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*In process of stocking* Released towards the end of 1989, La Mosca was the last job by the mythical Eduardo Mateo (1940-1990), one of the most influential artists in Uruguayan music. Although Mateo was a remarkable percussionist and was very well kn…
* 2021 Stock* A record that requires many superlatives in order to do it justice: from it’s first moments, the music is lilting, poetic, intimate, in turns life-affirming and melancholic, with pulsating percussion backed by unheard-of guitar chords a…
**300 copies. 140 gram vinyl with OBI & Insert** Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadn´t collaborated in a project since 1969. Both…
LP version. Synth ambiences, acoustic landscapes, deep songwriting, and subtle candombe percussions combine in most of the musical output released in Uruguay during the '80s. A very unique sound was developed within the narrow boundaries of Montevide…
**500 copies, 2019 stock** Cuerpo y Alma was Eduardo Mateo's second record as a soloist, recorded between 1981 and 1984 and originally released by Sondor in 1984. It finds Mateo experimenting with percussion and drawing influence from Hindu music. Ed…