Lotte Lenya Singt Brecht/Weill
*2024 stock* Lotte Lenya (1898-1981) is the outstanding interpreter of Kurt Weill - to whom she was married - and Bertolt Brecht's songs. As an actress at the Berliner Ensemble at the end of the 1920s, she was directly involved in the creation of these works. In 1955, she decided to perform an evening of these songs in Hamburg, which became a legendary, long out-of-print recording. Norman Nitzsche from Berlin's Calyx Studio has remastered the concert and Lotte Lenya, accompanied by Roger Bean an…
Heaven Is Better Than This: A Jamaican Gospel Mixtape
A slightly revised & edited take of Death Is Not The End's Jamaican Gospel special for NTS Radio, originally broadcast for the station back in late 2016. A dusty heap of JA gospel from the 60s and early 70s. Split across two sides - all vinyl and all 45s - played through a touch of delay pedal with crackle aplenty.
If I Had A Pair Of Wings: Jamaican Doo Wop, Vol. 2
Repressed by popular demand! Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
If I Had A Pair Of Wings: Jamaican Doo Wop, Vol. 1
Repressed by popular demand! Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. II
Tip! Shidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song & film in the pre-communism interwar period. Waiting for Your Return brings together a…
Summer 2023 "Shadow Shapes" (Magazine)
The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column …
The Unearthed Puzzle (Magazine)
Two years after the Speaker Crackle In The Garden publication which focused on New Zealand lathe cuts, Discreet Music publishes a new deep dive into fringe culture. The Unearthed Puzzle is written by Martin Nilsson and is chronicling 47 James Ferraro and Spencer Clark artefacts released between 2004 and 2018. A 76-page compendium of Crystal Promenades, Dark Temples and Washed-out Beaches.
A5/half-size. Print run of 300 copies.
Universal Beings (Magazine)
The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pre…
Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. I
Shidaiqu literally means "songs of the era", a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song & film in the pre-communism interwar period.
Waiting for Your Return brings together a wide…
River of Revenge: Brazilian Country Music 1929-1961, Vol. 2
The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 5…
Longing For The Shadow: Ryūkōka Recordings, 1921-1939
*In process of stocking* Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of weste…
River of Revenge: Brazilian Country Music 1929-1961, Vol. 1
Tip! Death Is Not The End present the first volume in a survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the…
Revelation
The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Se…
The Paths of Pain: The Caife Label, Quito, 1960-68
A dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.
Une histoire d'Etron Fou Leloublan (Book)
*bilingual French/English* The crazy story of the mythical avant-garde rock band Etron Fou Leloublan (1976-1985), pioneers of the European Rock in Opposition movement. "My whole life has been built on a childish lie. It's strange for me to think back on it now, looking at it from this angle, more than 50 years later. I'm 12 years old... I fall in love with a girl in my class, whose name I will not mention. And to shine in her eyes, I invented a story and told her that I was a drummer in a rock b…
Sputtering And Distorted - A Reluctant History Of The Butte County Free Music Society (Book)
Hidden but not forgotten, hinted at through piecemeal reference after the fact, the creative efforts of the members of this West-Coast-centric cadre of art mutants first took shape in the early 1980s in Chico, California, home to a state university infamous for its alcohol-embracing student body. Twenty-five years later, in 2009 to be exact, Induced Music Spasticity, the 4xLP boxest of unheard home-made four-track recordings of tape experiments, electronic improv, spoken word, live recordings, p…