Benjamin Duboc
En Corps
2012 release ** "Two for two, Dark Tree. Last year’s Pourtant les Cimes des Arbres was a challenging, powerful piece of music, a perfect snapshot of the bold, demanding improvisation currently being produced on the French scene. It was also a hell of a way to launch a record label. So, even after multiple listenings, it’s still a little hard to digest the fact that their follow-up—En Corps, with Eve Risser on piano, Benjamin Duboc on bass and Edward Perraud on drums—is even more challenging and …
Sens Radiants
2014 release ** "Recorded at the Écouter pour l’Instant Festival in the summer of 2013, Sens Radiants showcases an hour-long performance of Lazro on baritone saxophone, Duboc on bass, and Lasserre on a stripped-down drum kit. In true European tradition, the trio has always presented a music that seems completely divorced from any of free improvisation’s jazz heritage. Like Portant Les Cimes Des Arbres, Sens Radiants is steeped in rhythm, though not of the toe-tapping, beat-counting sort. There’s…
Standards Combustion
Trio with Daunik Lazro on tenor sax, Benjamin Duboc on bass and Mathieu Bec on drums. The album is entitled Standards Combustion, 9 tracks, mostly jazz standards, 2 Ayler compositions, 2 by Coltrane, 1 by Lacy and 1 by Shorter…
Recorded at Les Instants Chavirés, Montreuil, France on November 17 and 18, 2022.
Le Funambule
With mystery and drama the duo of clarinetist Sylvain Kassap and double bassist Benjamin Duboc start their performance with whisperings, Kassap's expanded range and vocabulary on the clarinet evocative against Duboc's strong bowing and plucking, as they both take their listeners across a tightrope of carefully balanced, masterfully evolving free conversation.
Pourtant Les Cimes Des Arbres
**2020 stock** I am not sure whether the French or English translation do credit to Japanese haiku master Bashō's original verse, yet the music on this fantastic album by the French trio Daunik Lazro on baritone saxophone, Benjamin Duboc on bass and Didier Lasserre on snare drums and cymbals manage to evocate the short poem's wonderful power. All three musicians understand the power of restraint, the value of less-is-more to create depth and tension and beauty, and they also manage to play in…