Gen Ken Montgomery
Ken Montgomery is an electronics explorer who once ran a tiny record store in the East Village called Generator, hence the name Gen Ken. In 1989, Montgomery founded Generator, the first sound art gallery in New York City (1989-1992). He continues to produce concerts and recordings of his work and other sound artists.
Ken Montgomery is an electronics explorer who once ran a tiny record store in the East Village called Generator, hence the name Gen Ken. In 1989, Montgomery founded Generator, the first sound art gallery in New York City (1989-1992). He continues to produce concerts and recordings of his work and other sound artists.
No Borders (LP)
Rare and great post-industrial experimental compilation edited by the Haters' GX Jupitter-Larsen presenting very obscure Canadian projects available only here - Si Monkey, .08, Xyster and L.C.D. Grey - plus the outstanding Italian master M.B, privately released in a numbered edition in 1982. With booklet.
Improvised Music
Mail collaboration for electronics, violin, and audio letters.
Drilling Holes In The Wall
2007 release ** "The sounds on Drilling derive mostly from modified toy synthesizers, hooked to a variety of electronic devices such as a film projector or a lamination machine. With these, he constructs pieces that move freely between the worlds of sound art and improvised music. Montgomery works along paths determined by the instruments and appliances he uses, but the overall structure is open. Deliberate variations in density and texture do occur as do climaxes, but the pieces often take unex…
Cas-Con II
As part of our series "Experimental Electronic Underground GDR", we are very pleased to be able to make a very special recording available again. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label Krötenkassetten. The elaborately restored original recording…
Endogeny
"I am not entirely sure, but I don't think I reviewed 'Endogeny' when it first came out on Direction Music in 1990. Hearing the music I am not even sure I heard it, even when being in contact with the label at that time. I surely heard Gen Ken Montgomery's music by then and was always fascinated by that, his connection to Conrad Schnitzler and his Generator space in New York, which was a venue doubling as a shop (or vice versa) for weird music. The pieces here are for various instruments that we…
Postcards
Gen Ken Montgomery ran a tiny record shop and sound art gallery called Generator in downtown New York — one of the first such spaces in the city — and it was from here that his practice took shape. A self-taught autodidact with no formal training in music or art, Montgomery built his first tape in 1981, Gen Ken and Equipment (150 copies), from cheap synthesizers, toy instruments, household gadgetry, and electric machines: an ice crusher named Icebreaker, an aquarium pump, a refrigerator, a shoe-…
Birds + Machines
Co-founder of Pogus with Al Margolis, Gen Ken Montgomery is often unfairly disregarded when assessing the history of radical music in the last half-century. This collection – another clarification of a unendingly probing creativity – examines works from the decade in which the American composer’s terminology was first met by yours truly, at that time seriously hooked in the unearthing of entrancing materials of post-industrial derivation. But don’t let this piece of news mislead you: Montgomery’…
Pondfloorsample
These two discs represent some of Gen Ken Montgomery's sound art and compositional work from 1981-2001. Pondfloorsample is a collection of sonic explorations utilizing common devices meant to hold something other than sound. As with much of his sound work, the sonic material contains many sounds of everyday life. Having composed extensively for multi-channels, Pondfloorsample was specifically designed as a stereo audio piece enabling Montgomery to reach a larger audience."His work always begins …