Asmus Tietchens
Asmus Tietchens (born 1947, Hamburg), who also records under the monikers Hematic Sunsets and Club of Rome, is a German composer of avant-garde music. Tietchens became interested in experimental music and musique concrete as a child, and began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. His early recordings feature more accessible synthesized music, but beginning with Formen Letzer Hausmusik, his 1984 release for Nurse With Wound's label United Dairies, he began moving toward more abstract sound collages. He has taught acoustics in Hamburg since 1990.
Asmus Tietchens (born 1947, Hamburg), who also records under the monikers Hematic Sunsets and Club of Rome, is a German composer of avant-garde music. Tietchens became interested in experimental music and musique concrete as a child, and began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. His early recordings feature more accessible synthesized music, but beginning with Formen Letzer Hausmusik, his 1984 release for Nurse With Wound's label United Dairies, he began moving toward more abstract sound collages. He has taught acoustics in Hamburg since 1990.
Leuchtidioten
This new release features two 'rhythmic' tracks that were recorded during the 'Teilmengen' sessions (which appeared on CD as 'a-Menge' and 'b-Menge' on Ritornell) but were not used for these albums as Asmus Tietchens regarded them as too different to the other pieces and therefore decided to have them released on their own. Limited edition of 500 copies.
Monoposto
"17th and final part in the re-release series of all early Tietchens albums between 1980—1991. Originally released on Dom Elchklang in 1991. This new version incl. 3 Bonus tracks and is another joint release by German labels Die Stadt and aufabwegen. Jewel case with full color artwork and poster booklet also feat. the original front and back cover. First edition of 600 copies. “It was just before the end of the heroic times when CV Liquidsky and I decided to record a studio album together. Almos…
Air
**300 copies**In just a couple years Dirk Serries' A New Wave Of Jazz imprint has amassed quite a collection of diverse works that may impart some new variant of jazz and electronic music. Here alongside the venerable experimental electronic composer Asmus Tietchens, who Serries has collaborated with before (under the Vidna Obmana moniker) they are fit, dynamic, and deliver something quite different from anything they’ve released prior. Over six tracks that run about forty-seven minutes the two …
Neu Konservatiw
**100 copies 2018 repress** Originally released to celebrate the 33rd anniversary of Walter Ulbricht Schallfolien back in 2015, Neu Konservatiw comes in a beautifully designed slevve with insert and postcards. The album features two unreleased Asmus Tietchens tracks plus other exclusive contributions by Werkbund, Column One, Evapori, Hyph, Pierce Warnecke, Ditterich von Euler-Donnersperg and Margitt Holzt.
Linea +
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He
got interested in musique concrete by listening to a German radio
programme when he was 10 years old. In 1965, at the age of 18, Asmus
started experimenting with tape loops and turned them into musical
collages. Soon, the use of synthesizers was added. In 1980 his debut
album Nachtstücke was released, produced by Peter Baumann of
Tangerine Dream. This was soon followed by a series of albums of
electronic pop music fo…
Stenogramme, zweite Folge
28 ideas in 28 tracks. Pure electronic music. Limited edition of 150 copies.
Fahl
2014 release, edition of 300. “The three pieces of ‘Fahl’ are the results of a never ending recycling
(not remixing!) of one and the same structure recorded deep in the past.
That means recycling of recyclings of recyclings… With ‘Fahl’ the
series comes to a temporary end to be continued sometime. The idea
behind this esthetic strategy is the question: why further on creating
genuine music? Our recent digital and analog tools enable us to derive
nearly every sonic event from nearly every o…
Eisgang
Eisgang was originally released on Dutch Korm Plastics label in 1995 as a limited edition vinyl LP only. It was later reissued as a double CD with Dämmerattacke. For this latest edition, we have added another bonus track making the CD 20 minutes longer than the LP. Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimentin…
Dammerattacke
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music fo…
Watching The Burning Bride
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
Eine Menge Papier
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…
Deflections
Fabio Perletta and Asmus Tietchens’ hermetic micro-cosmos of Deflections unfolds by exploring instability and physical decay of sound. Built upon liminal forms and atonal passages, the six near-silent pieces of the work traverse empty space by means of elementary sonic emissions and drifting nano-structures. Among sound collisions and evanescent masses, the almost immaterial yet corporeal nature of Deflections, embodies sound in its most subliminal and contradictory form.
Fabio Perletta cr…
Soirée Fantastique
5” CD in full colour digipak carton sleeve and printed inner sleeve. CD is off-set printed in half-metallized format, all designed by Asmus Tietchens. Production: Okko Bekker. On “Soirée fantastique”, two pieces – unfocussed in every aspect – featuring blurring conmtours, spooled out harmonies and barely recognizable melodies frame an extreme minimal, almost static piece in the centre. A piece of harsh, sharp-edges transparency. If this were not the music of a phantastic nightlyx gathering…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Ornamente (Zwischen Null und Eins)
"The latest release from Asmus Tietchens continues the ambiguity that has been prevalent through his recent works. Far from the early experiments with sampling and erratic, mechanical rhythms that characterized much of his early work; Ornamente (zwischen Null und Eins) is an opaque disc of hushed electronics and tiny bits of glistening noise. Moments of near silence are followed by digital glitches and massive, intense vibrations to result in another piece of conceptually challenging, y…
Harvestehude
After more than 10 years of enthusiastic experiences and encounters with so-called „Difficult Music“ throughout the 1980ies Martin Peinemann and Asmus Tietchens deemed their somewhat differing approaches to making music compatible and agreed upon a loose collaboration in the year 1992. For various reasons (organizational and others) the work was not to take place at Audiplex studios but at Peinemann’s home studio. This modest lab featured all the necessary technical equipment needed to realize n…
4K7+
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…
Humoresken und Vektoren
Humoresken und Vekotren takes up a work that was started upon the invitation of Francisco Lopez for the spanish Störung label. The task was to deliver thirteen 2-minute original compositions for a compilation release. "Humoresken und Vektoren" recycles these miniatures from 2010 and undfolds it into eight new works having no resemblance with the original sourcings whatsoever. These eight tracks are bound together by eight short pieces entitled "Tristia" that function as bridges between the longe…
Biotop
LP version. Comes on 180 gram vinyl. In retrospect, we might suspect that Asmus Tietchens was deliberately leading us up the garden path with the discordant pseudo-pop of his early musical productions. Four albums between 1981-1983 and a handful of individual pieces comprise the \"Zeitzeichen\" (time signal) phase which, in the words of their creator, was characterized by the implementation of \"rhythmic-harmonic set pieces and gaudy record sleeves.\" These albums do indeed feature elements…