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The soundtrack to a seldom-seen 1974 art film by Mort Hellig - featuring a total cast of 3, playing "Creation," "Humanity," and "Destruction," respectively - Israeli Composer Aminadav Aloni's peculiar, minimal Electronic Music cues come from a more compositional bent than much of the era's Synthetic dabblings. Over the course of 8 song-length segments of hand-played melodic refrain, a certain mood is established of laissez-faire, devil-may-care-ish-ness that is, frankly, quite welcome - s…
Back again after last week’s mishap (don’t ask) with an absolute corker of a Creel Pone - the setting of a set of poems by Charles Baudelaire to electronic instrumentation & vocal treatments, as realized by Ms. Ruth White in mid-1969. A sampling of any of the included texts should tip you to just how creepy & dark the vibes emanating from within this record are exactly. Ms. White’s possessed monotone-through-echoplex-through-VCLFO’ed-gate throughout is just bone-chilling, her howling synth & noi…
This vinyl release features electronic cues from Quatermass and the Pit, a fascinating insight into the beginnings of electronic music and its development through the horror/sci-fi film genres. The full soundtrack to the film, a tense and atmospheric score for full orchestra, is available on a separate release.Originally a BBC serial, Quatermass and the Pit (released in the United States as Five Million Years To Earth) was made by Hammer Film Productions in 1967 as a sequel to their earlier film…
Originally a BBC serial, Quatermass and the Pit (released in the United States as Five Million Years To Earth) was made by Hammer Film Productions in 1967 as a sequel to their earlier films The Quatermass Experiment and Quatermass 2. The film, hailed as an early classic of the sci-fi genre, begins when excavating workers discover five million year old skeletal remains in the London Underground tunnels, followed by a metallic object they believe to be an unexploded bomb. When rocket scientist…
Looks like this is the last title of the year folks - and what a year it’s been !!! - enjoy the break for the next few weeks, sit back and spend some quality time with the Creel Pones on hand, or go back and check out some of the ones you’ve missed. I’m told that Mr. P.C. C.P. will resume his regular schedule halfway into January 2007 with a pretty ridiculous set of new reproductions. Until then... Here we have a 1971 Vedette library LP by Armando Sciascia recorded at the "3D - Electronic Music …
The Last Wave (also known as Black Rain in the US) was the final chapter in a trilogy of films scripted and directed by the leading auteur of the Australian New Wave, Peter Weir. Beginning in 1974 with the absurdist black comedy-horror The Cars That Ate Paris, and followed a year later by the lush gothic mystery Picnic At Hanging Rock, The Last Wave was a landmark in existential horror. Sitting alongside other Australian eco-terror films (e.g. Long Weekend) the film featured a haunting electroni…
Unusual Russian library LP of electronic interpretations of ‘classical’ pieces by Claude Debussy and Monteverdi among others. Yuri Bogdanov features on every track, on some tracks together with Edward Artemiev, composer for Andrei Tarkovsky and others. Other tracks feature Vladimir Martynov. The record is made on the basis of a kaleidoscope: it interspersed with pieces of various styles, genres and eras. For example, these pieces the authors wanted to show a variety of ways to use a synthesizer,…
Outstanding!! Quite possibly one of the best 'out-there' Italian library LP of that era." Massimo Catalano (who died in 2013) enjoyed a brief stint of fame after joining the cast of Renzo Arbore’s cult tv show "Quelli della notte", but he risked to be remembered only for those little, funny sketches he delivered on camera. Indeed, a few people are aware of Catalano’s great skills as a jazz trumpet player (he also played with Louis Armstrong in his career!), which he first nurtured with a band ca…
An underground classic! Limited edition of 500. The original motion picture soundtrack for John Carpenter's Dark Star (1974), with added bonuses that are sure to satisfy all cult sci-fi soundtrack completists of the galaxy (and beyond). This limited-edition release includes an LP and a 7". The former is a remastered version of the original motion picture soundtrack consisting of incidental music, sound effects, John Carpenter's synth experimentations, dialogue excerpts, and vintage interferences…
One of the rarest Vangelis soundtracks of all surfaces on vinyl for the first time - and it’s an absolute peach. 'Amore' was released in 1973 and was Vangelis' second collaboration with movie director Henry Chapier, after recording a score for the highly obscure film 'Sex Power' a year earlier. While an LP was released for the 'Sex Power' score, in very limited quantities, nothing was released of the music for ‘Amore’, nor was the film viewable until it's eventual release on DVD a few years ba…
Restocked, reduced price. A wonderful blend of organic rhythms and weird electronic sounds from groundbreaking sound library artist Egisto Macchi – served up here on a record that is posibly on of his best. Truly a compelling work, with a range of styles from minimalist soundtrack music, to fairly dramatic grooves with squeaky sounds, plonking string instruments, illustrative percussion, whistling and howling. A walk through the city and it's parks by night with your own breath and footsteps, b…
Originally released in 1955. One of the very earliest and most important examples of electronic tape music to be pressed on vinyl (alongside the Radiodiffusion-Télévision Française musique concrète compilations in France and Jim Fassett's comedic 1953 Strange to Your Ears novelty record), this privately pressed 1955 10" was released on a one-off label owned by businessman Gene Bruck to document a custom-made performance at the Museum of Modern Art in New York in 1952. This facsimile edition of t…
Pioneering electroacoustic and tape music by Henk Badings assisted by Dick Raaijmakers (Kid Baltan) from the Hanover Opera Ballet production of Evolutions choreographed by Yvonne Georgi. Premiering in Hannover in 1958 then in Rome and Vienna in the following year the ballet Evolutions (Evolutionen) by Yvonne Georgi was the second of three groundbreaking collaborations with Henk Badings (bookended by Cain and Able aka Elektronisches Ballet in 1957 and Die Frau Von Andros in 1960) in which electro…
Egisto Macchi (1928-1992) has long existed in the shadow of his friend and famous collaborator Ennio Morricone. Founding member of the astounding ‘Il Gruppo Di Improvvisazione Nuova Consonanza ' Macchi was a busy film (LSD Inferno, Bandidos, The Assassination Of Trotsky) and TV (E.S.P, many commercials with Mario Bava) composer in late 1960s and 1970s Italy and France. Macchi also cut a number of highly desirable library LPs for the Gemelli, Sermi and other Italian labels in the 1970s. ‘I Futuri…