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Fela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrast…
"The Nigerian establishment labelled Kalakuta Republic inhabitants as — ‘hooligans’, ‘hemp smokers’, etc. Noise For Vendor Mouth is Fela’s indifference to that name calling because, for him, people in Kalakuta are really a bunch of hard working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups in order to resolve constitutional issues. He cons…
The deepest song here is the second track, ""Mr Grammarticalogylisationalism Is The Boss,” which ridicules the notion that speaking ""proper"" English demonstrates superior intelligence, and bemoans the fact that doing so is, unfortunately, a requirement for upward mobility. As the chorus repeats the line “Him talk oyinbo pass English man” (“He talks English better than an Englishman”), Fela lays it down: “The better oyinbo you talk, the more bread you get, school start na grade four bread, B.A.…
"The Kalakuta Show album release was Fela’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, Kalakuta Show was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for: ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily ex…
Also featuring Ginger Baker, the title track is among Fela’s first overtly political lyrics. His political perspective had evolved during the 1969 / 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the pow…
*50th Anniversary reissue* These percolating, horn-heavy grooves simmer while Fela Kuti lays down his trademark rants, often in deliberately skewered pidgin English....totally unstoppable in its mix of music and message. His voice, interlocking guitars and percussionist Tony Allen turn grooves that often have 1 or 2 chords into complex statements - minimalism made for dancers.
* 50th anniversary edition of 1971's London Scene, pressed on limited edition white, red, blue splatter vinyl. Complete with a collector's gold OBI strip *Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical and outlaw, and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond. After graduating from Trinity College of Music (now Trinity Laban Conservatoi…
* 2021 Repress * Knitting Factory Records reissue Fela Kuti’s ‘Army Arrangement’ on vinyl, previously only available as part of the Box Set series. ‘Army Arrangement’ is about Nigeria’s attempt at ‘democracy’ in 1979 after more than a decade of military rule.Bill Laswell’s mix of Army Arrangement for the Celluloid label was an act of gross cultural-arrogance. With Fela in jail on trumped up currency-smuggling charges when the time came to make the final mix, the label approached Dennis Bovell. B…