Jazz /
The Foreign In Us
After a wonderful concert at the Elastic Arts Foundation, Chicago, the ES Trio (Kwan/Zerang/Steyer), decided to record their music to document this inspiring collaboration. In their trio work they focused on sound oriented pieces, that were nurtured by the individual approaches to their instruments. The duo works of Zerang and Steyer also reflect the work of Steyer concerning instrumental ornamentation, that is inspired by the multi-ethnic, mostly near eastern sounds of the streets in Berlin.
Scree
"We hear harp, electronics, piano, cello and percussion convene in clash and collusion, setting forth a dazzling array of sound and expression. Plains of disarticulation and misdirection are cut by moments of inextricable entanglement, where we hear discrete sounds fuse, instruments bleeding into one another, at times taking on the warp and weft of a companion. The recording is of an extraordinary performance of improvisational prowess by four musicians working at the very limits of their techni…
Desatornillándonos
"This record has stark aesthetic shifts, going between bluesy and abstract territory. After the first two pieces, which “set the ends of the spectrum”, the others move between these two languages. What’s cool is that this allows you to pay close attention to textural qualities of Luciana’s playing. She gets good snap on her pull offs and picking. There is a personal quality to this record that comes out of the juxtaposition of these sounds. As someone who started with rock music and now improvis…
The Dennis Egberth Dynasty
Respected Swedish Drummer and Composer Dennis Egberth Introduces New Sextet in His First Album with 577 Records. If you love the era in which electronic elements began to enter contemporary jazz, you’ll LOVE what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes th…
Niezłe Bagno
*100 copies limited edition* As always in U Jazz Me Rec. there is 100 copies of numbered black vinyl and a colored vinyl version made only for the band's live shows. Both 180g vinyl records with insert.
Twoosty Mayonez is a duo consisting of Bartosz Wolert (drums) and Kornel Karolak (synthesizers), creating post-jazz music and is considered to be part of the new Polish wave of this genre. The album is a continuation of the story begun in 2123, when Captain Harrison Focus, as a result of an emerg…
Jubilation
William Hooker is a musician, composer, and poet with over 70 recordings as a leader, encompassing jazz, new music, experimental music and multi-disciplinary forms of expression (e.g. dance, silent film and spoken word). He has been recognized as “an iconoclast, and one of the most innovative musicians and drummers of his generation” - The Wire, which is evident nowhere more than on his latest album, Jubilation. The new work features collaborators Matt LaVelle on trumpet, Sarah Manning on alto…
Colla Voce
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
Polska
*2025 stock* A musical visionary, some outstanding instrumentalists, the 10th anniversary of the collective’s founding, a reflection on Polishness, and finally – a 4,000 km-long walking pilgrimage of 100 solo concerts in 100 temples. These events, symbols, experiences and facts have somehow been combined into one coherent whole – the Polska LP, the first release by Piotr Damasiewicz & Power of the Horns Ensemble since 2013.“Power of the Horns have the ability to captivate audiences of any festiv…
New Dawn
Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his mo…
Cosmic Light Clusters
This fifth EMBand release from the studio of bassist / composer Guy Segers continues his concept of working with a huge pool of creative progressive musicians, with each track featuring a different combination. Somewhat more introspective and textural than its predecessor, Cosmic Light Clusters builds steadily from an opening trio of mood pieces through increasing activity and complexity as the album moves forward. Particularly engaging is the use of voices and poetry on this recording. A substa…
The Exu
Named after a Jean-Michel Basquiat painting and inspired by the artists multi-faceted stylistic approach - known for its raw, expressive, and dynamic qualities, blending street art with neo-expressionism to create bold, thought-provoking work. The Exu make layered, intense, creative & beautiful, thought provoking, genre fluid improvised music. The trio brazenly draw their musical influences from the worlds of free jazz, grunge, death metal, hip hop, bebop, & experimental music. Kane says ‘we are…
Here today gone tomorrow
"In the quartet on this album, Paul Dunmall has returned to his first love: totally free improvisation based on interaction between the four players. Many aspects of Paul Dunmall’s playing are apparent on this album. His approach is to listen very carefully to what is happening around him and to react to it. If you see him play live, you will see how he concentrates on the flow of the music, often stepping back and allowing the music to develop before choosing the right moment to enter or re-ent…
Color Systems
Rob Mazurek’s creations, dedicated to these six artists offered to Tomeka Reid, Angelica Sanchez, and Chad Taylor, to interpret freely. A foundation laid for these improvisations in the foursome’s forays into Mazurek’s music with the larger ensemble. Here something becomes distilled. Interaction is direct. The unit is unitary, the dynamics are gently modulated, the sounds are tendered with deliberation love and inter-ensemble generosity.
Stumps
Sven-Ake Johansson has referred to the book of compositions used for his Stumps project as the magnum opus of his small group writing. The top-notch quintet he assembled for the project includes some of his most trusted collaborators in trumpeter Axel Dörner and double bassist Joel Grip, complemented by the involvement of two younger but equally compelling French improvisers, pianist Simon Sieger and alto saxophonist Pierre Borel. A set of recordings made at the Berlin club Au Topsi Pohl were re…
Sidewalks in Motion
Rashied Ali stood as a magnetic force for the musical environment around him. In his last decades he sponsored rehearsal opportunities for young musicians, tightened up neighborhood street-corner drum circles he happened to pass, and for years would pull promising young talents into his orbit. One unique group that Ali led at the 2002 Vision Festival in NYC, along with with Frank Lowe, he also took into the studio—and the moment you hear on Sidewalks in Motion features Ali and Lowe along with yo…
Illuminate
2024 Stock. Minor signs of wear from long-time storage. ** "This quartet date pairing alto saxophonist Rob Brown with guitar madman Joe Morris dates from 1993 with William Parker, the ubiquitous New York bassist in the avant-garde, and the lesser-known, but very able drummer Jackson Krall. Recorded by Tommy Tedesco (not the guitarist), this set has all the elements that many of Morris' other dates are missing: cohesiveness. Here he is merely part of the band. Sure, he solos, but no more or less …
From The Bureau Of Both
2024 Stock. Minor signs of wear from long-time storage. ** "One of the better albums in Rova's confusingly expansive discography, From the Bureau of Both features some of the quartet's most immediately rewarding moments, as well as a few on the opposite end of the spectrum. Rova can be surprisingly accessible when the group's free explorations are tethered to strong frameworks, and that's the case with much of this album. "Swang" became something of a signature piece for the group, featuring a j…
The Works (Volume 2)
2024 Stock. Minor signs of wear from long-time storage. ** "Many listeners may think of ROVA (comprised of Bruce Ackley on soprano and tenor, Jon Raskin on baritone and alto, Steve Adams on alto and sopranino and Larry Ochs on tenor and sopranino), the most advanced of the saxophone quartets, as playing free jazz, but much of their music on this CD is actually written out, tonal and occasionally rhythmic. The term "avant-garde" does fit as long as one keeps in mind that these very lengthy explor…
The Works (Volume 1)
2024 Stock. Minor signs of wear from long-time storage. ** "ROVA saxophone quartet provide a tiered, three-dimensional look at the interaction of soprano, alto, tenor, and baritone saxophone. The arrangement of these instruments in the stereo mix -- left to right on all tracks in the sequence soprano, baritone, alto, and then tenor -- offers great contrast in the three-dimensional sound. Even the bright little spark of piccolo or sopranino saxophone involves in these works of sonic texture. Whil…
Cantos I-IV
2024 Stock. Minor signs of wear from long-time storage. ** "Webster's defines the word canto as "one of the major divisions in a long poem." These four cantos of the Austrian composer and flügelhorn maestro Franz Koglmann are indeed major divisions in a long poem, but that poem happens to be musical. Rather than look at Cantos I-IV as a symphony with four movements, it is better to view them as breaks in the various traditions that Koglmann has been inspired by and participates in: jazz in all i…