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*50 copies limited edition. 2025 stock* Introducing morosphinx, a squeaky trio from Brussels. Recorded in Vilvoorde, on the outskirts of the Belgian capital, this album probes impressions of relative distances within a sound space. morosphinx projects us into a musical context that is both strange and familiar, where sounds blend together and define their own landmarks.
The A side of Vilvoorde is experienced as a long, unresolved breath. Silence is its latent base and reminds the listener of it …
1998 release ** "This CD represents the pinnacle of IST's achievements so far. Phil Durrant's Sowari For Ist, concentrates upon texture and timbre as opposed to pitch and rhythm. The resulting music is detailed, fragile, abstract and beautiful, pushing acoustic instruments further into a sound-world more often associated with acousmatic forms. In Mark Wastell's Ritmico the emphasis is upon rhythm and the particular sonorities produced by the percussive possibilities of the wooden parts of each i…
After completing her master's degree at the Anton Bruckner Private University in 2018, Judith Schwarz has been working nationally and internationally as a drummer and composer in the field of jazz and improvised music. Judith is active as an instrumentalist, bandleader and composer in the following projects: Other:M:other, chuffDRONE, Beyond the Beat, Little Rosies Kindergarten, Schülande Engaling, Duo Hofmaninger/Schwarz, Mel*E. She has collaborated with Maria Portugal, Sylvie Courvoisier, Ange…
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that audiences and critics took notice. Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, he played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was accompanied by…
"Finnish saxophonist Harri Sjöström has been calling Berlin home for nearly 40 years, and for over 10 of them, he has been organizing concerts at venues around the city, featuring a who-is-who of the city's rich improvisation scene and beyond, under the title "SoundScapes." Starting in 2016, he extended the concept and held the first two SoundScapes Festivals in Helsinki, followed by one in Munich, and then, finally, in his adopted hometown. SoundScapes #4 was held over two mid-autumn nights in …
This year we are celebrating the 10th birthday of our label. On this occasion, we have prepared a lot of surprises and very unique musical offerings for you. Here is the first one! What you can expect from the music is perfectly reflected in the album title.
Parallel aesthetics which, however, when listened to together become a new perhaps the third aesthetic!One of the most active and respected saxophonists and improvisers on the American jazz scene. An American, Brazilian-born, Jewish-born mus…
Simon Nabatov - piano, live electronicsMark Helias - bassTom Rainey - drums
All music by Simon Nabatov (GEMA) except collectively improvised tracks 4,8,10,12
2006 release ** "Avant garde jazz, it's all just a load of old guys making squeaky sounds with long pauses isn't it? Well yes, to a point it is but I think Rune Grammofon have taught us that it can, occasionally, be a lot of fun. Over two giant sprawling live improvisations (one 40+ mins and the other 30+), Bob Marsh and co proceed to learn and unlearn their craft, weaving in and out and creating some quite terrifying sounds. You don't need a degree in avant garde musical forms to enjoy this, b…
Yet another triumph from the legendary multi-instrumentalist, Joe McPhee, Corbett Vs. Dempsey drops "The Mystery J", their first ever full-length vinyl release, issued in a limited edition of 500 copies. Recorded in 2014 with violist Jen Clare Paulson and Brian Labycz on electronics, it writhes with bristling tension, while retaining a remarkably minimal form. Visionary experimentalism and freejazz reimagined on entirely singular terms, 'The Mystery J' encounters McPhee producing some of his bes…
2025 Stock. Instant Composers Pool presents Goede Reis !. All music composed by Oscar Jan Hoogland and Han Bennink except Hornin’ In, Epistrophy and Ugly Beauty by Thelonious Monk, Peer’s Counting Song by Misha Mengelberg, Aanhanghuis by Oscar Jan Hoogland, Rhythm Three by Cor Fuhler and Fleruette Africaine by Duke Ellington. Recorded & Mixed by Marc Schots at Bimhuis, Amsterdam August 13th 2020. Artwork by Han Bennink. Photo artwork by Pieter Boersma. Graphic Design by Emma Fischer.
2015 release ** "Mexican composer and vibraphonist based in Berlin since 2012, Emilio Gordoa in a duo with guitarist Nicola L. Hein, using preparations to their vibraphones, percussion, and guitar, in an 8 part composition of diverse approaches to improvisation, from exuberant interaction to Reich-like minimalism to cantankerous experimentation, a well-rounded and interesting album."
At the crossroad of different worlds, Hubbub comprises five musicians with activities in various fields. Together, they work on the sound matter to create a moving electro-acoustic space inhabited by layers, distensions, imbrications, pulsations, dots and lines. Thanks to the longevity of the group, Hubbub has developed its own universe, which is more than just the sum of its parts.
Jim Hobbs and Timo Shanko were founding members of the Fully Celebrated Orchestra in 1989. This is their first duo record. Their decades of playing together can be heard in these pieces.
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.
2009 release ** "When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact. Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and Stephan Sieben, from Denmark, isn't a bomb. It is, though, an improvised explosive device, pieced together from chamber music debri…
Huge Tip! Deluxe CD edition, in tri-fold gatefold sleeve with outer case. This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered…