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There are some jazz musicians long known by cognoscenti for a mere handful of recordings: Dupree Bolton, Earl Anderza, Hasaan Ibn-Ali, Alan Shorter, Dewey Johnson. Add saxophonist Mark Reboul to that list. Before the release of this album, his discography consisted of four tracks on three albums on which he was a sideman. On Higher Primates’ Environmental Impressions (GM, 1987), he plays sax on two of the percussion-heavy album’s five tracks: a fragmentary track, and a sixteen-and-a-half-minute …
"If music really is a form of rapid transportation, then I have found my mode of transport. Suspense brings apprehension before something happens. It’s a fact. The next time you’re in a snappy nightclub, tap your foot to the memories of your day fading out under the blue lights. The fiercest way to walk anywhere is on your toes. “Here I am,” you blurt out, but everyone already knows you, because a bass is a foghorn that guides us out of exhaustion. The days are doing a little number on us all of…
NoBusiness presents a new set of recordings by the Adam Caine Quartet recorded April 29, 2018 by Tom Tedesco at Tedesco Studio, mixed by Nolan Thies at the Bunker Studio and mastered by Kevin Blackler.
Adam Caine - electric guitar, synthesizer, electric bass, percussionBob Lanzetti - electric guitarAdam Lane - acoustic bassBilly Mintz - drums+ special guest Nick Lyons - alto saxophone (on Secular Expectorate)
William Hooker is an artistic whole, a vast circle of vision and execution. A body of uninterrupted work beginning in the mid-seventies defines him as one of the most important composers and players in jazz. As bandleader, Hooker has fielded ensembles in an incredibly diverse array of configurations. Each collaboration has brought a serious investigation of his compositional agenda and the science of the modern drum kit.
In this limited edition double vinyl he is joined by two groups of great co…