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Often taken as inspiration by the likes of Miles Davis and Gil Evans, Ahmad Jamal is definitely one of the greatest artists in jazz history. Recorded in 1955 and originally released on the short-lived Parrot label, "Chamber Music of the New Jazz" is a stunning example of the creative, elegant, and precious music played by Ahmad Jamal's early trio. The fruit of the magical interplay between Jamal’s sophisticated pianism, Ray Crawford’s highly rhythmic guitar playing, and Israel Cosby’s fine doubl…
Recorded Live in Sweden in September 1961 the Uppsala Concert is an important document from Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson - piano; Kurt Lindgren - bass and Rune Carlsson - drums. Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards suchs as Milt Jackson's "Bags Groove", Monk's "52nd Street Theme", Cole Porter's "What Is This Thi…
"To me, these guys sound as if they have a story to tell and enough confidence to believe that they can tell and retell the old stories in new and exciting ways. Hendriksen and Gisler have formed together on this kind of thing, but if it remains true in jazz that rhythm and the percussionist are at the heart of every new step forward, then Paul Amereller’s role in the trio is crucial. No one will mistake him for anything but a contemporary, but he plays in full knowledge of the history of the mu…
*2024 stock* Official Reissue in collaboration with Impulse Records! Special gate-fold edition. Recorded on January 20, 1963, by an eleven-piece band and released in July of that year by Impulse!, The Black Saint and the Sinner Lady consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Charles Mingus defined the album's orchestral style as "ethnic folk dance music", and it blends jazz and classical, while also integrating elements o…
*2024 stock* "Monk’s Music" is an important album because it is one of the very few testimonies of Thelonious Monk’s band at the time John Coltrane was a regular member. It also showcases a second tenor sax, that of the legendary Coleman Hawkins, who in the 1940s featured Monk as the pianist of his band, and with whom Monk made his first studio recordings.
The album received a five-star rating in Down Beat, with Dom Cerulli stating that, “Throughout, Monk is the dominant force. The music, whethe…
*2024 stock* "Some of Lester Young’s sessions made in the mid-1950s find him in bad shape, due to a combination of personal problems and alcoholism that would prematurely end his life on March 15, 1959 at the age of 49. However, when producer Norman Granz had the brilliant idea of reuniting him with his old musical companions Roy Eldridge, Vic Dickenson, Teddy Wilson, Freddie Green, Gene Ramey and Jo Jones, the result was a highly spirited and happy date that is presented here in its entirety." …
*2024 stock* "Jimmy Guiffre 3 features the first version of Giuffre's 3. With guitarist Jim Hall and either Ralph Pena or Jim Atlas on bass, Giuffre is heard on clarinet, tenor, and baritone. The generally introverted music is wistful, has a fair amount of variety, and is melodic while still sounding advanced. In addition to the nine original songs (including the earliest recording of Giuffre's classic folk song "The Train and the River"). An excellent introduction to Jimmy Giuffre's unique musi…
Following the highly-acclaimed release of Feeling Good and Inner Peace compilations, Wewantsounds is delighted to announce the reissue of two superb classic albums in our new mainstream records original classics series. The releases will be crammed with bonus material. Wewantsounds has gone back to the original negative to reconstruct the original artworks and will add many jaw dropping never-seen photo sessions and CD Bonus material with new liner notes. LPs will be released in glorious gatefol…
Big tip! Leading a dynamic trio with virtuoso bass player Leroy Vinnegar and drummer Donald Bailey, piano player Hampton Hawes released one of his best effort in 1970, focusing on an original blend of post-bop and rare groove. The record opens with a rendition of Bacharach "The Look Of Love" and offers a deep soulful voyage with the 11 minutes title track. Hampton Hawes was one of the finest jazz pianists of the 1950s, a fixture on the Los Angeles scene who brought his own interpretations to the…
The package includes reflections by producer Zev Feldman and acclaimed jazz writer Adam Shatz, as well as the testimonies of the concert’s bassist Reggie Workman, and drummer Andrew Cyrille. The extensive booklet also contains interviews with Jane Bunnett, David Virelles, David Liebman, Vijay Iyer, Evan Parker, and Mal Waldron’s widow, Hiromi Waldron, as well as never-before-seen photos from the actual concert taken by Hugo Peeters.“Lacy and Waldron first shared a stage at the Five Spot in 1958 …
First Complete, Authorized Release of alto sax giant’s 1972 Olympia performance transferred from the original tape reels recorded by the ORTF and housed in the INA (the Institut national de l'audiovisuel). Released by Elemental Music in cooperation with the Cannonball Adderley Estate and INA France. Includes an extensive booklet with rare photos; essays by acclaimed jazz author and historian Bob Blumenthal and producer Zev Feldman, plus testimonies by Tia Fuller, Lou Donaldson & Vincent Herring,…
First complete, authorized release of alto sax giant’s Bordeaux performance transferred from the original tape reels recorded by the ORTF and housed in the INA (the Institut national de l'audiovisuel). Released by Elemental Music in cooperation with the Cannonball Adderley Estate and INA France. Cannonball is featured with a stellar band including his brother Nat Adderley on cornet, pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy. "It’s my hope that this music will live on thr…
A truly sensational find, Atlantis Lullaby presents a never-before-heard performance recorded in Avignon, France. Featuring Yusef Lateef in a quartet set with fellow stars Kenny Barron, Bob Cunningham and Albert “Tootie” Heath. Among the highlights are a fantastic flute/piano duet by Lateef and Barron playing the pianist’s beautiful ballad, “A Flower,” as well as extended readings of the classic, “I’m Getting Sentimental Over You,” Lateef’s “Yusef’s Mood,” and Barron’s “The Untitled.” This proje…
After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’…
Absolute killer session recorded at Vanguard Studios, New York, September 24 and 28 in 1984, with an intense line-up of some of our all-time-fav players of free music, including of tenor-saxophonist Frank Lowe, trumpeter Don Cherry, trombonnist Grachan Moncur III, pianist Geri Allen, bassist Charnette Moffett, and drummer Charles Moffett, ensures that this music is worth going for. Phrasing is super articulated and the whole vibe is just contagious. Outstanding interaction. The tandem communicat…
Frank Lowe was a very dynamic tenor saxophonist who derived inspiration from the initial and subsequent movements of free jazz throughout the 1960s. Lowe is most known for his collaborations with drummer Rashied Ali and a few of the many albums released under his own name. Throughout his career, he has often been overshadowed by the influence of John Coltrane and Albert Ayler. He has left behind an outstanding collection of solo and leader work, including contributions to Don Cherry's Ralativity…
*2024 stock* "This album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style" - Alexander Gelfand
*2024 stock* "Classic jazz in construction and execution. The place to begin appreciating the many and great virtues of one of jazz's finest aggregates" - Douglas Payne
"In terms of seminal Modern Jazz Quartet entries, it is hard to exceed the variety of styles and performances gathered on Django." - Lindsay Planer
*2024 stock* "Someone at the prestigious Verve jazz record company had an idea last summer: to re-release a compilation of recordings by legend jazz pianist Ahmad Jamal’s trio at the clubs of Chicago in 1958, it was a very good idea!
Ahmad’s Blues is a must have for Ahmad Jamal fans and all Jazz fans for that matter. Throughout his long and storied career, Ahmad has demonstrated both technical virtuosity and amazing style and creativity, this early live recording is no exception. With a title tr…
** High Quality reissue. Gatefold Edition ** One of Yusef Lateef’s best albums from one of the finest periods of his esteemed career, the 1964 LP Live at Pep’s showcases the reedman backed by trumpeter Richard Williams, pianist Mike Nock, bassist Ernie Farrow, and drummer James Black. Taped at a live performance at Pep’s Lounge in Philadelphia, Pennsylvania, the album was so successful that a full second LP was culled from the same sets. The program alternates between hard bop originals and cove…