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*2024 repress* "Akira Ifukube's mighty score to the legendary monster movie that started it all, 'Godzilla'! Ifukube's visionary music is super dark reflecting the horror of Ishiro Honda's film. This incredible score music alternates between brass and strings as we witness the death and destruction that comes in Godzilla's wake."
Super tip! 2024 small repress available. It is probable that the first voice in existence was that of a frog," remarks renowned herpetologist Charles M. Bogert in the liner notes for Sounds of North American Frogs. These critters have been singing, croaking, barking, and chirping for millions of years, and Bogert captures 57 species in his 1958 compendium of frog calls. Sounds of North American Frogs has become one of the most coveted Folkways LPs, and we're proud to present a remastered version…
Mexican band leader, pianist, and composer for television and films, Juan García Esquivel (1918-2002) is recognized today as one of the foremost exponents of a sophisticated style of largely instrumental music that combines elements of lounge music and jazz with Latin flavors. Sometimes labeled “The King of Space Age Pop” and “The Busby Berkeley of Cocktail Music”, Esquivel is regarded as a primary figure in the development of the late 1950s-early 1960s quirky instrumental pop that became known …
*2024 stock. Custom CDr* The brainchild of visual artist Jordan Belson and electronics polymath Henry Jacobs, the Vortex Experiments ran from 1957 to 1960, first at San Francisco’s Morrison Planetarium and later at the SF Museum of Art. The very name of these events announced their aim: a swirling totality of sensory experience. Around Belson’s richly-colored visuals – making use of the planetarium’s entire dome and featuring luminous, sharply geometric imagery projected through an array of devi…
After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melodies and captiv…
*2024 stock* "Carol Reed’s classic post-war mystery, The Third Man, hardly lacks for admirers. If in 1949 it was merely a well-received thriller, “a bang-up melodrama” as one New York Times reviewer put it, at some indeterminate moment it became a masterpiece – a cherished grandfather-clock in the Academy attic. In 1999, a BFI poll declared it the No. 1 greatest British film of all time. In 2018, Time Out rightly criticised this list’s lack of diversity and ran its own poll on the subject. They …
Exotica masterpiece finally re-issued ! Which record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac? It's Exotic Dreams, released in 1958 that puts – so tells the cover artwork – "the enticing voice of Ethel Azama" (1934–1984), a Hawaiian Jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, wh…
Japan goes to Africa ! It's more than a bit ironic that Tak Shindo's most "exotic" album, the superb Mganga!, boasts no connection to his own Japanese heritage, instead focusing on the primal rhythms and tribal chants of Africa. Rooted largely in the arranger's experience on the Latin jazz circuit, its Afro-Cuban rhythms, sampled animal sounds, and chants capture an African musical culture based far more in fantasy than reality, much as rival exotica maestros like Martin Denny and Les Baxter con…
The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 5…
Tip! Death Is Not The End present the first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the…
*In process of stocking.* In 1957, Miles Davis is in Paris for an engagement at the ‘Club Saint-Germain’ and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : ‘Ascenseur Pour L’échafaud’. Jean-Paul Rappeneau, a Jazz fan and Louis Malle’s assistant at the time, suggested as…
The so called 'Nightingale Of The Andes', a necessary introduction to the life and music of the one and only Yma Sumac. The Peruvian singer who startled audiences in the United States and Europe with her remarkable voice, beauty, and mysterious "Inca" princess/priestess persona. Literally bridging the gap from folklore to exotica, Yma Sumac was the forerunner of a new philosophy.
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: …
The second volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern:…
*2022 stock* “Digitmovies presents, for the first time on CD, a complete edition of the OST Piero Piccioni (who in the opening credits of the film used the pseudonym Piero Morgan), from the film "Belle, ma povere" (aka "Pretty, but poor"), the official sequel to the huge box office success “Poveri ma belli” in 1956 (music by Giorgio Fabor available on CD Digitmovies DPDM012). "Belle, ma povere" in 1957 was directed by Dino Risi.
For our CD we were able to access the mono master tapes of the reco…
Quartet Records presents a greatly expanded CD of an early Nino Rota/Federico Fellini collaboration.Coming hot off the heels of La Strada, Fellini’s Il Bidone (1955), starring Broderick Crawford, was considerably less of a hit than its predecessor. The film tells the story of a trio of con men who are each faced with the consequences of their unlawful action. After a series of humiliating and humbling encounters, former members of the gang try to change their ways—but not all of them will surviv…
When Harry Belfonte’s Calypso became the first LP to sell over a million copies, it stimulated an unprecedented calypso craze Stateside, with myriad musical and cultural repercussions. Of all the calypso oddities to appear in its wake, Robert Mitchum’s Calypso Is Like So is certainly the most curious, as well as the most enduring. On this debut LP as a singer, actor Mitchum tackles Sparrow’s ‘Jean And Dinah,’ King Radio’s ‘Not Me,’ Wilmouth Houdini’s ‘Cocount Water’ and other Trinidadian anthems…