We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Tip! *2024 stock* Recorded at Arsenic - Centre d’art scénique contemporain in Lausanne, Switzerland, October 2016 by Ivan Verda. This record contains a single long and intense track, with a subtle and noisy character, a deep introspection into the feedback and layers of elusive electronics. A contemplative and intense journey. Recorded a few years ago at Arsenic - Center for Contemporary Scenic Art in Lausanne, Switzerland and reworked several times in recent years by the artists.
Eternities is a collaboration between bass clarinetist Katie Porter (Utah) and sound artist Bob Bellerue (NYC). Their work is inspired by deep presence, resonant feedback, melodic drone, and overtone magic, in the fluid realm between intention and indeterminacy. Katie Porter is a clarinetist and curator specializing in experimental music. Passionate about fostering musical communities, she co-founded Listen/Space in Brooklyn, the Listen/Space Commissions in the mountains of Utah, and the bienni…
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
* Edition of 300. Gorgeous double-CD packaged inside a full-color, eight-panel, heavyweight digipak. Multifold full-color insert with photos and liner notes included. * Quoting Frans de Waard, Vital Weekly "The music is intense on every level, and there is a great underlying tension in these pieces, a mysterious force if you will." Recorded on the hottest days in the longest year, Bob Bellerue's "Radioactive Desire" is a work for free chamber music in feedback environments. Simple improvisationa…
**2021 Stock** Bob Bellerue's new double-LP, "Music of Liberation," is a careful and intricate album of textured drone and shapely noise. Like the greatest works by post-industrial masters David Jackman (Organum) and Steven Stapleton (Nurse With Wound), its power lies not in harshness, but in dynamic spectral intensity. These are minutely composed pieces with very great attention paid to timbral details and variances.
Through the last few years, Bellerue has released a series of highly acclaimed…
Two intense tracks from New York based noise artist, sonic multitasks master and festival organiser (the famous Ende Tymes every year in NYC, as well as working for years at Issue Project Room). Bob Bellerue creates living visceral sonic organisms with feedback and amplification in specific resonant spaces, using electronics, voices or even Supercollider, resulting in massive wild evolving and mutating drones into outbursts of noise deflagrations - a tension between hellish tellurism and multidi…
Bob Bellerue is a New York based composer, sound activist and artist. His, to us, highly important releases “Brokelyn” (LP, Love Earth Music 2014) and “Damned Piano” (2xLP, Anarchymoon Recordings 2015) were quietly released and distributed but left a deep impact on everyone it reached. The iDEAL office were very happy to receive an offer to release more piano manipulations by mr Bellerue, further examples of one of the most interesting electro-acoustic noise artists active today. His acti…
"This epic and at times over the top work fully delivers on its forthright title, which suggests the instrument in question at best deserves expletives and at worst warrants an exorcism. There’s no melodic ivory tinkling to be found here – Bellerue positions various objects on the body of the piano and its soundboard to draw out their resonant properties, then amplifies the results to cacophonous volumes. Over its four-part 64 minute duration, Damned Piano segues from looming, opaque, abraded dr…