We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Before Don Cherry appeared in Ornette Coleman's quartet, the band's trumpeter was Bobby Bradford. Responsibility for his family dissuaded him from his career as a nomadic musician. It's a well-known story, but it's hard not to wonder "what would have happened if Bradford had stayed in New York and continued to create with Coleman?" This thought is even more intriguing when we learn that the marriage, which dominated the development of the young musician, broke up in 1970.I like to think that if …
"At first glance this new CD on PNL looks like familiar territory - a trio recording with two known collaborators of Nilssen-Love: Accordionist Kalle Moberg have become a steady and important voice of the Large Unit sound over the last ten years, and Frode Gjerstad truly needs no introduction - him and Nilssen-Love have played together for 30+ years.
And while this trio is a new constellation, a combination that is good news in itself, "Time Sound Shape" offers another, bigger surprise: this is …
Recorded 41 years ago this month, Detail-90 (available as LP or download) presents two side-long improvisations from the seminal free jazz unit: Norwegian alto saxophonist Frode Gjerstad, expat American bassist Kent Carter and British drummer John Stevens (who died in 1994). By this stage the group was eight years old, with the only significant change being the passing of original member South African bassist Johnny Dyani in 1986. However the shift in personnel didn’t alter the trio’s essential …
**400 copies** Blue Cat is a great live recording taken in June 1991 by Frode Gjerstad in Albany, London, during a UK tour. Musicians on these recordings are: Bobby Bradford - cornet, Frode Gjerstad - alto saxophone, Kent Carter - acoustic bass, John Stevens - drums. Mastered by Arūnas Zujus at MAMAstudios, design by Oskaras Anosovas. Though not specifically billed as such, this archival release from NoBusiness captures a recording from a 1991 UK tour of the group Detail in a quartet formation …
Recorded at Staccato Studios, Stavanger, Norway on 12th October, 1982 by Kjell Arne Jensen - with Frode Gjerstad - tenor and soprano saxophones, Johnny Mbizo Dyani - double bass and John Stevens - drums. Re-mastered by Arūnas Zujus at MAMAstudios. Cover drawing by Tora Fredrikke Helle, photos by Judith Sørvik, liner notes by Frode Gjerstad.
Featuring Frode Gjerstad on alto sax & clarinet, William Parker on contrabass and Hamid Drake on drums & percussion. Norwegian saxist Frode Gjerstad is one of the most prolific and hard working of all European saxists, a career that stretches back some forty plus years, with upwards of 100 releases during his long tenure. Mr. Gjerstad is forever juggling several bands simultaneously: Detail (with John Stevens & Johnny Dyani), Calling Signals (with Nick Stephens), Ultralyd (Scandinavian noise/roc…
Frode Gjerstad, alto saxophone, Bb clarinet. Jon Rune Strøm, double bass. Paal Nilssen-Love, drums & percussion. Recorded live in concert at Casa del Popolo, Montreal, Canada on the 27th of November 2015 by Mathieu Bélanger. Mixed and mastered by Frode Gjerstad. Photos by Petra Cvelbar. Cover design by Lasse Marhaug. Produced by Frode Gjerstad Trio.'Frode Gjerstad and Paal Nilssen-Love collaboration goes back to 1992 when Paal joined Frode's Circulasione Totale Orchestra as their second drummer.…
400 copies. Cornetist Bobby Bradford and saxophonist Frode Gjerstad have been performing together since they were first introduced in 1986 by drummer John Stevens . Bradford and Gjerstad’s associations date back almost 30 years to their pivotal posts in Detail, Stevens’ short-lived quartet with bassist Johnny Dyani. A bond forged, they reconvened in a variety of contexts over the intervening years. Their most recent collaboration took the form of a quartet with bassist Ingebrigt Haker Flaten and…
"Sometimes there are weird coincidences. When we got new albums on our review list recently, many of them included reminiscences of the golden jazz eras in the 1950s, 60s and 70s. Rob Mazurek's Pulsar Quartet sometimes sounds like the seminal Miles Davis Quintet, Sam Rivers' trio with Dave Holland and Barry Altschul brings back memories of his RivBea studio days, Michael Blake taps the great jazz-rock bands of the 70s, Joe McPhee's plays "Naima" and "Round Midnight" on two new reissues, and even…