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The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, revie…
On their 5th studio album, Connection, Marc Ribot’s Ceramic Dog have pushed their long-brewing tension between traditional pop songcraft and avantgarde improvisational music to the breaking point, bridging their customary genre-agnostic approach with elements of glam boogie, minimalist disco, psychedelic boogaloo, garage-punk-against-the-machine agitprop, and so much more. Recorded at Figure 8 Recording in Brooklyn, NY and mixed by Ben Greenberg (Danny Elfman, Depeche Mode, Lamb of God) the albu…
*2023 repress* "The trio takes you on an intense, meditative and spiritual musical journey that embodies the spirit of freedom. Based around hypnotic grooves laid down by Brichard’s unswervingly solid bass lines, drummer Skinner plays around artfully with the beats, grooving hard in constantly shifting, unexpected turns of rhythmic play. Rahman’s contributions range from subtle conversational interplay to loudly expressed angry passion to the most delicate of whispers, conveying a depth of emoti…
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
* 250 copies, hand numbered * On Nils Vermeulen’s first solo album, the sound of the double bass is the main variable. Recorded at the empty Ghent Opera, where every note, attack and vibration comes through, including the creaking of the wooden floor. There is no hiding in reverb, nor in easy playing. The strings Vermeulen uses on this recording (‘Tempera’ strings by Gerold Genssler), are inspired by traditional gut strings, and have lower tension to let the instrument resonate freely. The pie…
Trevor Watts has been at the forefront of the Jazz and Free Improvisation scene since the 1960s and is highly respected by his peers and quite rightly so. Much of the UK listening audience though, seem to be unaware of the amazing breadth of Trevor’s works on a global scale. With that in mind, Jazz in Britain have decided to try and address this issue with this release.In 2022 we issued The Art Is In The Rhythm which featured an improvised performance of Trevor in partnership with drummer, Liam …
Bomb! Spiritual, intimate and revolutionary, yet firmly rooted in Brazil's folklore. Africadeus was the breakthrough album of the mighty Naná Vasconcelos, in which he discovered the berimbau to the world and took the instrument to a universal level. Having played in the shadows for other artists such as Milton Nascimento, Gato Barbieri or Som Imaginario, Naná is here finally in the spotlight. Recorded in 1973 in France for Pierre Barouh's Saravah label, this is the album that definitely imprinte…
*In process of stocking* Repress of Wildflower's 2nd album. The band continued to explore areas of groove-based improvised jazz. Taking a slightly freer approach to the writing process, simple but effective melodies and bass motifs are explored to create fully realised pieces with dynamic extremes that bring a full range of emotion. Recorded over a two-day session at Studios in London, the band sounds relaxed and at ease, giving space to explore intricate improvised interplay and dialogue fully …
2023 repress. Brace Up! is the first ever studio release from the duo of Chris Corsano (drums) and Bill Orcutt (guitar). Recorded in Brussels at Les Ateliers Claus by Christophe Albertijn on March 19th and 20th, 2018. Stage dive photograph by Jason Penner. "Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked electronics,…
On July 16 2021, Shiver (Guitarist Chris Sharkey, Bassist Andy Champion and Drummer Joost Hendrickx) met up with Pianist Matthew Bourne at his house in Airedale, Yorkshire. Hungry to make music following various lockdowns, cancellations and disappointments, the quartet embarked on a ferocious two-day journey of exploratory music-making. The weather was good, the connection was immediate. There was much laughing, tea-drinking and storytelling. In the evening, the stove was lit and we listened to …
After nearly five years of silence, the all-star power trio of Giovanni Di Domenico, Jim O'Rourke, and Tatsuhisa Yamamoto, working as Delivery Health, return with “SuperDeluxe!” a stunningly beautiful double LP of material, issued by Holidays Records. Encountering three of contemporary experimental music's most remarkable minds locked in the rigorous conversations of live improvisation, across four sides the trio darts and dodges across a startlingly range, never revealing what might come next, …
*200 copies limited edition* “Costa and Ernsting are assertive and confident players who don’t hesitate to claim their positions, but most of all, they are keeping up with each other, using their dialogue to explore and expand. And that is what it is about, a quest for ideas and a way for them to co-exist, make sense, keep the story moving forward on all levels. And as far as the greater story is concerned: this album is another fine addition to an endlessly fascinating mosaic of sounds.” - Guy …
** original copy ** 'The music is one of two tracks that make up the entire album, one on each side as it was originally released as an LP, and each over 20 minutes long. The other side is the titled “Psalm”. The recording was made live to two track at Studio Henry, later known as One Morten Street. The trio was put together just for this gig, and features Butch Morris on cornet, William Parker on bass, and myself on piano, some kind of crummy organ, and electronics-including an Aries synthesize…
Vinyl reissue of Pat Thomas’ New Jazz Jungle: Remembering. The album was originally released on CD in 1997, at a time when Pat had already spent years playing on the free improvisation circuit with the likes of Lol Coxhill and Derek Bailey. 10 tracks of bass heavy jungle breaks, which are intersected with vocal and orchestral samples, and layers of percussion rotating at varying time signatures. It’s in this fashion that the album seems to present itself: in layers. Thomas identified jungle’s w…
Complete rendition of the saxophonist’s famed divinely inspired suite was recorded at Seattle’s Penthouse in 1965. Despite being John Coltrane’s most celebrated album, and one of the most beloved jazz albums of all time, A Love Supreme wasn’t a record that the saxophonist touched on much in the live setting. Up until now, most Coltrane enthusiasts have only ever heard a single live performance of the literally divinely inspired four-movement suite that makes up the LP. That will change in Octobe…
*Limited edition of 600 copies* Nomadic spiritual jazz duo The Sea Ensemble embodied the ethos of their era and art to a uniquely poetic degree. Founded in the early 1970’s by ethnomusicologist Zusaan Kali Fasteau and versatile instrumentalist Donald Rafael Garrett (sideman to John Coltrane, Archie Shepp, and Roland Kirk, among others), the couple’s lifestyle mirrored their music: restless, questing, collaborative, and improvised. Their itinerant journeying spanned Senegal, Congo, Morocco, Haiti…
Steve Day, poet, writer, percussionist has been around Discus Records for several years contributing sleeve notes for Keith Tippett recordings as well as reviews and other wordplay. Although he and comrades Peter Evans, Julian Dale, Mark Langford, have recorded for other labels, the Day Evans Dale Ensemble is a completely new venture with regular live dates in a range of venues. This seemed like an appropriate time to bring their 'new thing' to Discus Music; a mix of spoken word and spontaneous …
Were We Where We Were is a recording of set of compositions by Michael Formanek, and performed here by him, saxophonist and clarinetist Chet Doxas, and drummer Vinnie Sperrazza, collectively as the Michael Formanek Drome Trio. These pieces were loosely grouped together as Palindrome Series 1 and Palindrome Series 2, from 2020. They started out as a series graphic scores that were then reinterpreted as conventionally notated music for this trio. The Drome trio learned the music and rehearsed outs…
Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…