Since 2018, BBE Music has been leading the field in reissuing rare modern jazz from Japan’s golden period spanning the late 60s to the early 80s. The J Jazz Masterclass Series continues to present the finest in Japanese jazz with 'Planets' by Masaru Imada Trio + 1. Originally released in 1977 as a private press album, 'Planets' showcases the refined playing and sophisticated compositions of one of Japan’s leading pianists, Masaru Imada. In a fifty- plus year career he has released over 40 albums…
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
Dark moon music. If you are interested in the moon. Music concentrated in the process of discovering music, taking any risk. Extreme.How extreme is the exploration of one’s instruments, body, memories and stories. Vibrant, fast but at the same time calm music; slow.In search of the sound. Of movement that becomes sound. Of sound that becomes voice. That becomes movement.We dedicate this music to Coleman Hawkins, master improviser.
The live performance recorded in the ancient Church of S. Giuliano, in Vercelli, encompasses some of the music conceived and written over the last few years, which Francesco Aroni Vigone spent in Valle d’Aosta. The recording location was chosen for its particular acoustics, perfect for a saxophone ‘solo’ and its aptitude for meditation. The performance took place during worship hours to have an unusual ‘audience’ in an unusual ‘liturgy’. The pieces are monodic songs that can be traced back mainl…
"This is the whole improvisation session we had on the evening of 25 April 2014, after a day spent recording some duets for Enrico’s project “Girotondo”. In the afternoon I had recorded with Mario Arcari “La prostituta e il soldato”, one of his compositions. The next day I was going to record my song “Il soldato e la cameriera” with Alberto Mandarini. So, during the evening break, after years of not playing together anymore, a little bit on my insistence, because Enrico seemed to want it too, we…
Release on Raw Tonk Records.
Colin Webster - alto saxRachel Musson - tenor saxCath Roberts - baritone saxCharlotte Keeffe - trumpet / flugelhornGraham Dunning - electronicsDirk Serries - guitarJohn Edwards - bassAndrew Lisle - drumsRecorded live at Cafe Oto, London on 21st August 2022. Recorded by Pedro Subtil. Mixed and mastered by Dirk SerriesArtwork by Colin Webster. Layout by Rutger Zuydervelt
*300 copies limited edition* Disc One: Charlotte Keeffe (trumpet, flugelhorn) & Andrew Lisle (drums). A New Wave of Jazz live event : in concert at PlusEtage (Baarle- Nassau, The Netherlands) on April 29th, 2022. Recorded by Dirk Serries. Mixed and Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium). Disc Two: Stefan Keune (sopranino, alto sax) / Dirk Serries (archtop guitar) / Benedict Taylor (viola). A New Wave of Jazz live event: in concert at PlusEtage (Baarle- Nassau, The Netherlan…
*300 copies limited edition* With three studio albums, four live releases and a number of tours, the Belgian-British Kodian Trio has built up quite a reputation within the European improvisation scene. The trio unites the attention to texture and detail often associated with the 'English school' with the fierce urgency of the 'fire music' of the sixties and seventies. The result is a wringing cocktail on the seesaw between European free improvisation and witty free jazz. Dirk Serries' disordered…
Remont Pomp (repair of pumps) is a band playing ethnic, avant-garde and improvised music, which was founded in 2003 at the Polish Association for People with Intellectual Disabilities Koło in Gdańsk, created by the association's charges. The band's inspiration is ethnic music with an emphasis on the richness of African music. Remont Pomp also discovers the space of experimental music by playing unusual instruments and objects not usually associated with music. The band uses a variety of instrume…
Includes an eight-page booklet with a summary of an interview with Yuji Takahashi (in Japanese; interviewer, Masahiko Sato) and photos. Recorded at Hall Egg Farm, Fukaya, on July 31, 1988.
This is the long-awaited new CD release of percussionist Masahiko Togashi's previously unreleased recordings, supervised by Mitsuhiko Sato. In this ultimate performance, Yuji Takahashi steps away from playing computer and synthesizer and randomly utters texts he has written (mostly from his own book "Kafka"), while Togashi responds with perfectly tuned percussion. This is the ultimate performance, a century-old discovery that shines brilliantly in the history of free music.
Long-awaited re-release at a middle price of this classic and popular album, the last collaboration of Steve Lacy, Masahiko Togashi, and Masahiko Sato. Year of recording: October 15, 2000 / Location: Fukaya Hall Egg Farm
*150 copies limited edition* Music For Zoe is the result of the encounter between two masters of free improvisation, Edoardo Ricci (soprano saxophone and bass clarinet) and Lucio Bonaldo (drums) with Gianluca Favaron (computer), a prime mover of electronic sounds often pushed beyond the limits. What emerges from this encounter is a kind of European-style free music, with open structures, sometimes close to radical contemporary improvisation. The acoustic sounds of percussion and wind instruments…
*2023 repress* "Meditation / Resurrection is a double-album presenting a bounty of beautiful new William Parker compositions performed by two of his flagship ensembles, the Quartet -&- In Order To Survive. It was recorded & mixed live during a one-day studio session in late 2016. With the tone of the pieces & performances reflecting our current moment, this is Parker & the groups' follow-up to 2013's epic Wood Flute Songs box (2013). At the core of both groups is Parker's foundational bass toget…
Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.
Allen Lowe writes: In the Dark is a commemoration (sic) of the worst time of my life – a period of time during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour – encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the televisi…
Allen Lowe writes: "America: The Rough Cut is my statement not only on American music and American song, but also my commentary on the way American musicians of all styles handle that old-time music and those old song forms . . . The old things -- not just the blues, but gospel music and pre-blues shouts and language, plus hillbilly/minstrel song and medicine show irony -- reflect a disinterest in the polite trappings of (primarily but not only white) society, an implicit rejection of basic tona…
ESP is proud to present a new William Parker album in collaboration with his wife Patricia Nicholson. No Joke! is unapologetically political, facing down injustice and inequality and other “in”s with artistic integrity and “outside” music.
Throughout his long and prolific career, Matthew Shipp has presented several different and impressive trio formations. Among the featured members have been bassists William Parker, and Joe Morris, and drummers Guillermo E. Brown, Whit Dickey, and Susie Ibarra. In 2015, two other premier players, bassist Michael Bisio, and drummer Newman Taylor Baker stepped in as the rhythm section on The Conduct of Jazz (Thirsty Ear). Their fourth album as a unit, World Construct makes the group the most enduri…
Temporary Super Offer! Clifford Thornton and Arthur Jones have remained largely unknown ever since, except to collectors who treasure those early Parisian records and the world they evoke. We know little of what they did in later years, but if Hemingway was right, “If you are lucky enough to live in Paris [read “jazz”] as a young man, then wherever you go for the rest of your life it stays with you”. Thornton died in Switzerland in 1989, largely forgotten in his “home” country. Jones died in Ne…
Psychic Ills keyboardist, Brent Cordero and Sunwatchers bassist, Peter Kerlin’s, first full length collab A Sublime Madness is the culmination of decades of circling each other's creative orbits. After years of casual jamming, numerous fledgling one offs, and touring sideman gigs (ibrighden addition to Sunwatchers, Kerlin was also Chris Forsyth’s long time bass player and in the John Dwyer helmed improv project, Bent Arcana. Cordero worked for years with Psychic Ills and Mike Wexler among others…
Leaney's lyrical and multi-textured tenor and alto saxophone playing is featured throughout, as is his playing on the Zimbabwean mbira and west African flulani flute. The record comprises equally of planned and deeply rehearsed compositions by both Leaney and Thouin, each with their own flavour brewed together to form a uniquely organic music. This is the first documented studio recording of 83 year old Thouin's lifelong exploration in sound and rhythm featuring his folkloric, DIY hybrid setup b…
LP version. Includes eight-page booklet; 425 gsm brownboard outer sleeve; 180 gram vinyl. "Why would I sing in French? I have Breton culture, I speak Breton, I live in Brittany, and the Breton language is the language of this country..." So explained Kristen Noguès, of whom this is the first of the (rare) albums that she recorded Marc'h Gouez, is a fabulous voyage in space on each listening. Noguès learned the Breton language as a child, at the same time as the Celtic harp, -- taking lessons wit…
Temporary Super Offer! "If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten
grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses and into museums and concert …
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.
Reissue for the first time worldwide. Obscure and Rare album of Spacey Fusion grooves, played by a group that includes Robert Rockwell on reeds, plus Bobby Lyle on piano and electric piano. Lyle's presence gives the album a nice groove.Bob Rockwell, born in Miami, Oklahoma, is an American jazz saxophonist who emigrated to Denmark in 1983 and has lived ever since.
Incinerating sound together since 2014, Nava Dunkelman and gabby fluke-mogul combine their expansive palettes with finesse, creating a fierce dialect of their own. Violin and percussion combust viscerally through spirit and song. Forged in flame, Dunkelman and fluke-mogul honor ritual and celebrate their rich sonic hues in their duo release, Likht.
Brandon Lopez (contrabass), Steve Baczkowski (saxophones), and Gerald Cleaver (percussion) freely play propulsive grooves drawing as much from heavy metal aggression as free jazz freakouts. Baczkowski’s reeds with their acoustic distortions impart a crunch to the music and their snaking lines dance over the sinister and doomed romp of the rhythm section. Lopez and Cleaver are most often locked into a martial groove, assembled and disassembled, sometimes faltering and reeling from their own displ…
"The question to be answered during this live performance was, "Will there be enough space for all the musicians' voices to be heard?" Recorded at Firehouse 12, in June 2019, this new ensemble is an adaptation of various duos and familiar trios. Saxophonist Paul Flaherty and drummer Chris Corsano have performed and recorded numerous discs together since the late '90s, releasing high-octane free jazz. The same can be said of the drummer's duo work with Danish saxophonist Mette Rasmussen; their tw…
This adventurous set catches lightning in a bottle. They hit the ground running and never let up. Susan Alcorn's pedal steel soloing is phenomenal while Ryan Sawyer drives the trio forward as Patrick Holmes' clarinet keeps pace with both of them. A breathless set of high energy free improvisation at its best.
Sakina Abdou has expressed herself in many contexts, in musical fields both broad and eclectic. With this solo album, she invites herself within, focus and anchors herself for the first time in her own language, where she summons the many influences which have nurtured her. Through «homemade» recording, naked, raw, without effects or tricks, we meet her on her own, at home. Grab a chair or settle on the floor next to her, on the edge of the bell, almost touching, and find yourself captured in a …
The music on Mutable is a totally acoustic sonic exploration. It is an investigation that has led to the development of certain extended techniques in order to discover the ultimate limits of the sound of the saxophone and to try to create new sounds on the instrument.
The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitones between the…
Paal Nilssen-Love Circus emerged as a direct result of the travel restrictions caused by the corona pandemic. The Oslo World Music Festival asked Nilssen-Love to put together a new band of musicians based in Norway. He came up with players from different camps, experienced in various styles: ethnic, classical, contemporary, jazz, free jazz, noise, pop etc.
The seven unique voices were gathered around common musical ideas and ways of thinking and a shared understanding of musical freedom. Each mu…
New Map is based on open-form “cells” of concrete ideas, notes and directions that the musicians had to respond to. The 22-minute title piece swings - sometimes, literally - back and forth between subtle percussive games, mysterious and sensual orchestral-chamber dynamics, anchored by harpist Krüger, accordionist Kalle Moberg and trumpeter Köster, and raw, noisy and abstract improvisations led by sax players Lea, Klaus Ellerhusen Holm, Kristoffer Berre Alberts and Finnish electronics player Tomm…
On Clusterfuck, Nilssen-Love used graphic notations. The 24-minute title piece pushes the Large Unit to urgent and ecstatic blowouts but this powerful sonic adventure is often punctuated by playful, or subtle and reflexive, improvised solos. Eventually, the Large Unit exhausts its whole energy in the explosive coda before letting Moberg and Keränen end this piece. Nilsson-Love, second drummer Andreas Wildhagen and percussionist Celio de Carvalho navigate “Bubbles” to even more intense and energe…
"At first glance this new CD on PNL looks like familiar territory - a trio recording with two known collaborators of Nilssen-Love: Accordionist Kalle Moberg have become a steady and important voice of the Large Unit sound over the last ten years, and Frode Gjerstad truly needs no introduction - him and Nilssen-Love have played together for 30+ years.
And while this trio is a new constellation, a combination that is good news in itself, "Time Sound Shape" offers another, bigger surprise: this is …
*2023 stock* Over the years the fantastic, genre-defying Norwegian label Rune Grammofon has published a few books mostly celebrating its own snazzy design aesthetic and rich history, but a gorgeous new volume by art historian Johannes Rød focuses more on the music and artifacts that have influenced label owner Rune Kristofferson, who penned one of the forwards for Free Jazz and Improvisation on Vinyl 1965-1985 (there’s a second one by notorious “discaholic” and reedist Mats Gustaffson). Rød deli…