Recorded in Bad Zwischenahn in early 2016 as two live performances captured to a Zoom H4 - small Eurorack case, mixer, a couple of guitar pedals - Trübhand is built around long, slow modulations and resonant structures that rise and fall trying to find definition within the flat north-German landscape Fyans was living in. The methodology is patient sculptural patching, allowing time to do the structural work; the affect runs to the muted, modular drone shaped by its making.