Jazz /
I Surrender Dear
A long desire of extraordinaire saxophone player Peter Brötzmann was a studio recording of some of his favorite jazz tunes and his own music -- a grand bridge over the music important for his life and his musical career in the past and present. Trost invited him to Martin Siewert's studio in Vienna to do so in summer 2018. The result is intense, beautiful and touching. Features compositions by Harry Barris / Gordon Clifford, Sigmund Romberg / Oscar Hammerstein II, Herbie Nichols, Dizzy Gillespie…
III
Kodian Trio's third studio album -- apply titled III -- and their second for Trost Records, was recorded in one intense live session at the White Noise studio in The Netherlands during a day-off on a European tour. The shared experiences of the road, studio, and travel evinces a group sound which is constantly shifting, solidifying, and disappearing completely -- true to the essence of free improvisation. On this album the trio shows the core strength as a unit gained from their live experiences…
F4 Fake
This is for sure no fake news! F4 Fake is the exciting new album by Made To Break, the gripping quartet of Ken Vandermark, mixing jazz, funky patterns, and electronics in groovy improvisations -- interrupted by abstract insertions. Recorded by Daniel Schatz, November 29 2017 at Primitive Studios, Vienna. Mastering by Alex Inglizian at Experimental Sound Studio, Chicago. Mixing by Alex Inglizian and Ken Vandermark. Artwork by Federico Peñalva. Personnel: Ken Vandermark - reeds; Christof Kurzmann …
Epiphanies VII-XIII
More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki. Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis…
Epiphanies I-VI
Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki. Altogether they performed the stunning extended improvisation Epiphany. In different, more i…
1977 Live Vols 1 & 2
"Aside from working with the influential avant-garde ensemble AMM, percussionist Eddie Prévost led some highly challenging British free jazz groups in the '70s. These sessions from 1977 showcase a project featuring Geoff Hawkins on saxophone, Gerry Gold on trumpet, and the phenomenal talents of Marcio Mattos on bass.With Prevost's always inventive and high-energy drumming holding it all together, the quartet explores the tradition of free jazz with the astute wit of classical musicians. The exce…
Resoundings +
"This recording from 1985 of the trio consisting of AMM percussionist Eddie Prevost, bassist Tony Moore, and soprano sax player Peter McPhail is an outstanding recording of avant-garde jazz which documents a trio of improvisers maximizing their focus on interplay and invention.This album will appeal to fans of avant-garde jazz and European improvisation, as well as listeners of bebop. The energy and interplay are most striking aspects of this recording, and, while it is very distinctively footed…
Epiphany
Honest Jon's Records present a reissue of Company's Epiphany, originally released in 1982. Epiphany \ i-ˈpi-fə-nē \ (1) a manifestation of the essential nature of something (usually sudden) (2) an intuitive grasp of reality through something (usually simple and striking) (3) an illuminating discovery or disclosure. All three definitions apply perfectly to this span of music recorded at London's ICA in July 1982. It's a miracle of group interaction, wonderfully paced, moving steadily between mome…
Uncovered Correspondence - A Postcard from Jaslo
Recorded at the concert hall of the Jasielski Dom Kultury (Jaslo Cultural Centre) in southern Poland on the 15th of May 2010."It is given to very few artists to have created a language entirely their own, but that is what AMM has done over the years, in various line-ups and configurations, with Eddie Prévost on drums as the only unifying element since 1965, and with John Tilbury on piano for the last two decades, here with just the two of them. You may like them or not, but they have made histor…
End of a Cable
**100 copies** Improvising duo Ed Lucas and Graham Dunning explore texture, timbre, dynamics and drones.Ed Lucas plays trombone, sometimes augmented with controlled feedback, and has had many associations with improvising musicians in London and beyond.Graham Dunning uses turntable with field recordings pressed to dublate, along with snare drum and objects, focusing on tactile soundmaking.End of a Cable is their first album together. Graham Dunning: turntable, snare drum and objectsEdward Lucas:…
Caura
**100 copies** Caura is a long-distance collaboration by Masayuki Imanishi (Osaka, Japan) and Marco Serrato Gallardo (Sevilla, Spain), which takes the form of two long improvised tracks made with double bass, field recordings, contact microphones and manipulated speakers. Masayuki Imanishi: field recordings, speaker, contact microphoneMarco Serrato Gallardo: double bass Recorded in Sevilla and Osaka by Masayuki Imanishi and Nacho García, December 2018 / January 2019.Mixed by Masayuki Imanishi, …
Free Percussion
**100 copies** Tsss Tapes is a new tape label from Italy and this is their first release. Snares, bells, sticks, cymbals, pinecones, rattles, brushes, bass drums, mallets and other objects that make a sound if you hit them, stroke them, let them bounce. A compilation of improvisations by twelve percussionists from different parts of the world mastered by Nacho García. Includes tracks by Claire Rousay, Rie Nakajima, Chris Dadge, Håkon Berre, Ted Byrnes, Tim Daisy, Will Guthrie, Simon Camatta, Kev…
1969, 1970
**Available next week** "The original concepts of vocal and instrumental music are utterly different. The instrumental impulse is not melody in a 'melodious' sense but an agile movement of the hands which seem to be under the control of a brain centre totally different from that which inspires vocal melody. Altogether, instrumental music, with the exception of rudimentary rhythmic percussion, is as a rule a florid, fast and brilliant display of virtuosity... Quick motion is not merely a means t…
Live At Nancy Jazz Pulsations
It was in 1973, on the 14th of October, late in the afternoon; on a pretty Sunday under the Big Top in the heart of the “Parc de la Pépinière”, in Nancy; it was the “premiere”, the world first hearing, and it has so far remained the only one commissioned by composer and trumpet player lvan Jullien, for the first international Nancy Jazz Pulsations festival.In order to complete this work of composition and orchestration, Ivan asked the great Eddie Louiss on organ, and chose to do without a double…
Events 1998-1999
In the late '90s three young musicians in the Oslo jazz scene – Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik – hooked up with two legends – Carl Magnus “Calle” Neumann and Bjørnar Andresen. Neumann and Andresen were extremely important in the development of Norwegian free jazz in the late '60s and early '70s, playing with Jan Garbarek, Arild Andersen, Svein Finnerud Trio, Terje Rypdal, George Russell and many others.The project was named The Quintet and it was the meeting of two generations…
Désordre
**250 copies** Two instruments linked, calling to each other, leaping around, recalling and fooling around with the music of Joëlle Léandre, improviser, composer and double bass player, and Alexandra Grimal, composer, singer and saxophone player. With chaos, a joyful mess of unique moments, bright, plural and playful, the two musicians have no care for determinism: the music just is, and they simply follow it.
Rockefeller Concert
Since 2016 Sfyria Trio is the Chicago/NY free improvising trio of tenor saxophonist Sam Decker (Shorve, Logan Strosahl Team, Green and Grass), bassist Charlie Kirchen (The Few, Rooms, Charlie Kirchen Quartet), and drummer Matt Carroll (Ohmme, Typical Sisters, Rooms), performing their unique improv idiom incorporating elements from a wide range of musical perspectives.
Aerophobia
Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, etc. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.
Solid Bottom
Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of Carl with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.
I Used To Sing So Lyrical
The debut recording of New York double bassist Sean Ali's improvising string trio with violist Joanna Mattrey and cellist Leila Bordreuil, having worked together since 2015, each brings impressive technique and a somewhat twisted approach to their strings in a diverse set of extended improvisation from pensive and spacious to formidable density.