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Archie Shepp

Archie Shepp, byname of Archie Vernon Shepp, is an American tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colourful sound but also for his Afrocentric approach to music.

Archie Shepp, byname of Archie Vernon Shepp, is an American tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement, known not only for his creative improvisation and colourful sound but also for his Afrocentric approach to music.

Hyperituals Vol. 2 - Black Saint
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
Blasé
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
Yasmina, A Black Woman
Iconic musician and political activist makes a typically thought-provoking statement on historic 1969 recording.
I Know About The Life
*Great spiritual jazz album. Blue Vinyl* Much-needed reissue on vinyl for this classic Jazz album originally recorded in September 1975 at A & R Recording Studios in New York and released in 1977 on Baystate Japan. Charles Greenlee worked extensively throughout his career with Archie Shepp who also participated in the sessions for John Coltrane's A Love Supreme in late 1964. Late in the 1940s he converted to Islam, changing his name to Harneefan Majeed; he continued to use Charles Greenlee for p…
The Way Ahead - Kwanza - The Magic of Ju-Ju, revisited
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or the Apostle Peter whom Jesus called the rock upon which he built his church. Christened by his tenure in the early 1960s with Cecil Taylor, Shepp was baptized into what we now call a modernist approach. In meeting Coltrane, a man always searching for a…
Fire Music To Mama Too Tight, Revisited
Temporary Super Offer! 'Jost may have had Fire Music and Mama Too Tight in mind when he suggested that by 1965 Archie Shepp spoke “basically two musical languages whose grammar and syntax had hardly anything in common.” This reflected the commentaries’s insistence that a chasm existed between free jazz and mainstream jazz practices, and, implicitly, between the New Wave in Jazz and the New Breed led by James Brown. What was revolutionary about Shepp’s music is that it rejected the underlying bin…
Rufus
A memorable session in August 1963 when in the hot New York, John Tchicai - alto sax, Archie Shepp - tenor sax, Don Moore - double bass and J.C. Moses - drums, met each other. Four young lions of the New Thing struggling with scratchy themes and a lot of highly contagious rhythms.
Live in Paris (1974) Lost ORTF Recordings - LP
Another absolutely mind-blowing gem from Transversales Disques, Archie Shepp's "Live in Paris (1974) Lost ORTF Recordings" is some of the best jazz of the era that almost no one ever heard. Fully mastered from the original tapes and capturing one of the great giants of free jazz in a crucial moment of change - tracing toward funkier, fusion tinged compositions, and more straight ahead bop at the boundaries of spiritual jazz - the historical importance and raw beauty of these never before release…
Blase and Yasmina Revisited
The sessions Archie Shepp led for BYG over five days in August 1969 is a body of work that merits revisiting outside the context of the entire Actuel series and the well-trodden trope of the African American avant-garde in radical Paris. The resulting albums were not ad hoc firestorms: rather, they were considered statements mirroring the pan-stylistic of his Impulse! albums. Shepp's BYG are occasionally framed as somewhat anomalous items on his discography, but their subject is the same as that…
The Tradition
"Alternative Fox present a reissue of Archie Shepp's The Tradition, originally released in 1978. Avant-garde giant Archie Shepp made an indelible contribution to experimental jazz. Double-LP The Tradition was recorded in Rome in 1977 for Horo Records with drummer Clifford Jarvis and bassist Cameron Brown; the raucous Hooray For Mal has shades of be-bop, while Duke Ellington's Sophisticated Lady is largely tackled by Shepp on upright piano (with gorgeous soloing by Brown); Things Have Got To Chan…
A Sea of Faces
Recorded in Milan (Italy) and originally released in 1975, Sea of Faces stands as one of Archie Shepp's strongest recordings of the Seventies. A highly varied program, covering Shepp's entire spectrum and performed by an all-star line-up featuring Archie Shepp - tenor & soprano sax, piano, vocals, Charles Greenlee - trombone, tambourine, vocals, Dave Burrell - piano, Cameron Brown - bass, Beaver Harris - drums, tambourine, vocals, Rafi Taha - vocals, Bunny Foy - vocals, maracas, percussion. The …
Attica Blues / Quiet Dawn
Previously Japan-only 7” featuring two tracks originally released on Archie Shepp's 1972 classic soul-jazz LP, Attica Blues. A powerful mix of psychedelic soul and jazz that retains Shepp’s political sentiment of his earlier works. Attica Blues is a huge funk-soul composition, referring to a mass shooting of inmates at Attica Prison. Henry Hull's vocal sits on top of bass, layered percussion, wah-wah guitars, plus large horn and string sections to create a massive sound. The big band, almost sou…
Live In San Francisco
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – and the group's a well-honed ensemble who really understand each others motivations and inspirations – Roswell Rudd on trombone, Donald Garrett and Lewis Worrell on bass, and Beaver Harris on drums – all almost worki…
Live At The Donaueschingen Music Festival
2015 restock / Recorded live at the "Donaueschingen Musiktage 1967", October 21st, 1967. "This is an exciting album. The important tenor Archie Shepp and his 1967 group -- with both Roswell Rudd and Grachan Moncur on trombones, bassist Jimmy Garrison, and drummer Beaver Harris -- romp through the continuous 43-and-a-half-minute "One for the Trane" before an enthusiastic audience at a German music festival. Although he improvises very freely and with great intensity, Shepp surprised the crowd by …
The Magic Of Ju-Ju
Gatefold 180 gram reissue of tenor saxophonist Archie Shepp's 1967 "tour de force." "...combining free jazz tenor with steady frenetic African drumming. Shepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists -- Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles, and Dennis Charles -- who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the dr…
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