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This is both a blueprint and a definitive masterpiece. Effortlessly transcending eras and genres, Terumasa Hino continues to captivate audiences around the world. His sound and presence are truly top of the tops. Long before Japanese jazz was labeled as “Wa-Jazz”, and even before the rare groove movement emerged, Hip Seagull has been shaking dance floors, stimulating listeners, and fascinating collectors alike. Since his debut album Alone, Alone and Alone, Terumasa Hino has remained at the foref…
Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing.
The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …
BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026, culminating in a track list that maintains the exceptionally high standard first set with volume one back in 2018. This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity. J Jazz volume 5 sees compilers Tony Higgins and Mike Pede…
Soul Makossa by Manu Dibango is a groundbreaking Afro-funk and jazz-fusion record that blends hypnotic African rhythms, funky basslines, soulful horns, and dance-oriented grooves with makossa, a traditional Cameroonian style. Centered around Dibango’s warm saxophone playing and infectious percussion, the album became hugely influential in the development of disco and world music, especially through the iconic title track “Soul Makossa”, whose famous vocal chant was later echoed by artists like M…
Soul, jazz-rock, candombe and funk blend in the cocktail of La Banda's first and sole album. Often regarded as Argentina's first supergroup, the ensemble built a reputation on their explosive live performances during a time of political repression. Short-lived but unforgettable, the six-piece brought together top-tier jazz musicians—five Argentinians alongside Uruguayan icon Rubén Rada—to deliver a deep, hard-hitting sound that resonates far beyond its era. Rada arrived in Buenos Aires bruised —…
Kosuke Mine’s electric album, with a strong rock and funk flavor, is set for reissue as part of "Spin This Now!" Vol. 9. This classic album shines with the outstanding combination of Mine’s saxophone with a wah-wah pedal and Mikio Masuda’s psychedelic keyboards.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about five years, the label pr…
A classic album recorded in 1976, featuring a superb lineup including Sam Jones, Kazumi Watanabe, and Fumio Karashima, with expansive cello solos. Highlights include an exhilarating duo number with the seasoned bassist Sam Jones, as well as Kazumi Watanabe’s hip guitar solos throughout.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and Nippon Phonogram, as it was then known. Over a period of about…
World-famous pianist Tsuyoshi Yamamoto’s second East Wind release, "Life," appears in the lineup for "Spin This Now!" Vol. 9. Backed by a golden rhythm section with Sam Jones on bass and Billy Higgins on drums, Yamamoto delivers a supremely swinging performance. His delicate ballad playing on "If You Could See Me Now" is also essential listening.
Label Introduction: East Wind was a groundbreaking jazz label established in 1974 through the full cooperation of Ai Music, as it was then known, and N…
To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…
Killer jazz-funk from Japan here! Since turning professional in 1960, guitarist Kiyoshi Sugimoto had been active in many sessions and recordings. From the latter half of the 1960s, he joined groups with Hideo Shiraki, Akira Ishikawa, and Terumasa Hino, gaining attention in the scene, and also solidifying his position with his albums as a leader, such as the magnificent “Country Dream” in 1970 and “Babylonia Wind” in 1972. “Our Time” was recorded with Akira Ishikawa on drums, Hiromasa Suzuki on e…
*2026 repress* Souffle Continu records is thrilled to present Byard Lancaster – Funny Funky Rib Crib, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of …
*2026 repress* Souffle Continu records is thrilled to present Byard Lancaster – Exactement, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum c…
Here comes an incredible Fusion Jazz-Funk discovery on vinyl for the first time. From the vaults of mastermind Günther Fischer came this unreleased outstanding Rare Groove material with breathtaking international high class Jazz from 1974. It bears no comparison with absolute international most wanted sounds from Marc Moulin's Placebo, Masaru Imada´s Green Caterpillar, the german ensemble Catch up, UK´s Nucleus or the US jazz milesstones from Catalyst. It is unbelievable that an East German band…
*2026 stock* Toshiyuki Miyama led The New Herd for decades, one of the most important and most adventurous Japanese big bands of the post-war period, and the working ensemble through which a remarkable number of Japanese composers and arrangers found a sympathetic home. Gallery shows the band in mature form, working through a programme that uses the full resources of the ensemble: brass-heavy passages giving way to chamber-sized features, dense ensemble writing setting up patches of open improvi…
*2026 stock* Another date from Toshiyuki Miyama's New Herd for Three Blind Mice, and a strong candidate for the band's most accessible single record. Sunday Thing leans into the warmer, more groove-conscious end of the New Herd's repertoire: there are still the harmonic ambitions and ensemble dynamics that made the band more than a swing-era throwback, but the rhythmic feel runs closer to the soul-jazz and groove-oriented big-band writing that was current at the time.
Long-form arrangements give…
*2026 stock* The third album from singer Mari Nakamoto for Three Blind Mice, and the one that pushes hardest at the conventions of mainstream vocal jazz. The line-up is the giveaway: alongside Nakamoto's voice, the record places bassist Isao Suzuki at the centre of the rhythm section and brings in Kazumi Watanabe on guitar, the same Watanabe who would shortly become one of the major figures in Japanese fusion and progressive jazz. The result is a vocal record where the accompaniment is unmistaka…
*2026 stock* A live document from the legendary “5 Days In Jazz” festival in Tokyo in March 1974, and one of the most ambitious multi-band albums in the Three Blind Mice catalogue. The record gathers some of the most important working units of the moment: bassist Isao Suzuki and guitarist Sunao Wada sharing the front of the stage, the Tsuyoshi Yamamoto Trio holding things together from the rhythm section, and the George Otsuka Quintet stepping in with the alto-led horn front-line that defined th…
*2026 stock* Nobuo Hara led Sharps & Flats for an astonishing run, well over half a century, and the band became one of the institutions of Japanese jazz, in roughly the same way the Clarke-Boland Big Band held its place in Europe. Active Volcano catches the ensemble in particularly muscular form: arrangements that draw on the funkier, groove-conscious end of seventies big-band writing, brass passages that hit hard without losing definition, and a sense of swing that belongs less to the swing er…
*2026 stock* The Tsuyoshi Yamamoto Trio in concert at Montreux, and one of the relatively few records that documents the working group on an international stage. By the time of this recording the trio had already been together for years, and the band's mutual understanding shows in the way pieces unfold: long heads, patient solos, and a rhythm section that responds to the leader's harmonic choices before he has finished making them.
Yamamoto plays with the bluesy, slightly behind-the-beat phrasi…