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Jazz /

Mitochondria
Tip! Spectacular live recording from 1986 of two seminal figures of the Japanese avantgarde - Akira Sakata on saxophone and Takeo Moriyama on drums. Mitochondria captures the reunion of the two free jazz masters, who started playing together in the Yosuke Yamashita Trio in 1972 until 1975. For both, the experience with the trio was an important step in the development of their own career and musicianship. The recordings are a remarkable performance in which each successfully highlights the essen…
Astragaloi
This trio didn’t know how lucky they had it. They were certainly happy to perform again when this concert was recorded at the ArtActs Festival in St Johan Austria in early March 2020. Although their first outing was back in 2013 in Harnik’s hometown of Graz - a live concert broadcast through the Austrian National Radio/ORF, the band has had a sporadic performance history. So the opportunity to reunite for this festival performance was already special. Little did they know what lay ahead though, …
Open Systems
* 2022 stock * "Drake and Tsahar were in Paris as guests at a friend’s wedding. Turning the celebration into a busman’s holiday, the two subsequently went into a studio with veteran German bassist Peter Kowald and American trumpeter Hugh Ragin, who were specifically invited to take part, and produced Open Systems. It’s more than 72½ minutes spread among seven compositions that relate as much to hard core energy music of the late 1960s as the former disc does to spirituality...... Take the saxman…
The Big Picture
* 2022 stock * Rob Brown's Big Picture Quartet includes William Parker, Hamid Drake, and Roy Campbell, the band responsible for the sublime Raining on the Moon with Lena Conquest, recorded as the William Parker Quartet, as well as playing together in different configurations yielding some of the most vital and essential recordings of the last decade. In the grand jazz band tradition (think Sonny Greer and his Memphis Men), the music's flavor and quality maintains whoever's name shuffles forward.…
Sunrise
* 2022 stock * New York-born drummer Stu Martin made a name for himself at the age of sixteen by playing with many of the great bands - those of Billy May, Jimmy Dorsey, Count Basie, Duke Ellington, Maynard Ferguson and Quincy Jones, among others. In the 1960s he moved to Europe where he played with the greatest musicians of the time such as Jean-Luc Ponty, the Kühn brothers, Martial Solal or John McLaughlin. A very complete drummer adapting to all forms of jazz, he was part of the John Surman a…
Aigu - Grave
* 2022 stock * Sunny Murray's Aigu-Grave, a nominal quintet date with percussionist Pablo Sauvage appearing on two of the five tracks; the rest of the group features French tenor saxophonist Richard Raux, Bobby Few and Alan Silva. Its two leading tracks, “Happiness Tears” and “Tree Tops,” are memorable Murray compositions which are given free and satisfying treatments. The theme of “Happiness Tears” searches through some minor intervals before resolving in a cheerful major chord. “Tree Tops” is …
The Awakening
Tip! * 2022 stock * This 1979 date by tenor saxophonist Billy Harper is one of his most transcendent. Rife with his deep study of Coltrane's modalism, and his own deep knowledge of the blues and Eastern music, Harper and his quintet take on three extended pieces: "Soran Bushi-B.H." comes in at over 12 minutes, while "Cry Of Hunger," is over 20; both work out of extended harmonic architectures to place improvisation as a new element (remember, this was 1979), as an extension of the jazz "song." T…
For (And More)
Futura Records presents For (and More): Daniel Beaussier & Manu Pékar with Jean-Lou Descamps & Pierre Marcault.Daniel Beaussier (saxophones, hautbois, cor anglais, clarinette, clarinette basse, flûtes en ut & sol), Manu Pékar (guitares), Jean-Lou Descamps (violon & objets sonores) & Pierre Marcault (percussion).Recorded 10th jan, 2nd jul & 20th nov 2016 at studio EDIM, Cachan (France).
From In To Out
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie)  Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
Basse Barre
Bass solo by Barre Phillips recorded out of a 3 hour session in St James Norlands church, London 30 nov 1968.
Blood And Guts
*2022 stock* Pianist Mal Waldron first ever live album has been released in 1970 on tiny French Futura label. It contains four longish (each - over ten minute long)compositions, recorded in May 1970 at American Cultural Center in Paris. Mal plays in his most comfortable format - trio,two other members are local musicians who will never record with Waldron again. Twenty-four years old bassist Patrice Caratini will play on Kenny Clarke's French-released album " Kenny "To Day"" in 1980 and will col…
Alors !!!
*2022 stock* Tip! Michel Portal, a brilliant clarinetist, saxophonist and performer from the world of contemporary classical music, became one of the most important actors of the new European improvised music in the early 1960s.While pursuing a parallel career in classical music, he multiplied his encounters with the most active creators of the new European jazz, as well as with various foreign musicians visiting France. This album, recorded on the Futura label in 1970, was made possible thanks …
Nothing Is...
Temporary Super Offer! "Attempts to dismiss Sun Ra as an “outsider” artist, an eccentric who made strange claims, are always own goals. Of course he was an outsider. That was precisely his point. And not just an outsider. He came from so far away we could not imagine it. But he also came from right inside American culture and was deeply shaped by it. There is perhaps no more representative an American artist of the modern period. If the Saturn V rocket was the symbol one kind of hegemony, govern…
Spring 2022 "Tetragon" (Magazine)
This is the third issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more. This is a magazine put together by a qu…
Eternal Now / Hear And Now / Brown Rice
Includes three albums:   MJJ423CP - Eternal Now (LP, Pink)   MJJ424CB - Brown Rice (LP, Brown)   MJJ425CY - Hear And Now (LP, Yellow)
Rise Vision Comin
A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on sa…
Encounter And Improvisation = 即興と衝突
Rare CD by this trio comprised of Masayuki Takayanagi (guitar and effects), Peter Kowald (double bass) and Keiki Midorokawa (cello), recorded on April 29, 1983 in Tokyo.
Live At Moers Festival
Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz.Takayanagi was invited to play with his group New Direction Unit at the 9th annual Moers New Jazz Festival in Germany in 1980, which, as the name suggests, featured only free jazz performances. In front of the 3,000 plus audience, Takayanagi and company had their most rad…
Fixing The Fluctuating Idea
"The FIMAV performance is an extraordinary recording, an aural opportunity to hear the Ensemble exploring at length, stretching the contemporaneous studio documentation, but even with the Ensemble’s brilliant and transformative history, Sainkho Namtchylak’s spontaneous addition to Fixing is unique. Namtchylak’s intensity transcends the metaphoric. This performance is not folkloric. It is folklore. It is not shamanic. It is shamanism. The ElectroAcoustic Ensemble is one of the most significant ev…
Thirty Years In Between
The title to be taken literally, these two solo concerts recorded in Canada by French-based US bassist Barre Phillips, the first recorded at Vancouver Western Front in 1989, the 2nd from the 35th International Festival Music Festival of Victoriaville in 2019, both exemplary concerts showing his masterful skills and ability to captivate then and now.