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Bellows

Handcut
bellows is the duo of giuseppe ielasi and nicola ratti and ‘handcut’ is their second project. originally released on lp on alga marghen / planam, this cd reissue is expanded with 23 minutes of unreleased material recorded one year after the first sessions. for ‘handcut’, bellows used a simple technique of cutting / destroying and amplifying vinyl records with contact microphones, creating new grooves and physical loops while capturing the sounds on a revox tape machine with long tap…
220 Tones
Last copies...Die Schachtel is proud to present 220 Tones, a disc that points out a  crucial change in the artistic life of the well-known guitarist and composer Nicola Ratti. This brand new dimension strengthens the craftsmanship to which this amazing artist has accustomed us and, at the same time, marks out the discovery of a melodic side of rhythm and a new taste for electricity used as creative energy.In 220 Tones, Nicola Ratti chose to play instruments that cannot live without electr…
(third) Stunt
This new Ielasi album is the final part of a trilogy started in 2008 with the “Stunt“ EP on Schoolmap. The series only source material is one turntable and a large selection of vinyl records; pulses and rhythms being the main organisational/compositional principles. Ielasi focuses on the (audible) physical gesture of actually playing these records, a technique borrowing heavily from turntablism in hip-hop music, in contrast to the more anthropologic sampling techniques of plunderphonia. T…
Lieu
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
15 CDs
restocked: Analogue synth and field recordings, re-played through CDJs. Starting out as an improvising guitarist in the late 1980s, Giuseppe Ielasi's current work is mainly studio-based compositions utilising records and CDs, and creating pieces for theatre and film. His solo shows, which take the form of multichannel diffusion and recomposition of pre-existing pieces and fragments, create complex site specific audio works. He also plays in Bellows (with Nicola Ratti) and Oreledigneur (wi…
Tools
restocked...Tools is the latest creation from Italian experimentalist Giuseppe Ielasi. While Ielasi's work over the years as a guitarist and drone artist has become highly regarded his work on 2009's Aix (12k1051) completely broke that mold, turned heads, and quickly became one of his most critically acclaimed releases. The fractured, almost jazz-like rhythms pieced together from sampled fragments that graced Aix has been taken one step further in concept with Tools. Created as singular s…
15tapes
RESTOCKED, brand new Giuseppe Ielasi CD on his own Senufo art editions: “15tapes” is a suite of 15 short pieces, very different in character and dynamics, edited from improvisations on various tape machines. the music was recorded during the year 2009, and then edited, recomposed and mastered in tübingen, april 2010. total lenght 20 minutes. artwork by alessandro brivio, beautifully letterpressed by ben owen / middle press.
Ode
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…
I/D/V 02 [GUITAR]
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considered as a mere quantity of time, but as the subjective relations that we establish within time’s dimension. Twelve participants to the first two releases contribute one minute-long track and two locked grooves (of 1.8 seconds at 33.1/3 rpm). Each record…
(another) stunt
(another) Stunt is the second part of a trilogy started in 2008 with the ‘Stunt’ EP on Schoolmap: the series is based on the use of one turntable and a large selection of vinyl records as sources for raw material, and pulses/rhythm as main organisational principle. The focus on the physical gesture of playing the records – fully recognisable after the editing and the assemblage – is probably more related to the kind of “turntablism” familiar to hip-hop musicians, than to other plunderphonic-rela…
Stunt
‘Stunt’ is the first in a series of three EP’s which represent an interesting stylistic departure from Ielasi’s previous work. The series is focused on the use of one turntable and a large selection of vinyl records as sources for raw material, and pulses/rhythm as main organisational principle. The basic sound material, in the form of short segments and loops or longer and more complex improvisations, was collected over the course of three months, using techniques influenced more by “turntablis…
From the Desert Came Saltwater
Italian-born multi-instrumentalist and architect, Nicola Ratti, presents his debut for Anticipate. Nicola's music can best be described as warm, subtractive rock, whereby he reduces guitar figures and piano passages into quiet explorations of the hidden corners of an otherwise familiar sound. Guitars twang with slight and spacious percussion and softly hushed (occasional) vocals and atmospheric twinkles congeal into a carefully-composed re-imagining of music. In terms of situating this album in …
Zondag
The Dutch word zondag translates as Sunday in English and indeed these improvisations were recorded in a single day, a Sunday in January 2005. Quite in contrast with the speed of the recording, the recordings themselves were then shelved for no less than 2,5 years before they were revised by Roel Meelkop in June 2007. This CD, smartly packed in cardboard material as used for cardboard boxes, lists exactly who does what on the sleeve. Meelkop plays on Roland SH-101, Ielasi plays guitar, De Waard …
august
12k presents the latest solo work from Italian composer Giuseppe Ielasi. August is the 4th full-length cd from Ielasi following his critically acclaimed debut Plans (Sedimental, 2003) and the stunning Gesine and s/t (Häpna, 2005, 2006).August takes a more linear approach to Ielasi’s composing with sounds stretched like like layers of gauze forming a thick, soft blanket. Utilizing piano, hammond organ, guitars, dobro, synthesizers and shortwave radio, Ielasi creates deep, warm drones and suspende…
Flore de cataclysmo
This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks with Ielasi (guitar) adding an almost alien warmth to the group sound. Intense sonic impact yet transparent and sparse enough to navigate with alert senses, the whole disc has an ambitious arc that one may miss when caught in the web. Doneda's comme…
Bellows
Giuseppe Ielasi and Nicola Ratti: guitars, percussion, turntables, electronics. Recorded and mixed in april-may, 2006. Collages by Michel Doneda. "Another gem from the Kning Disk catalogue, this album by Giuseppe Ielasi and Nicola Ratti takes up a little more bandwidth than Ielasi's recent 12k album, and over the course of these seven untitled pieces you'll hear tangles of light, impressionistic post-rock laced with microsound-style field recording examinations and feedback tones. The first coup…
Night life
Korm Plastics is proud to present the eigth release in the brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative project; a …
Right after
Right After is a remarkably subtle album of duo electronics by two relatively young Italians with roots in avant-garde improvisation. While Giuseppe Ielasi began his career as a guitarist and Domenico Sciajno was an improvising bassist of note, both gradually moved into the area of pure electronics and sound manipulation. A fine balance of pristine, crystalline sounds and earthy scrabbling noises is shown from the first track, ²at a greater distance² which offsets pinging, high pitched tones tha…
Plans
Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dmon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dmon expands their fragmentary approach extending it to the field of postproduction. The recorded music has been fragmented and re-compos…
s/t
Following last year's incredible 'Gesine' comes Italian experimental guitarist Giuseppe Ielasi's latest full-length, an album which may come as something of a surprise to fans of his earlier work. The obvious inclusion of electronic elements comes at an odd time when the majority of experimental musicians seem to be moving further away from anything electronic rather than embracing it, yet Ielasi manages to infuse a glitchy almost minimal techno frame with the most intriguing guitar structures t…
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