AMM
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
AMM music is supposed to admit all sounds but the members of AMM have marked preferences. An open-ness to the totality of sounds implies a tendency away from traditional musical structures towards informality. Governing this tendency -reining it in- are various thoroughly traditional musical structures such as saxophone, piano, violin, guitar, etc., in each of which reposes a portion of the history of music. Further echoes of the history of music enter through the medium of the transistor radio (the use of which as a musical instrument was pioneered by John Cage)” Cornelius Cardew, Towards an Ethics of Improvisation
Member of: Eddie Prévost
Live At I-And-E Festival
Long anticipated vinyl re-issue of a concert that took place at the I-and-E Festival at Trinity College, Dublin in 2006 by Keith Rowe (legendary AMM guitarist and one of the founding fathers of European improvised music) and Mark Wastell (pivotal London based experimentalist). The duo had formed the previous year for a show at ErstQuake Festival in New York and this was to be their second, and only, other performance together. "Keith Rowe and Mark Wastell - This last performance balanced the eve…
Alpha Lemur Echo
Mycophile Records presents a live concert by Jim O'Rourke - Guitar, Electronics, Michael Prime - Electronics and Eddie Prévost - Percussion. Track 1 was recorded live at Jackman's Lane Centre, London 1994 and Track 2 was recorded 27/8/90 in Catford.
Tacet #04: The Sounds of Utopia
**2020 stock. 560 pages!** The sound arts and experimental music annual review's 4th issue, on the theme of utopias. Utopia belongs to those concepts that haunt both the history of ideas and the history of artistic practice. In this fourth issue,Tacetsets off to listen to the sounds of utopia emerging from sound art and experimental music, but also from sound design and our everyday use of sound technology. Mixing science-fiction short stories, theoretical analysis and artists' writings, this i…
Nessuno
“In 2011 Pauline Oliveros, Roscoe Mitchell, John Tilbury and Wadada Leo Smith opened the AngelicA Festival with 3 days of concerts… they performed solos and duets (Pauline and Roscoe; John and Wadada), and finally, for the first time ever, these 4 distinct musical voices performed together, as a quartet…Over time AngelicA (which is 26 years old) has always tried to bring together different worlds, even ones that were very far apart from each other (although distance is nothing but an illusion if…
Stockhausen Serves Imperialism
A notorious, influential and radical critique of the avant-garde music of Stockhausen and Cage, by maverick composer Cornelius Cardew
20 Years Of Experimental Music
**Edition of 300 copies** Nantes trio Formanex celebrates 20 years of activism in experimental music with a 10 CD edition full of amazing collaborations with ONsemble (contemporary music group from Nantes and Saint-Nazaire) and composers they have worked with. The box set includes early works by Formanex’s own Julien Ottavi, unique compositions created by Keith Rowe, pieces by Kasper T. Toeplitz, Ralf Wehowsky, Seth Cluett, Michael Pisaro, Radu Malfatti, as well as other giants of contemporary m…
1977 Live Vols 1 & 2
"Aside from working with the influential avant-garde ensemble AMM, percussionist Eddie Prévost led some highly challenging British free jazz groups in the '70s. These sessions from 1977 showcase a project featuring Geoff Hawkins on saxophone, Gerry Gold on trumpet, and the phenomenal talents of Marcio Mattos on bass.With Prevost's always inventive and high-energy drumming holding it all together, the quartet explores the tradition of free jazz with the astute wit of classical musicians. The exce…
Uncovered Correspondence - A Postcard from Jaslo
Recorded at the concert hall of the Jasielski Dom Kultury (Jaslo Cultural Centre) in southern Poland on the 15th of May 2010."It is given to very few artists to have created a language entirely their own, but that is what AMM has done over the years, in various line-ups and configurations, with Eddie Prévost on drums as the only unifying element since 1965, and with John Tilbury on piano for the last two decades, here with just the two of them. You may like them or not, but they have made histor…
Circle Line
A very peculiar journey... Circle Line initially started life as a graphic score created by Phil Mouldycliff as a piece to be played by Keith Rowe in 1989. Over a period of twelve years this open form composition developed to the point where by 2002 an opportunity arose to make a recording of the work at IC Studio in Preston, using ambient recordings taken from Circle Line Tube stations made specifically for the project by Phil and Colin Potter. Keith effectively solos over the assemble tape col…
Matching Mix
In October 2018 we took several recordings in and around Eddie Prévost’s home village of Matching Tye in Essex, where he has been living for the past fifty years. The majority of the pieces that made it to this LP took place in All Saints Church, High Laver, the burial site of John Locke. This fact was notable in the choice of title for this set of recordings, and it seemed necessary to put forward Eddie’s own take on Locke that he offered in our correspondences: “Scholars of Locke’s philosophy…
Aamm
Back in August of 2015, the legendary London Grand Seigneurs of improve pioneers, AMM (John Tilbury and Eddie Prévost) joined forces with Lebanese electro-acoustic-free-jazz outfit "A" Trio (Mazen Kerbaj, Sharif Sehnaoui & Raed Yassin). Two generations of improvisers with a very differing approach to work, captured dancing slowly along a very thin line of fine tuned, both, clear and crackling improvised sounds. Harsh at times with magic mellow moments of intense, fragile, broken noises. No overd…
Limitless Listening
Keith Rowe explores the nagging questions that the field of visual arts began to interrogate in the 20th century, bringing them to the musical universe under the counter. These inquiries are about the ways we experience modifications to the notion of space in music, the preponderance of the role of listening in the resignification of sonic events, and the timbric exploration translated to the whole world, beginning with everyday life. (...) Keith ignores the disciplinary boundaries that separate…
Keith Rowe: The Room Extended
In London, in the fall of 1965, a group of four musicians dissatisfied with the constrictions they had encountered in the British jazz scene, came together with a highly thought-out agenda to revolutionize the way music was created, rejecting rules firmly in place then (and still today) among even the most forward-looking of musicians: no repertoire, no solos, no regular rhythms, no melodies, no fear of silence, 100% improvised. Keith Rowe was one of the founding members. They called themselves …
Visionary Fantasies
The 100th record released by Matchless! A series of inspired solo and duo performances from AMM founder, percussionist Eddie Prevost and free improvising saxophonist John Butcher, captured live at London's Iklectik in 2018, splitting the album between solo and duo work as the two morph their instruments into incredible sonic devices, with intense concentration and dialog nothing short of fantastic."Although Eddie Prévost and John Butcher shared the stage at Derek Bailey's 1990 London Company Wee…
Tools Of Imagination
"Tools Of Imagination is one of the newest albums, recently released by Fundacja Sluchaj. The music was recorded by great duo – Evan Parker (tenor saxophone) and Eddie Prevost (drums, percussion). Both musicians are great famous jazz masters. Their improvisations always are played with passion and have expressive, live and bright musical language. The music is based on avant-garde jazz and free improvisations. Musicians like to improvise spontaneously – they are the masters of creative, colorful…
An Unintended Legacy
A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, an essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Lou Gare.
L'Or
Keith Rowe is mainly known as the pivotal and crucial musician standing in the forefront of the first wave of the European free improvisation, co-founder of AMM in 1965 and inventor of tabletop guitar playing techniques which remained his central sound tool until now and which he extended with a lot of electronic and other gadgets and devices. It’s his fifth release on our label following “Shifting Currents” with Bill Thompson and Rick Reed, his composition “A Quartet For Guitars” performed n 20…
Sissel
John Tilbury and Keith Rowe have performed together within the legendary improvising ensemble AMM, as well as in numerous other contexts over the years. Duos for Doris (2003) was their first meeting as a duo, E.E. Tension and Circumstance (2010) was the second before the 4CD box on SOFA, enough still not to know, was released in 2015. enough still not to know also introduces the norwegian video artist Kjell Bjørgeengen as a collaborator, in this case as the producer of the album. Bjørgee…
Winter Music (1957)
John Cage’s 1957 composition in a visceral realisation for four pianos, played by John Tilbury, Philip Thomas, Mark Knoop and Catherine Laws.
“Chance procedures were used to assign each of the pianists five of the twenty pages of the score. The pianists agreed an overall duration of 40 minutes and prepared their parts independently. At the recording there was no rehearsal and the piece was played once only.” Winter Music was written in 1957 at a time when Cage was exploring different ways …
Uncertain Outcomes
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.