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*2023 stock* This is my debut album. I had just 'discovered' my singing voice. The songs are recorded in a straightforward fashion.
1, 3, 4, 5 and 12 were recorded in Ingelmunster, Belgium, during the summer of 2002. The rest was recorded in Hilversum, The Netherlands, spring 2003- spring 2004.
Michael Anderson of BlueSanct wrote: "Annelies's music is singular. It is genrally one isntrument; piano, cello, guitar, or melodica. Sometimes there is only voice. [...] Like the other artists on Buesanc…
As a member of Ghent’s experimental music scene, over the past two decades Annelies Monseré has slowly refined a singular approach to musicality, moving from the sparse, instrumental piano works from that defined her early career, toward increasingly complex arrangements of instrumentation that offer a central place to her own voice, issued by noteworthy imprints such as Morc Tapes, Stroom, and three:four. Like her work within the widely celebrated ensemble, Luster, as well as Distels, her duo w…
**Art Vinyl edition limited to 250 copies** Appearing prominently on many of Drekka's releases, including both recent Drekka Lps for Dais Records, Belgian singer, Annelies Monseré has long been a collaborator, muse, and source material for Drekka’s sonic explorations and dream-cinema soundscapes. Primarily the work of Mkl Anderson, Drekka's sound owes debts to the poetic soundscapes of Cindytalk or Coil, to the Artemiev soundtracks for the films of Tarkovsky, and to the gravity of early industri…
A spellbinding ode to love lost, and possibly to be gained, from Belgium’s Annelies Monseré, one of the few contemporary artists to release new recordings amid Stroom’s classic reissue schedule - although you’d hardly tell from the timeless, ghostly quality of her signing and gothic backdrops. Described by Ziggy Devriendt’s (a.k.a. DJ Nosedrip) label as “…a record about a parting of ways. It is dedicated to the one who has been left behind and the one who left” the latest LP from Annelies is unm…