Jazz /
Son Of January 15
Segun Bucknor was one of the most important figures in the Nigerian music scene of the 70s, despite having only a brief career with his afrobeat unit which in 1972 released this superb album of which originals usually not turn up at any price. A reissue like this on Jet Records therefore is long overdue to enable every woman and man with a fondness for African popular music of the 70s to take a closer listen to this gem and fall in love immediately. What do we get to listen here?
Well, the album…
Sweet Funk Music
Who said that all Nigerian afrobeat from the 70s was dark and though provoking with a melancholic edge despite the ongoing powerful grooves and a more or less political message denouncing the the methods of the country’s leaders to increase their own wealth and power while the simple people suffer. Well, this 1978 album by bandleader Thony Shorby Nyenwi proves this idea wrong. What we have here is a sacredly rare gem, fetching 300 € for a copy in playable condition. A crown jewel of Nigerian afr…
Ikoto Rock
There we go with another Afro Beat classic that did not really leave Nigeria back in the day it was released. Therefore we can only guess the value among collectors but some reliable sources tell us that even not so mint original copies go for up to 600 $. The Afrodisia sublabel of Decca music is responsible for quite a few awesome afro beat gems that have only recently been rediscovered by never sleeping music lovers such as the folks behind Everland Music from the Netherlands and here we go wi…
Let's Have A Party
It’s no exaggeration to say that Geraldo Pino and his band the Heartbeats kickstarted the whole soul/funk/afrobeat scene in West Africa. Mixing highlife, funk and jazz, and using the latest equipment, they laid waste to all before them. In 1966 Fela Kuti was a jobbing musician, eeking out a living with highlife bands. When Gerlado Pino came to town, it changed his life. “Pino tore up the scene,” he recalls in an interview with Carlos Moore. “I knew I had to get my shit together. And fast!”. Prod…
Segun Bucknor
Segun Bucknor fell in love with American soul music as a student at New York’s Columbia University. Otis Redding, Wilson Pickett, Sam Cooke and Ray Charles hadn’t made much of a splash in Africa at the time and when Bucknor returned to Nigeria in 1968, he was determined to bring the sound to a wider audience. The result was brand of Afro-Soul that in turn became a proto-type of Afrobeat. With his bands, The Assembly and The Revolution, he released a few politically charged tracks, but even with …
I've Been Loving You
“I’ve Been Loving You” sees Manford Best finally laying the ghosts of The Wings to rest and emerge as a serious player in the glittering new world of Afro boogie. Recorded in London, with Nigerian super producer, Jake Sollo, at the desk, it is a highly polished collection of disco classics, guaranteed to fill any dance floor in the world. The title track gets the party started with an irresistible bass line and chirpy horn section. Written by Best while he was still in The Wings, the song is unr…
Alpha & Omega
In the mid eighties FM radio stations took over the airwaves in Nigeria. They wanted fresh new styles to play andin creasingly radio personalities like Bisi Olatilo, Ruime Effetie and Shea Martins were turning to reggae. Nigeria’s Freak Father Number One, Benis Cletin, saw the writing on the wall and created his deeply philosophical roots reggae opus, ‘Alpha & Omega’. Benis delivered a set of songs that tapped unashamedly into reggae’s message of peace and love. The title track is a philosophica…
Celebration
Mix righteous fuzz guitar, bad-ass keyboards and ecstatic African rhythms and what have you got? Celebration by Aktion - a slab of of heavy Afro-funk-pysch-rock from the hardest working band in 70s Nigeria. Aktion had a residency at the Lido Night Club and Restaurant in Warri but toured constantly. Drummer Ben Alaka and Bass player Renny Pearl Nwosa created a bedrock of hardcore rhythm that allowed the rest of the band to cut loose and follow their own groove. Celebration, their second album, se…
She Is My Woman
She Is My Woman is Murphy William’s loose, funky and spontaneous call to the dance floor. It’s an infectious collection of good-time tunes that the band seem to be enjoying as much as the listener. Williams was a stalwart of the Nigerian music scene, joining Godwin Omabuwa’s Cassanova Dandies at 17 before becoming one of the two lead vocalist of The Apostles from Aba. He was famous for his distinctive four octave voice, a voice that legendary label boss, Godwin Tabansi decided was perfectly suit…
Let's Dance Together
William Onyeabor wasn’t the only Nigerian experimenting with synthesizers in the 70s and 80s. Goldfinger Doe was twiddling knobs too, no more so than on Let’s Dance Together – a prime slab of cosmic Afro boogie funk, recorded with legendary percussionist, Mike Umoh (a.k.a B.M.S.) Goldfinger met Umoh playing with Bongos Ikwue & The Groovies. Bass player Bashiru Musa, was a fellow Groovie too, and when the three hit the studio to record Let’s Dance Together, the groove was already tight and hot. T…
Co-Operation
After years of gigging around the east Nigerian music scene, Foundars 15 finally hit the jackpot when they recruited legendary bass player, Marshall Udo. Charismatic and confident, Udo immediately energised the band, bringing a new funky and psychedelic vibe as well as a bunch of songs he’d workshopped with the Funkees. The tone of the album is set early. Nek Adirika’s searing guitar lick announces ‘We Are On The Move’, a track that is both funky and determined. ‘Co-operation’ is a horn-driven s…
I Want You Girl
In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the stratosphere, they produced a funk gem in I Want You Girl. The band was championed by Ebere Ikoro from the Hygrades. He took them under his wing after an ill-advised collaboration with Soly Dibong. They were originators not imitators, he said. He pr…
Cold Fire
The self-proclaimed funkiest band on the west coast of Africa, the Heads Funk Band, could arguably make that claim for the whole continent. Featuring the slick guitar of Felix ‘Feladey’ Odey, the slinky drumming of Eddie Offeyi and the swirling keyboard chops of Kevin ‘Fortune’ Coburn, nobody was funkier. And that’s not even taking into account the dance floor monsters they were releasing at the same time as Akwassa. Cold Fire was their second album as the Heads Funk Band. Where their first albu…
Live In Europe - Fonk Afrika
OFO The Rock Company (originally known as OFO The Back Company) were Nigeria’s first acid-rock band. Blending Hendrix and Deep Purple with shamanism and a pro-black philosophy, they cut their teeth at Fela Kuti’s Afrika Shrine, developing a fearsome live reputation that intimidated every other band in Lagos. No one wanted to follow the guys from OFO, not even Fela himself. Lead by the charismatic Larry Ifedioranma, OFO The Rock Company considered themselves a musical cult. Their live shows were …
Girls For Sale
Before he was Nigeria's self-proclaimed Mr Lover Boy, Felix Lebarty was an upcoming musician in the country's Edo-Delta region. His big brother, Aigbe, was a legendary Highlife bandleader, but Felix paid his dues playing guitar with Thony Shorby Nwenyi and the Collection of Stars, along with fellow 'star' Mighty Flames bassist, Willy Nfor. Perversely, Girls For Sale was released after Lover Boy, the slick disco album that cemented his place in Nigerian music history. It is a collection of tracks…
You & Me
A bona-fide Nigerian prince and probably the only musician to have ever played with Fela Kuti, Miles Davis and Bob Marley, Eji Oyewole combined African Highlife with western jazz to create a hybrid so that was as smooth as it was funky. His first album, Charity Begins At Home was an angry tirade against corruption in Nigeria. Me & You is his ‘relationship’ album, a brighter and happier set of songs that sees Eji all loved up, presumably with the mysterious ‘Cameleon’ featured on the cover. Eji’s…
Devil Woman
The eastern Nigerian city of Calabar in Cross River State was colloquially known as Canaan City – a place of lush landscapes, alluring women and delicious cooking. When the Biafra War ended it became a land of milk and honey for bands as well, with jumping venues like the Taj Mahal and Luna Nite Club and a label called Clover, set up local entrepreneur Ben Okonkwo, releasing albums by bands like The Doves, The Visitors, Aktion and The Apostles. The youngest band on the Clover roster was Mansion,…
Come Go With Me
With the Super Wings in mutiny and a trail for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It’s a chirpy, calypso-influenced insight into the state of his mind and his first solo album. Recorded at Godiac Studios with the guys from Rock Town Express and a few of the Super Wings, Come Go With Me was the first album recorded on a new Tascam system that Goddy Oku had just bought back from London. The sound …
Free Love
It’s hard to get a handle on Nigerian musicians Nash Dodoo, Charlie Cuul and Jonas Caulley. In 1980 they released an album of face-melting gospel boogie as the BML chapels. And in the same year, calling themselves the Beta Yama Group, they put out Free Love, a belated love letter to San Francisco’s Summer of Love and an album altogether focused on more worldly concerns. Free Love is a small slice of Haight-Ashbury transported to the Polygram Studios in Lagos. ‘Te Revoir’ is Mamas and Papas jammi…
Metalik Funk Band
The Mighty Flames were a crack bunch of Cameroonian musicians, drawn to Nigeria by the heavy funk sounds booming across the border like musical moths. For a short time in the late sentries they ‘owned’ Port Harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. Metalik Funk Band is the band at their most deadly. Willy ‘Pazz’ Nfor is on bass, Nfrackie ‘Jazz’ Song on synth, Didi Lead on lead guitar, Emma ‘Wah Wah’ Baloka on rhythm and Stormy ‘B…