Jazz /
Clark Terry And His Orchestra - Featuring Paul Gonsalves
2024 stock. Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grac…
It's Monk's Time
It’s Monk’s Time is probably the most appropriate title for a Thelonious Monk album. The fact that he was on the cover of Time Magazine in February of that year (1964) shows how important the jazz composer and pianist was. It is also an essential part of his discography with the impressive jazz classic “Stuffy Turkey” and the amazing interpretation of “Nice Work If You Can Get It”, originally composed by George Gershwin. Monk recorded the album together with Butch Warren, Ben Riley, Charlie Rous…
Three For Shepp to Gesprächsfetzen „Revisited“
"Marion Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Archie Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sand…
Four For Trane
** Official reissue by Elemental music in collaboration with Impulse Records! Special Gatefold Edition. ** Recorded for the Impulse label by Archie Shepp in 1965, four of the five tracks on Four for Trane are reworkings of pieces originally recorded in 1959 & 1960 by John Coltrane, and released on his Giant Steps (1960) and Coltrane Plays the Blues (1962) albums. They are rearranged here by Shepp and trombonist Roswell Rudd. The album also features trumpeter Alan Shorter (Wayne Shorter’s brother…
Point Of Departure
Pure Virgin Vinyl, 180 Gram, Audiophile Grade, Limited Edition. Alfred Lion and Max Margulis established the Blue Note label in 1939, with photographer Francis Wolff becoming involved shortly afterwards. The caliber of the musicians that recorded for Blue Note coupled with its stylized cover designs has made it one of the most legendary jazz labels of all time. From the dozens of classic albums produced by the Blue Note label, our collection presents some of the most outstanding titles. They hav…
Ron Jefferson Choir
This self-titled album is a testimony of the short lived-band led by New-York drummer Ron Jefferson during his stay in Paris in the mid-60s. After a first album under his name on Pacific Jazz in 1962, the founding member of The Jazz Modes and the Les McCann trio made the trip overseas.
Here, he made his living by playing with the popular pianists Errol Parker or Hazel Scott but his main drive was this trio that he formed with two other US expats, bassist Roland Haynes (the same musician who rec…
Power To The People
Remastered in 24-bit from the original master tapes. Craft Recordings and Jazz Dispensary are set to issue a wide vinyl release of Joe Henderson’s 1969 classic, Power To The People, for the first time in over 50 years. Blending a socially conscious spirit with hard bop, jazz-funk, and electronic elements, the album finds the saxophonist entering a new creative dimension, as he performs such originals as “Isotope,” “Afro-Centric” and the first recording of his classic “Black Narcissus,” alongside…
Mine
Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. Mind-blowing reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. This is the terrifying debut album from saxophonist Kosuke Mine, with a sense of tension that seems to burst throughout, and is a monumental work that marked the historic beginning of the prestigious three blind mice label
Completely original reproduction specification (reproduced as f…
Misty
Big Tip! Original release completely reproduced as faithfully as possible. Misty is one of the most sought-after titles from the acclaimed Three Blind Mice catalog. Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui …
In Memory Of
Trumpet superstar Chet Baker recorded a session with Archie Shepp in 1988, an unexpected collaboration given their different styles. At the time of the event, Shepp had adopted a more traditional approach, yet still retained an appreciation for the contemporary elements that characterized his earlier creations. Meanwhile, Chet had embraced a more modern style in his music, which differed significantly from Archie's direction, partly due to the physical transformations Baker had experienced. The …
Dream Talk
German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…
Charles Mingus Presents Charles Mingus To Pre Bird „Revisited“
"Heard together, Charles Mingus Presents Charles Mingus and Pre Bird suggest the enormity of
Charles Mingus’ artistic vision. No one album encompasses it in its entirety, and perhaps not even
two or three. However, these recordings, made six months apart in 1960, vividly summarized his
work to date, as he headed towards to jazz’s pantheon." – Bill Shoemaker
Belonging
Tip! "Belonging is a studio album by American jazz pianist Keith Jarrett, recorded over two days in April 1974 and released on ECM later that year—the debut of Jarrett's "European Quartet", featuring saxophonist Jan Garbarek and rhythm section Palle Danielsson and Jon Christensen. Because Jarrett's contract with ABC/Impulse! prevented him from performing with the quartet under his own name, the group became known as the 'Belonging' quartet." - Wikipedia
Karma
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
Live at the Hillcrest Club 1958
This record marks a turning point in jazz history. It may be the earliest recorded example of what Ornette Coleman later called "free jazz," and it represents the first rumblings of the revolutionary movement which eventually shifted jazz thinking away from bebop. This double LP includes the complete show recorded live at The Hillcrest Club of Los Angeles in 1958.
Ballet Etudes
Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism.…
Hip Harp / On A Minor Groove
Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene a…
The Legendary Trio At Birdland 1960 (Revisited)
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Live in Paris – The ORTF Recordings 1966/67 (3LP)
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Sahib Shihab And The Danish Radio Jazz Group
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …