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"Argentinian pianist Fernando Gelbard's killer debut (and only) '74 LP. Didi is a potent mix of Fender Rhodes & Moog with scatting percussionists and fierce tenor sax -- Coltrane meets candombe!" Gatefold sleeve. "If I was asked to name some great Argentinian jazz musicians, I'd probably draw a blank after Gato Barbieri, but this rather nice slab of vinyl has added a couple more to the list. Fernando Gelbard played piano with tenorist Horacio Borraro, whose quartet peddled a fiery if unoriginal…
More than ten years after the demise of Sun City Girls as an entity, something wild and weird has now surfaced, grown and ripened in the heat and dust of the same desert. Described as “deep spirited, Arabic-music-tinged free jazz-punk and harsh exotica”, Sunn Trio’s ever-evolving ensemble digests a number of genres, spitting them back out in “creative destruction.” Carrying on a long tradition of sun-beaten Phoenix punk, Sunn Trio evokes the sweltering and hallucinatory Arizona desert. Echoes of…
It took more than just some time and imagination to believe that 'Carte Blanche' , this piece of astonishing contemporary music by some of the most talented and able musicians of the international avant-circuit, could be realized. Karkhana, a highly explosive mostly Middle Eastern / Mediterranean ensemble - Sam Shalabi Land of Kush, Shalabi Effect, Dwarfs of East Agouza), Sharif Sehnaoui (“A” Trio), Michael Zerang (Peter Brötzmann, Hamid Drake, Jaap Blonk, Vandermark, etc.) Mazen Kerbaj (“A” Tri…
Back in August of 2015, the legendary London Grand Seigneurs of improve pioneers, AMM (John Tilbury and Eddie Prévost) joined forces with Lebanese electro-acoustic-free-jazz outfit "A" Trio (Mazen Kerbaj, Sharif Sehnaoui & Raed Yassin). Two generations of improvisers with a very differing approach to work, captured dancing slowly along a very thin line of fine tuned, both, clear and crackling improvised sounds. Harsh at times with magic mellow moments of intense, fragile, broken noises. No overd…
**2019 stock** 140-gram LP in gatefold sleeve with a special drawing by Mazen Kerbaj + bonus 7". Mastered for vinyl by Harris Newman. Edition of 500. Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of Sun City Girls track "The Imam", and a cover of traditional Americana song "Gently Johnny" (a highlight of Alan Bishop's live Alvarius B. shows). True to their habits, the Lebanese trio of trump…
2019 small repress. First of all, Bengt Berger -- a pioneer of the Swedish underground of the '70s and historical member of bands such as Archimedes Badkar and Arbete Och Fritid -- is a versatile drummer-percussionist and well-educated ethnomusicologist with several research sojourns in India and Ghana. Deeply influenced by Hindustani, Carnatic, and West Africa music, he founded the Bitter Funeral Beer Band in 1980, an ensemble of 12 elements, basing his ideas on the traditional funeral music of…
**Limited edition, double-LP; comes in a gatefold sleeve; edition of 750** Previously unreleased and not known to exist soundboard recording of Alice Coltrane Sextet live in Berkeley, California in 1972. Featuring a dream line-up of Charlie Haden, Ben Riley, Ashish Khan, Pranesh Khan, Bobby W., and Alice Coltrane. Newly re-mastered from the original tapes. In 1972 (Journey In Satchidananda/Lord of Lords era), during one of Alice Coltrane's most creative periods, she gathered five musicians for a…
** 500 copies white vinyl** An ongon is an important shamanic tool inhabited by spirits. An anthropomorphic ritual object, highly abstract in form or more realistic, that at the same time attracts and contains spirits. A fetish. In the same way, some traditions, some melodies, some rhythms, sounds and instruments attract special spirits and energies. "Exuvia" is the first work in which Antonio Bertoni uses the pseudonym Ongon. Ongon's music originates from multiple influences and researches: gna…
Killer! Seminal and much sought after Afro Jazz session recorded in Paris in 1979 featuring Senegalese percussionist Cheikh Tidian, produced by Jean-Paul Rodrigue for his cult Freelance label. The session features saxophone player Jo Maka - leader of the Celestial Communication Orchestra but perhaps best known for his work with Angolan singer Bonga - and regular Steve Lacy collaborator Bobby Few, in a Parisian answer to Black Jazz and Strata East. A Brilliant leftfield spiritual jazz release fr…
**In process of stocking** of Alice's four extraordinary albums Eternity, Radha-Krsna Nama Sankirtana, Transcendence and Transfiguration in bundle. With liner notes by Mark Richardson and rare photos by Gary Heery and Ginny Winn. Alice Coltrane was a pioneer - one of a tiny number of women in 1960’s jazz to be allowed through the door – wielding her instrument with a force and artistry which couldn’t be ignored. It was her visionary mind which helped push her husband toward the astounding sonic …
Crossings was the second release by the Herbie Hancock Sextet lineup known as the Mwandishi Band, following 1971's Mwandishi which stretched Hancock's already-adventurous writing and expanded the music through post-production. This approach would play an even larger role on Crossings, the pianist's final album for Warner Bros. For two of Crossings' three pieces ('Quasar' and 'Water Torture'), Hancock took basic instrumental tracks to Patrick Gleeson's Different Fur Studios, hoping to learn how t…
After releasing their Warner Bros. debut, the Herbie Hancock Sextet underwent a major transformation in the early '70s. Over the course of a year, every member was replaced (except Herbie Hancock himself and bassist Buster Williams) and each adopted Swahili names. (Williams even led the group in occasional sessions of Buddhist chanting.) Hancock chose the moniker Mwandishi (meaning 'composer'), and the Sextet became unofficially known as the Mwandishi Band. The lineup's first album -- simply tit…
Finally repressed. Amazing re-issue on Outernational Sounds of the Indio Jazz Fusion rarity from 1968! Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.Closely contemporary with the UK-based explorations of Amancio D’Silva, John Mayer and …
Edition of 500. The 'European Jazz Sounds' series, that started around 1960 with legendary albums by the Michael Naura Quintet, Tubby Hayes and Max Greger, sees a welcome revival! This first volume presents the early recordings of the renowned Joki Freund Quintet from the late 1950s. German saxophonist and arranger Joki Freund played with Jutta Hipp in the mid-'50s, before forming his own Joki Freund Quintet. During the late '50s they played various European festivals, together with visiting Ame…
The few recordings made by the Modern Jazz Group, based in Freiburg, Germany, are scarcely documented. The MJGF was founded around
1954 by pianist Ewald "Waldi" Heidepriem, one of the pioneers of modern
jazz in Germany in the 1950s. The music of the Modern Jazz Group
Freiburg was truly excellent. Even today it sounds incredibly modern and
energetic. This release documents a wonderful chapter of German jazz
history. European modern jazz at its finest! Vinyl-edition.
180 gram audiophile vinyl. Terry Callier's What Color Is Love (1973) is an essential Soul Jazz album that should belong in anyone's record collection. This record was produced by Charles Stepney, whose work with Cadet / Chess records, Rotary Connection and Earth, Wind & Fire earned him popular acclaim. Filled with Funk, Rock, Folk, Jazz, and even Classical influences, vocalist Callier can be heard on this album to the most intriguing heights.
Repressed for the first time on LP by Le Très Jazz Club, this fantastic album comes with an insert documenting the story of The Elysian Spring and the recording of this true masterpiece. « Glass flowers », recorded in 1969, and only pressed by 500 copies at the time, is an unclassifiable album, overtaking the jazz outlines. Can words really describe music? It may be hard when music is as fantastic as on this LP. « Glass flowers » is an unclassifiable album, overtaking the jazz outlines, recorded…
The final part of the Jazz Liisa series sees the extraordinary cult percussion artist Edward Vesala lead a 9-piece ensemble. Recorded in 1974, shortly before the recording of his legendary Nan Madol album, this is a rare chance to hear Vesala live on air during his early creative period.
Outstanding freeform blow-out by Free jazz percussionist, experimental composer, and all-round awesome dude Cristiano Calcagnile. The album features Calcagnile’s technically-brilliant drumming accompanied by a menagerie of found objects, glockenspiel, aerophone instruments and electrified metal sheet. The resultant is utterly unique. A vibrant album that blazes a trail of rhythmic intensity taking in many styles on his journey, also incorporating combustible electronics and effects in complex bu…