Alberto Savinio
Italian polymath Alberto Savinio (1891-1952) left a large body of work in painting, music and literature which is highly regarded at home but little known in the English-speaking world, in spite of a few translations and exhibitions. After studying piano in Athens and composition with Max Reger in Berlin, Savinio seemed destined to a career in music. His early compositions seem to have made quite the impression in Paris avantgarde circles. Definitely one of the best exemple in futurism/early avantgarde music
I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a true liberation.
(Guillaume Apollinaire in Mercure de France, June 1, 1914)
I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a true liberation.
(Guillaume Apollinaire in Mercure de France, June 1, 1914)
Italian polymath Alberto Savinio (1891-1952) left a large body of work in painting, music and literature which is highly regarded at home but little known in the English-speaking world, in spite of a few translations and exhibitions. After studying piano in Athens and composition with Max Reger in Berlin, Savinio seemed destined to a career in music. His early compositions seem to have made quite the impression in Paris avantgarde circles. Definitely one of the best exemple in futurism/early avantgarde music
I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a true liberation.
(Guillaume Apollinaire in Mercure de France, June 1, 1914)
I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a true liberation.
(Guillaume Apollinaire in Mercure de France, June 1, 1914)
The Island Man
Alberto Savinio - The Island Man presents the proceedings of the homage organized by NoMus at Milan’s Museo del Novecento from January 17 to May 15, 2017. The event (consisting of an exhibition, seminars, concerts, listening and film sessions) was de…
Chants de la Mi-mort
Alberto Savinio was a very particular figure of poet, writer, musician, painter of primarily surreal subjects. His dramatic poem, "Les Chants de la Mi-Mort", played in Paris in 1914, seems to prefigure the mannequins that appear in so many of De Chir…
Savinio, Musicien 1914 - Récital Mi-scénique Par Luigi Rognoni
Original copy of this awesome double album by visionary futurist composer Alberto Savinio, issued in 1978 by Multhipla label. A very rare item, original and in new codition, for those into avant garde artists editions, fluxus related, broken music ec…