Jazz /
Workshop
In October 1974, the first number of “L'Indépendant du Jazz”, a small self-produced magazine DIY -before punk supposedly invented the concept- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiauand a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté : The "Workshop" is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely ‘the’ most inventive Fr…
The Danser Revolution
Earlier in 2017 Everland Jazz presented a reissue of Danser's Inferno's - Creation One, originally released in 1973. Now we present the even more obscure release The Danser Revolution by The John Danser Octet, almost impossible to find in original format. The ultra rare funky jazz LP from 1977 contains the killer funky fusion tune "Cool" known for being sampled by Gangstarr, Blackalicious and J.Dilla. At age 14, John Danser emigrated from London and established himself in New York City where he …
Sećanja
Tip! CD edition. Misa Blam’s - Secanja (Memories) One of the most sought of, rarest and cult ex-Yugoslavian jazz LP’s – is finally reissued, sourced and fully licensed straight from vaults of Jugodisk (Belgrade, Serbia). And where better than on the Everland’s Everland-Yu imprint dedicated to the unheard sound of Yugoslavia! This LP, kept tight in private ex-Yu collectors cabinets and championed by jazz dance DJ’s across the planet, was recorded in 1979 and released in only 1000 copies in 1980 b…
The Uplifting Abyss
CD edition, 6-sided digipak with booklet. What would you do if a never before released jazz funk album from 70s Yugoslavia had dropped suddenly into your arms? An album which sounds like a crate diggers holy grail!? Album full of heavy drum breaks, repetitive bass grooves, superb sax solos and world class jazz arrangements finely intertwined with Yugoslavian folk music elements?! – “Press it!” ~ That’s what we said always striving to present the future of unheard sound of Yugoslavia! With the he…
The Sojourner
Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charismatic album. Sample hounds and hip hop lovers might well recognise the track 'Optimystical' which has been pillaged by Detroit great Andres before now. Elsewhere there is real freeform magic on 'Music Is Nothing But A Prayer', cosmic exploration on 'T…
Rock Joint Cither – Silk Road
After the space-time experience and the translation into music of the Bible of Japanese civilization, the Fulukotofumi, the following year, in 1973, Hiromasa Suzuki pushes his research and experimentation beyond the borders of his own country by venturing, with the usual companions of adventure (Kunimitsu Inaba, Hideo Sekine, etc.), along the lights and shadows of the Silk Road. A backward journey in search of the musical and cultural sources of mainland Asia, from the gates of India to the root…
Rock Joint Biwa
The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong i…
Japanese Jazz Spectacle Vol.II
Tip! "It is my great pleasure to introduce you to the second volume of the "Japanese Jazz Spectacle" series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels hav…
Assagai
South-african jazz-rock worshippers alert ! Assagai was an Afro-rock band, active in the early 1970s in London, whose relatively short career produced two albums recorded in 1971. It has been described as "the second best-known African group of the late 60s/early 70s in Britain" after Osibisa. The original band consisted of five members, three from South Africa and two from Nigeria: drummer Louis Moholo, trumpeter/flautist Mongezi Feza, alto saxophonist Dudu Pukwana, tenor saxophonist Bizo Mngqi…
De Repente
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
Espejismo
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
Like A Child
We Are Busy Bodies reissues Sadayasu Fujii Trio's 1977 album, Like A Child. Led by pianist, Sadayasu Fujii, the album includes jazz standards "A Sleepin' Bee" and "If I Should Lose You", along with original compositions.
Daguri
The music Coltrane, Tyner and others did back in their prime made a sizable ripple in jazz. Many went on to emulate their style well after the originators either died or moved on. For the most part I find these emulator (or keepers of the flame, to be more polite) to be either alright or great. Kohsuke Mine Quintet is one of those greater ones. They're relatively obscure from what I gather, releasing only a few albums back in the 70s and a resurgence album in the 90s but their music is much more…
Solos (2LP)
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…
Wamono A To Z Vol. III (Japanese Light Mellow Funk, Disco & Boogie 1978-1988)
Tip! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam open…
Green Caterpillar
* 2022 Repress. Wow! * Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash." The all-original-composition …
Revelations - The Complete ORTF 1970 Fondation Maeght Recordings
Available officially for the first time, Revelations includes two hours of never-before-heard Albert Ayler recordings presented for the first time chronologically. Featuring some of the last recordings Ayler made before his passing in 1970. This is a major event in the music world, released in collaboration with INA France and the Maeght Foundation.
The 4 CDs are published in collaboration with Albert Ayler Estate & Ina France. This edition includes a huge 100-page booklet with unpublished phot…
Live at the Jazz Workshop, Boston 1973
WBCN-FM broadcast from the Jazz Workshop, Boston, September 4th, 1973. Bass – David Williams, Congas – Ray Armando, Drums – Keith Kilgo, Guitar – Bernard Perry, Piano – Kevin Toney, Saxophone, Flute – Alan Barnes, Trumpet – Donald Byrd.
Byrd attended Cass Tech, where he studied classical music and was mentored by the band director Dr. Harry Begian, a disciplinarian. He played trumpet in military bands during a stint in the Air Force from 1951–1953, before graduating from Wayne State University i…
Penumbra II
Limited edition compact disc of a previously unreleased recording made at a rare 1971 studio performance by a Karl Jenkins-led nine piece group of stellar musicians.
“At the time, I had taken Karl’s answer to mean that Penumbra II contained no material exclusive to it, possibly consisting of different arrangements of music previously recorded by Nucleus or recycled later in Soft Machine. At it turns out, I was both right and wrong: Penumbra II is previously unheard but does include some famili…
1976
Never broadcasted and unreleased sessions by Dutch keyboard players Rob Franken and Jan Huydts alongside Scope drummer H. Zomer. Session which took place in Feb. 1976 and were stored in VPRO archives untill discovered by journalist Frank Jochemsen who searched for material to use for a radio special about Rob Franken..Check soundbites and discover these unheard and never broadcasted dope jazz funk sessions which will in particulary appeal to fans of the Fender Rhodes piano.
Rob Franken was a tal…