through (Marin Marais, François C…
Ghost-record from 1986 Mexico City underground. Nine minimal folk compositions of rare delicacy - an acoustic guitar breathing in solitude. American Primitivism filtered through personal intimacy.
180g black vinyl with poly-lined black paper sleeve and double-sided insert. There's a lineage of American fingerstyle guitar that runs from the Piedmont porches of Elizabeth Cotten through Robbie Basho's visionary expansions into spiritual territory - and then, somehow, into the waters. With his second full-length album, Brooklyn-based guitarist Ben Van Bonn acknowledges these predecessors while floating wordlessly into terrain they never mapped.
Further Than Thought is aquatic music in the tru…
*250 copies limited edition* “Steenkiste - Bischoff” is a new album recorded as a correspondence between two contemporary European weird music staples: Glen Steenkiste (Hellvete, Sylvester Anfang) from Belgium and Sebastian Bischoff (also known as Son of Buzzi) from Switzerland. Album will be released on December 1st 2025 in an edition of 250 copies. All in screenprinted jackets with artwork by Jakob Battick and write up by Holger Adam (at whose house Glen and Sebastian performed together for th…
*50 copies limited edition* Venediktos Tempelboom is the alias of Gentenaar Benwa Meneers. Using the 12-string guitar as his main instrument, the self-taught musician takes fingerpicking Americana and Eastern transcendence into the Flanders fields with spiraling compositions that often drip with dark drone melancholia. 'Huys Opnamen' contains a selection of his home recordings from 2019 - 2020. The five pieces are Venediktos Tempelboom at his purest: raw, eerie and at times with a sly sense of h…
*50 copies limited edition* ‘Als de nachtwind die fluistert door de spichtige halmen der duingras’ (Like the Night Wind That Whispers Through the Spindly Culms of the Dune Grass) is the second solo album by Dutch guitarist Marijn Filius. It follows after a handful of ep’s, self-released on digital formats, throughout 2024 and 2025. The album is a culmination of the modes of guitar playing he has been exploring these last few years and his most substantial release since his debut album from 2021.…
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.
*Edition of 300* Melodies are alive, remolded and reshaped in each performance. Guitarist Shane Parish embraces this continual evolution by transcribing songs from across musical genres, instruments, and eras for solo guitar. Recent albums like 2024’s Repertoire, which features 14 songs across jazz, folk, and electronic music and played on acoustic guitar, showcase his skill in transcription, as does his work transforming Bill Orcutt’s Four Guitars from a multi-tracked solo project into a quarte…
"David Nance’s doom spiral tour of the supermarket. The spectral glade fashioned by the Spatulas in “Heaving Chimes." The hazy, chattering, crypt-riot of Bruce Russell and Peter Wright’s Escalation. The warmth and momentum of Liam Grant’s barn dance. These intensely physical spaces are all conjured through song, an unexpected venue for such somatic expression. It’s a bracing, welcome tangibility, a mark of exceptionalism shared by this music. But what do these songs have in common, beyond their …
Path To The Gallows was recorded in Beeston, UK and Durban, South Africa straight to cassette and engineered by the wizard Rob V. It's Duncan's 9th "proper" album (but could also be his 12th or 6th depending how you count them).
Sir Richard Bishop returns with Hillbilly Ragas, an album of raw, solo acoustic guitar explorations. Stripping back to basics, he blends American Primitive style with East Indian raga, creating untamed, rhythmic pieces that evoke the spirit of an outsider’s folk tradition.
James Blackshaw’s ‘Unraveling In Your Hands’ marks his return post-hiatus, blending hypnotic, precise guitar and minimalist influences. The album, praised for its emotive depth and beauty, features meditative tracks and earned critical acclaim, including an 8.0 from Pitchfork.
Nearly four years to the date after the release of Higher Order, Eric Arn’s previous release for Carbon Records, we are releasing his latest collection of guitar excursions.
2012 release ** “While guitarist Yair Yona was first lured into the world of acoustic fingerpicking by a Bert Jansch CD that he found in a London shop, the Takoma school is his foundation. Like Steffen Basho-Junghans, he’s embraced this fundamentally American style on its own terms, learned its language inside out, and still made music that’s true to an upbringing on the far side of the Greenwich Meridian.” Recommended if you like: John Fahey, Robbie Basho, Leo Kottke, American Primitive Guitar,…
Aside from spending the last couple summers teaching music on a remote New England island, David Alexander Shapiro has spent the rest of his time playing with various New Haven heads such as Headroom and Center, as well as accompanying the legendary Kath Bloom at local and various regional tours. To showcase his unique style on a variety of stringed instruments, David presents here, a side of banjo tracks, and a side of mandolin tracks. Continuing on his long tradition of untitled, or barely tit…