Chris Forsyth
Solar Motel (Expanded)
*2024 repress* Over the last two decades Philadelphia-based guitarist Chris Forsyth has released over a dozen critically lauded albums that have established him as one of today’s most unique and acclaimed guitar player /composers – a forward-thinking classicist synthesizing cinematic expansiveness with a pithy lyricism and rhythmic directness that makes even his 20-minute workouts feel as clear, direct, and memorable as a 4-minute song. In retrospect, Forsyth’s career can be divided into two per…
Evolution Here We Come
"It’s been a minute since we’ve thought much about ‘evolution.’ Most folks these days seem focused more on change, which perhaps is as it should be—change involves things we can more readily control, or so we think. Surrounded by more global catastrophe and local collapse than we can measure, the idea of ‘evolution’ feels almost quaint, like something we literally might not have time for. But Chris Forsyth’s Evolution Here We Come suggests that we do. It reminds us that we can fight for the futu…
First Flight Redux (Harrington Dub)
On “First Flight Redux” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
Intensity Ghost
Intensity Ghost is the first studio release by Chris Forsyth with the Solar Motel Band (the new group formed in the wake of his critically acclaimed 2013 solo record Solar Motel) and it's a career-defining statement of purpose and a near virtual history tour of late 20th century electric guitar, touching on widescreen psychedelia, art rock, the late-70's New York scene, and the melting pot of early 90's underground bands, but writing a whole new chapter, unforeseen by most in 2014.
Solar …
Third
We’ve been great fans of ‘The Duchess of Oysterville’, the first outing from the duo of Chris Forsyth & Nate Wooley on cd some years ago on Creative Sources (with a follow-up later on Chocolate Monk), and had been looking for an opportunity to work with them if possible. Their duo is one of those cases that reveal different and unexpected qualities from the participants, and points to a third mind of shorts at play, a meeting that seems to open up the two towards an underexplored territory. With…
Kenzo Deluxe
Guitarist Chris Forsyth is a unique voice in the realm of American music, having emerged from the challenging free form expressionism of his old group Peeesseye with a lyrical command rare in any genre. His newest work brings his trademark lyricism to new heights in his most straightforward setting yet. Gone are the fleshed out rock band arrangements of last year’s Paranoid Cat LP, replaced on Kenzo Deluxe, by Forsyth shunning overdubs and playing his transcendent songs alone in a room on his el…
Dreams
Dreams is a reissue of Chris Forsyth's second solo album. In 2009 Forsyth pressed up 100 LPs for a European tour and created quite an uproar of approval by the heads who managed to score a copy. Now available again, Dreams rightfully shows Forsyth at the creme of American guitarists who blend masterful skill of country/blues with sometimes violent aggression or mind-bending arrangements. Dreams was recorded and mixed between 2007 and 2009 and catches Forsyth in the studio layering acoustic and e…
Paranoid Cat
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
![I/D/V 02 [GUITAR]](https://cdn.soundohm.com/data/products/2023-10/R-1861828-1248508255-jpeg.jpeg.500.jpg)
I/D/V 02 [GUITAR]
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considered as a mere quantity of time, but as the subjective relations that we establish within time’s dimension. Twelve participants to the first two releases contribute one minute-long track and two locked grooves (of 1.8 seconds at 33.1/3 rpm). Each record…