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Blackhumour

The blackhumour audio project had its beginnings in early 1982 with the first few experiments Frazer Hall was doing on his teac 4-track reel-to-reel recorder "Since 'snakes in an atheist's grave' (1984), NO blackhumour piece has used anything other than found object (spoken) human voice and editing techniques. (since 1986, digital editing has been included, thanks to inexpensive digital sampling.) I wanted the sound source to be absolutely basic. The human voice speaking was about as basic as i could get."
The blackhumour audio project had its beginnings in early 1982 with the first few experiments Frazer Hall was doing on his teac 4-track reel-to-reel recorder "Since 'snakes in an atheist's grave' (1984), NO blackhumour piece has used anything other than found object (spoken) human voice and editing techniques. (since 1986, digital editing has been included, thanks to inexpensive digital sampling.) I wanted the sound source to be absolutely basic. The human voice speaking was about as basic as i could get."
Engines Of Desire
Since the early 80s, Blackhumour has been stubbornly dedicated to an investigation of the cracks which exist in common speech practice and the vacancy of the signifier. Vocal event is mined for stochastic determinism and glottal smut. While affini…
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