Asmus Tietchens
Asmus Tietchens (born 1947, Hamburg), who also records under the monikers Hematic Sunsets and Club of Rome, is a German composer of avant-garde music. Tietchens became interested in experimental music and musique concrete as a child, and began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. His early recordings feature more accessible synthesized music, but beginning with Formen Letzer Hausmusik, his 1984 release for Nurse With Wound's label United Dairies, he began moving toward more abstract sound collages. He has taught acoustics in Hamburg since 1990.
Asmus Tietchens (born 1947, Hamburg), who also records under the monikers Hematic Sunsets and Club of Rome, is a German composer of avant-garde music. Tietchens became interested in experimental music and musique concrete as a child, and began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. His early recordings feature more accessible synthesized music, but beginning with Formen Letzer Hausmusik, his 1984 release for Nurse With Wound's label United Dairies, he began moving toward more abstract sound collages. He has taught acoustics in Hamburg since 1990.
Eisgang
Eisgang was originally released on Dutch Korm Plastics label in 1995 as a limited edition vinyl LP only. It was later reissued as a double CD with Dämmerattacke. For this latest edition, we have added another bonus track making the CD 20 minutes longer than the LP. Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimentin…
Dammerattacke
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music fo…
Watching The Burning Bride
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
Eine Menge Papier
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other two tracks were planned for a follow up 7” on the same label that never materialized. The fifth track is a study of sonic material in the same series. There are two further tracks from the P.I.G. series that are considered by the artists as failed att…
Deflections
Fabio Perletta and Asmus Tietchens’ hermetic micro-cosmos of Deflections unfolds by exploring instability and physical decay of sound. Built upon liminal forms and atonal passages, the six near-silent pieces of the work traverse empty space by means of elementary sonic emissions and drifting nano-structures. Among sound collisions and evanescent masses, the almost immaterial yet corporeal nature of Deflections, embodies sound in its most subliminal and contradictory form.
Fabio Perletta cr…
Soirée Fantastique
5” CD in full colour digipak carton sleeve and printed inner sleeve. CD is off-set printed in half-metallized format, all designed by Asmus Tietchens. Production: Okko Bekker. On “Soirée fantastique”, two pieces – unfocussed in every aspect – featuring blurring conmtours, spooled out harmonies and barely recognizable melodies frame an extreme minimal, almost static piece in the centre. A piece of harsh, sharp-edges transparency. If this were not the music of a phantastic nightlyx gathering…
Spat-Europa
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
E
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
Ornamente (Zwischen Null und Eins)
"The latest release from Asmus Tietchens continues the ambiguity that has been prevalent through his recent works. Far from the early experiments with sampling and erratic, mechanical rhythms that characterized much of his early work; Ornamente (zwischen Null und Eins) is an opaque disc of hushed electronics and tiny bits of glistening noise. Moments of near silence are followed by digital glitches and massive, intense vibrations to result in another piece of conceptually challenging, y…
Harvestehude
After more than 10 years of enthusiastic experiences and encounters with so-called „Difficult Music“ throughout the 1980ies Martin Peinemann and Asmus Tietchens deemed their somewhat differing approaches to making music compatible and agreed upon a loose collaboration in the year 1992. For various reasons (organizational and others) the work was not to take place at Audiplex studios but at Peinemann’s home studio. This modest lab featured all the necessary technical equipment needed to realize n…
4K7+
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…
Humoresken und Vektoren
Humoresken und Vekotren takes up a work that was started upon the invitation of Francisco Lopez for the spanish Störung label. The task was to deliver thirteen 2-minute original compositions for a compilation release. "Humoresken und Vektoren" recycles these miniatures from 2010 and undfolds it into eight new works having no resemblance with the original sourcings whatsoever. These eight tracks are bound together by eight short pieces entitled "Tristia" that function as bridges between the longe…
Biotop
Originally released in 1981 on Günter Körber’s Sky Records, Biotop marked a radical and irreverent turn in the early discography of Asmus Tietchens, offering a body of work that neither conformed to the pop idioms it mimicked nor fully abandoned the experimental rigor of the German electronic underground. Now rightly recognized as one of the most bizarre and subversive releases of the Neue Deutsche Welle era, Biotop channels ironic play, dissonant structures, and noisy artifice into a sonic worl…
Nachtstucke
LP version. Pressed on 180 gram vinyl. Nachtstücke owed its publication to former Tangerine Dream member Peter Baumann, who was asked by the French label Barclay/EGG to produce three albums focusing specifically on German electronic music. He was working with Hans-Joachim Roedelius at the time, who had been given a few Tietchens tracks on cassette. When Baumann heard Roedelius play them in the studio during a break in proceedings, they sparked his interest and he met up with Tietchens some time …
Der Funfte Himmel
LP version. Pressed on 180 gram vinyl. Between 1981 and 1983 Asmus Tietchens released four albums on the Sky Records label, fusing rhythmic set pieces and off-kilter sounds into gaudy escapades of saccharine artificiality. The "pseudo-pop" epithet reflected their frequently ironic air. All four records have been reissued by Bureau B in their original form. What remained may be found on this collection. Der fünfte Himmel ("The Fifth Sky") retrieves those pieces which were denied a place on the or…
In die Nacht
Bureau B reissues Asmus Tietchens' third solo album on Sky Records, originally released in 1982. It stands to reason that any musical journey undertaken by a skeptic like Asmus Tietchens is destined to head into the night (In die Nacht) rather than into the day. In die Nacht, the third album in the so-called time signal ("Zeitzeichen") phase, continuing in the same vein as Biotop (BB 141CD/LP) and Spät-Europa (BB 142CD/LP), while laying down its own stylistic markers, no doubt attributable to th…
Litia
LP version, on 180 gram vinyl. Released in 1983, the Litia album concluded Asmus Tietchens' études phase and bid a farewell to rhythmic synths -- well, almost. All the signs of "pseudo pop" as heard on Biotop, Spät-Europa, and In die Nacht resurfaced: squeaky sounds and protracted, rattling rhythms grouped into abstract forms through their accentuated artificiality. Sporadic noisiness is as much a part of it as is a winking gesture, which should not detract from the basic sobriety of the work, h…
Fast ohne Titel, Korrosion
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a comment on the current state of noise music, serious music or both? As a pioneer of electronic composition his work spans over three decades and doesn't fit easily into any one category. Early recordings ranged from experiments with tape machines and elect…
Stupor Mundi
Part 14th in the ongoing re-release series of all early Asmus Tietchens Vinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor Geometrico EGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Marches funèbres
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.