Noise /
In Hoc Urbia Miazi
After more than 28 years the seminal contamination by Maurizio Bianchi / MB called "Sacher-Pelz" is finally back with dyslexic hollows in the hypertoxic forewarning of scrupulous connoisseurs: "In Hoc Urbia Miazi" is its irrational title, and you should take note of this for your survival ! Uncompromising & best quality old-school industrial-noise like in the very early "Come Organisation" times by this Italian Cult project! Scotomatous production subdivided in seven concrete evidences, realized…
Coyote's call
Way-above-average improv from Japan. Electric strings (guitars?), saxophones, electronics, and samples move with unexpected ease frommeditative passages to intense blow-outs to free scatter. Sax player Yoshinori Yanagawa plays with the same sort of depth and passion as Albert Ayler-no fakin, no academic rendering. But hes only part of a much larger whole. The wash of precision rumble and sound-tweaking that surrounds everything creates chaos from an intensely ordered technology. Strange (not wei…
Searching & moving
33rpm, marbled off-white vinyl, in PVC wallet with insert. Hand-numbered limited edition of 100. Recorded at Studio Styrka, Johannishus 1989-1991. This is a release of analog sound experiments from old Sweden circa from electronic drone/noise masters Joachim Nordwall and Jan Svensson. Alvars Orkester was formed in 1987 in Johannishus, a small village in the southeast of Sweden by a group of young boys interested in the mysteries of psychic sickness, mental institutions, the industrial music cult…