Folk /
Éthiopiques 11: The Harp Of King David
*2024 stock* Although commonly know as "King David's harp", the bèguèna is not actually a member of the harp family. It is in fact an oversized lyre with ten strings –usually plucked, sometimes strummed with a plectrum. It is probably the oldest musical instrument played in Ethiopia. One of today's uncontested masters of the bèguèna, Alèmu Aga, sings religious songs, traditional fables and folk tales, as well as his own poems. Meditative, devotional or uplifting sor some, simply "mind blowing" f…
Éthiopiques 10: Tezeta - Ethiopian Blues & Ballads
*2024 stock* Emptiness, melancholy, nostalgia; doom and gloom, morbid musings; heartache or homesickness: such is the stock in trade of the misery and mournful memories expressed by the song Tezeta - Ethiopia's majestic hymn to the blues. Etymologically, the word itself means memory, nostalgia, and several Ethiopian authors have used Tezeta as the title for their memoirs. For Ethiopians, it is the Tezeta genre that seems to capture the essence of the blues.
Éthiopiques 9 (1969-1974)
*2024 stock* The Alèmayèhu songs already presented in Ethiopiques 3 and 8 have given a foretaste of this outstanding stylist of Ethiopian pop, a singer as remarkable for his frenetic rock numbers as for his heartrending ballads. By dint of rampant Americanism, he earned himsef such nicknames as The Ethiopian James Brown or the Abyssinian Elvis. With his dazzling stage presence, nimble voicebox and wicked pompadour, he is a strutting show-off, straight out of American Graffiti or Saturday Night F…
Éthiopiques 6: Almaz
*2024 stock* For many years everything we knew about Mahmoud Ahmed (and Ethiopian music in general) was limited to the cult album Erè Mèla Mèla (Ethiopiques 7 CD 829802), recorded in 1975 but released for the first time in Europe in 1986. Mahmoud's first LP, Almas ("Almaz men eda nèw"), recorded two years before Erè Mèla Mèla, now bears new witness to the talent of one of the greatest Ethiopian artists of the past 35 years.
Éthiopiques 5: Tigrigna Music (Tigra / Eritrea 1970-1975)
*2024 stock* "Tigrigna music" refers to music of Tigray and Eritrea. The majorities in each of these territories share the same language, Tigrigna. Tigrigna music, dominant in Tigray and Eritrea, is quite distinct, both rhythmically and melodically, from 'Ethiopian' music, though both share the pentatonic scale. However, the instrument and traditional musical practices are similar, while their names may vary. Aside from the Tigrean Bèzuayènè Zègèyè, most of the artists featured on this album are…
Éthiopiques 3: Golden Years Of Modern Ethiopian Music 1969-1975
*2024 stock* The Amha Records label issued approx 250 tracks in six years (1969-1975). 8 songs on this "Ethiopiques 3" CD are accompanied by bands affiliated with the Police. Indeed, until the very end of the 1960s, Ethiopia had no independant modern bands. Musical life was wholly dominated by the institutional bands attachd to either the Imperial Body Guard, the Police, the Army, the ciry of Addis Ababa, Agher Feqer Mahber or the Hayle Sellasie Theatre. Each of these institutions developed seve…
Éthiopiques 2: Tetchawet!
*2024 stock* Originally wandering minstrels, sharp-tongued peddlers who roamed the old Abyssinian countryside, many azmaris more or less settled down after the founding of Addis-Ababa just over a century ago. The cleverest of them quickly understood that they should set up their own businesses and take a cut on the drinks, instead of getting by on tips earned singing their way from one bar and tedjbèt (taverns serving tedj, the local mead) to another. (…) They have taken over the city by giving …
Éthiopiques 1 - Golden Years Of Modern Ethiopian Music 1969-1975
*2024 stock* 1969-1978. The main body of Ethiopian records was produced in less than one decade: all in all, just under 500 45s and around 30 LP albums. Amha Eshèté, creator of the Amha Records Label, was the driving force behind this brief creative burst and one of the main founders of the modernist movement, which swept the Ethiopian scene during the end of the rule of the Emperor Haile Sellassie. In six years (1969-1975), Amha issued approx 250 tracks. From his first recordings, he dispayed a…
Qawwali, The Essence Of Desire
Big Tip! *2024 stock* Qawwali is a syncretic musical form of heterodox Islam (the unorthodox doctrines of the Sufis, a group of ascetics and mystics) in South Asia. Derived from the Arabic Qaul (to say, creed, word), the term designates both an Indian and Pakistani musical genre and its manifestation. A religious song designed to convey the message of Sufi poetry, Qawwali is performed by an ensemble of professional male musicians (the Qawwal) ranging from 3 to 13 people.
Waa Dardaaran
*2024 stock* Sahra Halgan is an iconic artist from Somaliland, an independent country since 1991 but not recognized by the international community, formerly a British protectorate in northern Somalia. The granddaughter of a singer and poet, she devoted herself to singing and music in her teens, defying tribal and family conventions.
It was in the context of the war against the dictator Siad Barre's terrible repression in the 80s that Sahra earned her nickname "Halgan", the fighter, and her songs…
Nanyatoyara
The folk arts of Japan, including music, are an ever-evolving wonderland. Riyo Mountains, a Tokyo-based folk song research/DJ duo, is actively documenting the folk music of various regions in Japan; here they present the fifth in their series of musical documents on EM Records. This particular release focuses on the thunderous drums and powerful vocal phrases of the singular Nanyatoyara dance and song, featured at summer festivals in the northern prefectures of Iwate and Aomori, places with long…
Ya Hasra: Jewish-Tunisian Jewels, Originals & Reworks
In 1940, over 100,000 Jewish men and women lived in Tunisia. Thirty years later, no more than 10,000 remained. Today, only a few of them have resisted the historical forces that dispersed their families and their neighbours. In spite of this exile, the thousand-year-old presence of Tunisian Jews has left an eternal and delightful imprint on the country’s landscapes and its heritage - cultural, culinary and, of course, musical. Habiba Msika, Louisa Tounsia, Raoul Journo and El Kahlaoui Tounsi, re…
Another Tide, Another Fish
Imaginative re-workings and improvisations by Andrew Tuttle of the late great Michael Chapman's unfinished instrumental album. Sonic explorations that bridge the Southern and Northern Hemisphere via the Caribbean, remote Northumberland and sub-tropical Australia. Navigating calm seas and turbulent waters of ambient corals, new-age pirates, waves of lapping banjos and drifting eroding guitars. When Michael Chapman passed away in September of 2021, at the age of 80, he did so – as he spent much of…
Turkish Delights
Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 19…
Trance Gnawa Music From Morocco
"In North Africa, a ziara is a spiritual ceremony where people come to exorcise demons, purify their bodies and loudly reaffirm their attachment to God, the prophet and the deities who claim to embody him. On this occasion, there are uncontrolled outbursts from the audience, but this has nothing to do with Roman orgies, as it lacks ostensible debauchery, aphrodisiacs or saturnalia - it is merely a blurring of the line between the religious and the superstitious. In a shrill parable, cries erupt …
Folk Poetry, Song & Rhythm in Northeastern Brazil
Death Is Not The End's survey of folk music traditions in Northeastern Brazil, originally broadcast on NTS Radio in 2019, becomes the latest to be committed to cassette as part of their 10th anniversary series. It specifically focuses in on the spur-of-the-moment improvised "duelling" poetry of the repente, embolada & aboio styles that are unique to the Nordeste region.
Na Tango Ya Covadia 1964-70
The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The Congolese Rumba presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias …
Live
A veteran of the great Malian orchestra, the Super Biton de Ségou, Mama Sissoko is an accomplished musician. His music traverses Mandingo, Bambara, Sarakolé, Songhai, Bobo, Peul, Malinke and Bozo traditions, all while flirting with jazz. On stage, Mama Sissoko is a purist who engages with the audience bringing his energy, urgent vocals and truly inspired guitar solos throughout the concert. ‘Live' brings together recordings from a concert given in Paris at La Villette in 1998 and takes us back t…
Diré
2024 reissue. ‘Diré’, Idrissa Soumaoro new album, comes as a surprise to Malian and international audiences. Composer, singer, guitarist and master of the kamalen n’goni Idrissa Soumaoro presents here a beautiful collection of songs on his third album, Diré, named in honor of the town where he met his wife and where his first daughter, who is no longer with us, was born. In 1971, after his studies at the INA in Bamako, Idrissa was transferred to Diré to teach music at the lPEG (Pedagogical Insti…
Bayawan
"Bayawan" is the common name for Muqam music used by the Dolan people. Bayawan, or Dolan Muqam, is a unique form of folk music and one of the most important cultural heritages of the Uyghurs in Xinjiang, China. Generally speaking, Muqam is a form of large-scale suites which include songs, dances, and instrumental sections, in which the development of music often features a significant degree of improvisation. The Muqam of the Uyghurs is characterized by its diversity of musical styles. Apart fro…