Christoph Schiller
Hyazo
A new album from the trio who released Tse in 2016, and - along with violinist Angharad Davies - Awire in 2018. Three compositions of quiet and delicate beauty, two by Christoph Schiller, and the title track by Cyril Bondi.Cyril Bondi: Indian harmoniumPierre-Yves Martel: viola da gambaChristoph Schiller: spinet
Unconscious Collections
Three fresh and engaging pieces recorded during a meeting in Basel in June 2019 of Argentine guitarist Tomás Cabado and Christoph Schiller on spinet. The first piece is an improvisation, the second a composition by Christoph Schiller, and the final piece is composed by Tomás Cabado.
Zeitweise Leitcher Schneefall
**300 copies** "One aim of improvised music is to create unprecedented sounds. And by specializing in the textures that can be extracted from the spinet, the piano’s 18th Century ancestor, keyboardist Christoph Schiller, who now divides his time between Basel and Weil am Rhein is firmly involved in this trope. On this hushed, microtonal CD, Schiller applies his tweaking of the traditional keyboard to responsive sounds from an instrument as venerable as his, Anouck Genthon’s violin on Zeitweise L…
Awirë
Cyril Bondi, Pierre-Yves Martel and Christoph Schiller formed a trio in 2017 and recorded a set of studio pieces which became the CD Tse, which was released on Another Timbre in 2018. The CD was very successful and has nearly sold out. On the back of that CD, the trio did a brief tour of Europe in October 2018, and played at Cafe OTO in London together with violinist Angharad Davies. The trio played a set, followed by a solo by Angharad, and then for the final piece the trio joined forces with A…
Tse
Beautiful and thoughtful music by the trio comprised of Cyril Bondi (indian harmonium, pitch pipes), Pierre-Yves Martel (viola da gamba, pitch pipes), Christoph Schiller (spinet). Improvised, but on the basis of a pre-agreed sequence of pitches, allowing the musicians to explore melody in a way that is rare within improvisation. "Five pieces by a new trio, who improvise but on a pre-agreed sequence of pitches, allowing a much greater use and exploration of pitch and melody than is usual in impro…
Spinet and Violin
Recorded At Christoph Schiller's Atelier, Basel. Painting by Andrew Lutz. Recorded By – Christoph Schiller, Morgan Evans-WeilerSpinet – Christoph Schiller, Violin – Morgan Evans-Weiler
Spinet, 2016
Christoph Schiller, spinet.
Christoph Schiller was born in 1963 in Stuttgart. He studied fine arts at the Kunstakademie Stuttgart and HfBK Hamburg. He later studied piano with Daniel Cholette and music theory in Basel. He has been playing concerts of improvised music on piano since 1987. In recent years the piano has been abandoned in favour of the lighter spinet, for which he has developed specific playing techniques which are influenced by inside piano techniques. Besides keyboard instruments …
Variations
First solo work from Christoph Schiller for spinet, amplified objects and piano. Christoph uses a simple but brilliant structure which combines improvised pieces in a unique chain-like pattern of repetition and development
Kolk
Christoph Schiller (spinet & preparations), Birgit Ulher (trumpet, speaker, radio & objects). Five tight, close, and immaculate improvisations from the leading exponents - abusers of improvised trumpet and spinet. Recorded in Hamburg in October 2010, and sounding like nothing else.
Luftwurzeln
Old and new. This new CD on Matchless by Sebastian Lexer and Christoph Schiller keeps bringing these opposite ends of a spectrum to mind. If Schiller has taken an old instrument, a spinet, and approached it in new ways, then so has Lexer, whose Piano+ digital enhancements of a standard grand piano are as exciting a new development to that instrument as I have seen in years. The music on Luftwurzeln then also spans across that same wide divide. Improvised music in London has been evolving …
Grape Skin
The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland. "Music of delicate tension and great assurance, recorded in 2010 in the spectacular church at Ligerz, overlooking Lake Biel in Switzerland. "The generous acoustic of the church influenced our playing. We had to deal with space and silence....I think you can hear that in our music" Jonas Kocher
Giles U.
The tuba's bass sounds are in complete contrast to the higher pitches of the spinet, bringing to mind cartoon images of an elephant and a mouse. But none of that concerned Hübsch and Schiller when they first played together in 2008-09; they felt a strong connection in their playing - it remains obvious here. Both have modified their instruments, in the process getting rid of the seeming disparity. Schiller's spinet has become a semi-percussive instrument, amply illustrated by this CD's opening s…